star by 2hollis
64
ChoruScore
4 reviews
Apr 4, 2025
Release Date
2hollis under exclusive license to Interscope Records
Label

2hollis's star opens with glossy, festival-ready bravado and recurring flashes of character that make a persuasive case for his pop ambitions. Across four professional reviews the critical consensus lands on a pragmatic note: star contains vivid high points but too often substitutes style and production polish for memorable songwriting. The record earned a 64/100 consensus score across 4 professional reviews, a signal that critics praise the craft while questioning long-term staying power.

Reviewers consistently point to a cluster of standout tracks that define the album's appeal. Critics praised “girl” and “tell me” repeatedly for blending theatricality with vulnerability, while “destroy me” and “flash” register as the record's floor-fillers and energetic peaks. Comments from Pitchfork and NME emphasize how pulsing bass and cinematic details turn those best songs on star into immediate, dance-ready moments; Slant and The Needle Drop likewise acknowledge production competence even as they fault several mid-album cuts for forgettable hooks.

Thematically, reviewers note a tension between mythmaking and emotional exposure - a cultivated persona of stardom, performative indifference, and festival hedonism that occasionally yields genuine vulnerability. Some critics applaud the album's genre-blending of EDM, hip-hop, and pop chart instincts; others argue those same choices produce a sheen that obscures a clearer identity. For readers asking whether star is worth a listen, the consensus suggests selective enthusiasm: seek out “girl”, “tell me”, “destroy me” and “flash” for the record's most compelling moments, while recognizing the album's uneven songwriting keeps it from claiming essential status in 2hollis's catalog.

Critics' Top Tracks

The standout songs that made critics take notice

1

tell me

4 mentions

"‘Tell Me’ rattles with paranoia, 2hollis going from nonchalant flexing to ragged yells, demanding “ just tell me, are they looking at me ”."
New Musical Express (NME)
2

beginning

2 mentions

"“ You’re now witness to something great ,” he intones, cult leader-like, on the introduction."
New Musical Express (NME)
3

girl

4 mentions

"The funereal seduction ‘Girl’ is an album standout, church bells tolling as 2hollis breathlessly marvels"
New Musical Express (NME)
‘Tell Me’ rattles with paranoia, 2hollis going from nonchalant flexing to ragged yells, demanding “ just tell me, are they looking at me ”.
N
New Musical Express (NME)
about "tell me"
Read full review
4 mentions
70% sentiment

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

beginning

2 mentions
100
01:28
2

flash

3 mentions
100
02:44
3

cope

4 mentions
67
02:45
4

you

2 mentions
10
02:23
5

tell me

4 mentions
100
03:56
6

destroy me

4 mentions
88
02:43
7

burn

3 mentions
100
03:37
8

girl

4 mentions
100
03:06
9

dream rain sports

2 mentions
78
02:08
10

nice

3 mentions
94
02:22
11

nerve

4 mentions
70
02:55
12

ego

2 mentions
83
01:04
13

sidekick

3 mentions
82
01:18
14

eldest child

3 mentions
02:38
15

safe

3 mentions
02:52

What Critics Are Saying

Deep insights from 5 critics who reviewed this album

Critic's Take

Hi, everyone. In assessing 2hollis's star, the review makes clear the best tracks are front-loaded - notably “Flash” and the sharper moments like “Flash” rather than the forgettable mid-album cuts. The critic praises the record's production competence and tight transition into “Flash”, but repeatedly faults songs like “Girl” and “Eldest Child” for flimsy songwriting that fails to stick. Overall the album reads as a savvy, trendy calling card that lacks the distinct fingerprints or memorable songwriting to elevate it into lasting best tracks on star.

Key Points

  • The best song moments are early, with "Flash" singled out for its tight transition and crisp production.
  • The album's strengths are production competence and genre variety, but it lacks memorable songwriting and a distinct artistic fingerprint.

Themes

genre-blending mainstream trendiness forgettable songwriting production polish vs. lack of memorability

Critic's Take

2hollis stakes out a cooler, more cinematic terrain on star, where the best tracks - notably “Tell Me” and “Girl” - serve as charged vignettes of fame and desire. The reviewer’s voice relishes the album’s chrome-plated details, praising how “Tell Me” rattles with paranoia and how the funereal seduction of “Girl” makes it an album standout. There is also warmth in quieter moments like “Eldest Child”, which peels back the curtain to reveal genuine emotion. Overall, the best songs on star balance theatricality and vulnerability, making the album feel earned rather than merely flashy.

Key Points

  • “Girl” is the album standout for its funereal seduction and vivid imagery.
  • The album’s core strengths are its cinematic production and the balance of theatricality with genuine vulnerability.

Themes

stardom and fame isolation theatrics and performance hedonism and hollowness vulnerability

Critic's Take

2hollis returns with star, a wired-up, festival-ready set that casts him as a reluctant cult leader while still crafting love songs. The review prizes the center-section high-energy “Destroy Me” and the taut, nervous catharsis of “Tell Me” as the record's best tracks, both marrying pulsing bass with candid vulnerability. Elsewhere, club-focused heaters like “nice” and “nerve” prove the album's floor-filling instincts, even as quieter attempts such as “cope” and “eldest child” undercut momentum. Overall, the album's clean textures and lean arrangements make its best songs stick - they translate the mythos into ecstatic, readable pop.

Key Points

  • “Destroy Me” is the album’s centerpiece for its sweaty electro-pop urgency and thematic pivot into cult-leader persona.
  • star’s core strength is translating internet mythos into lean, festival-ready dance-pop that balances vulnerability with stadium-sized production.

Themes

fame and idolization festival-ready dance-pop emotional vulnerability mythmaking and persona

Critic's Take

2hollis keeps polishing his pop craft on star, and the best songs here are the ones that marry propulsion with character, notably “Girl” and “Cope”. Paul Attard’s voice admires how “Girl” pairs a spasmodic flow with fidgety bells while praising the minimalist charm of “Cope”, which proves Hollis can still land memorable melodies even when he strips things back. The record aims squarely for the pop charts, favoring short, hook-driven blasts like “Destroy Me” and “Nice” that hit with artillery-like precision. Yet the review also flags a central problem, that four albums in we still know little about the person beneath the persona, which keeps the praise measured rather than unequivocal.

Key Points

  • The best song, "Girl", stands out for its propulsive beat and perfectly matched rap flow with Yeat-esque bells.
  • The album's core strengths are short, hook-driven pop songs and a blend of EDM and hip-hop production, though personal depth is lacking.

Themes

celebrity paradox performative indifference pop chart ambitions identity uncertainty EDM and hip-hop fusion