Alice Cooper The Revenge Of Alice Cooper
Alice Cooper's The Revenge Of Alice Cooper arrives as a triumphant, nostalgia-tinged comeback that reunites the original band energy with modern clarity. Across three professional reviews the record earned an 85/100 consensus score, and critics repeatedly point to performances and songwriting that favor artistry over cheap shock. The opening mood-setter “Kill the Flies” emerges as an immediate standout, while “Blood on the Sun”, “Wild Ones” and “See You on the Other Side” are cited as the best songs on the album for balancing punch, melody and emotional heft.
Critics consistently praise Bob Ezrin's production and the live-in-studio feel that restores the 1970s ethos without lapsing into pastiche. Reviewers note the reunion chemistry - Buxton's return is singled out on “What Happened to You” - and credit the band for privileging guitar solos, collaboration and old-school recording approaches. PopMatters highlights the album's blend of humor and pathos, Under The Radar emphasizes blistering solos and the record's immediate momentum, and Record Collector frames the project as a necessary revival rather than a nostalgia stunt.
While the tone across reviews is overwhelmingly admiring, critics vary in emphasis: some underline the record's theatrical creepiness refined into craft, others celebrate its straightforward classic-rock roar. Taken together, the critical consensus suggests The Revenge Of Alice Cooper is a renewed statement from Alice Cooper that answers the question of whether the reunion was worth it - the score and repeated praise for tracks like “Kill the Flies” and “Blood on the Sun” make a persuasive case. Below, the full reviews unpack where the album ranks in the band's catalog and why these standout tracks define its resurrection.
Critics' Top Tracks
The standout songs that made critics take notice
Kill the Flies
3 mentions
"Cited as a sequel to The Ballad of Dwight Fry, Kill The Flies by Neal Smith is a standout."— Record Collector
Blood on the Sun
3 mentions
"emotional epics such as Blood On The Sun and See You On The Other Side deliver a powerful punch"— Record Collector
Wild Ones
3 mentions
"Songs like Wild Ones and Up All Night charge forward"— Record Collector
Cited as a sequel to The Ballad of Dwight Fry, Kill The Flies by Neal Smith is a standout.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Black Mamba
Wild Ones
Up All Night
Kill the Flies
One Night Stand
Blood on the Sun
Crap That Gets in the Way of Your Dreams
Famous Face
Money Screams
What a Syd
Intergalactic Vagabond Blues
What Happened to You
I Ain't Done Wrong
See You on the Other Side
What Critics Are Saying
Deep insights from 5 critics who reviewed this album
Critic's Take
In this review Saby Reyes-Kulkarni argues that Alice Cooper has reclaimed its mojo on The Revenge of Alice Cooper, with the best songs - notably “Kill the Flies” and “Up All Night” - proving the reunion’s worth. The writing praises the band’s ability to resurrect 1970s ethos while avoiding mere pastiche, crediting producer Bob Ezrin and returning parts like Buxton’s on “What Happened to You”. The reviewer’s voice is admiring and analytical, insisting the album succeeds because the performances feel immediate, alive, and full of artistry rather than cheap shock. Overall, the best tracks on The Revenge of Alice Cooper are singled out for balancing humor, pathos, and classic guitar timbres that make this comeback convincing.
Key Points
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“Kill the Flies” is the best song because it balances humor and pathos while showcasing Furnier fully alive.
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The album’s core strength is reviving the band’s 1970s spirit with immediate performances and respectful production by Bob Ezrin.
Themes
Critic's Take
In this review Frank Valish argues that Alice Cooper’s The Revenge Of Alice Cooper delivers satisfyingly on reunion expectations, with the best songs being the punchy “Wild Ones” and the epic “Blood on the Sun”. He praises the album’s engaging guitar work and blistering solos, noting that “Kill the Flies” perfects the haunting mood the opener tries for, while “Money Screams” and “See You on the Other Side” showcase strong pop and ballad instincts. The review frames these tracks as clear highlights among a record that sounds like 50 years have disappeared in the blink of an eye.
Key Points
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“Blood on the Sun” is best for its epic scope and extended instrumental outro.
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The album’s core strengths are the original-band chemistry, engaging guitar work, and balance of creepiness and cartoonish charm.
Themes
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Critic's Take
In vivacious, old-school prose the reviewer insists Alice Cooper has delivered a triumphant return on The Revenge Of Alice Cooper, pointing to “Black Mamba”, “Wild Ones” and “See You on the Other Side” as the best tracks that prove the band still hits with raw power. The piece foregrounds Bob Ezrin's tight production and the band’s live-in-studio energy, arguing those qualities make the best songs on The Revenge Of Alice Cooper roar like classics reborn. It is celebratory without sentimentality, naming “Kill The Flies” a standout and praising emotional epics like “Blood On The Sun” for delivering a true punch. The reviewer’s voice is admiring and assured, framing these tracks as evidence that the reunion was not a nostalgia stunt but a necessary, vital album.
Key Points
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The best song is "Black Mamba" because it opens the album like a bridge to past glories and 'raises hairs' with vintage power.
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The album's core strengths are tight Ezrin production, live-in-studio energy, and faithful yet revitalised classic-rock songwriting.