Bitchin Bajas Inland See
Bitchin Bajas' Inland See pares back studio artifice in favor of room-warmed performances, and critics point to “Skylarking” and “Graut” as the record's clearest achievements. Across professional reviews the opener “Skylarking” is praised for glowing synth lanes, jangling percussion and earworm melodies that bridge spiritual jazz and new-age ambience, while the 18-minute “Graut” supplies Krautrock pulsations, swelling flutes and a patient arc that ties the album together.
The critical consensus, reflected in an 80/100 score across two professional reviews, emphasizes analog textures, live recording focus and a renewed melodic clarity. Reviewers consistently note the group's debt to spiritual jazz and synth ambience, and they single out “Reno” for its expansive soundworld and “Keiji Dreams” for drifting into detuned drone as effective contrasts to the record's driving momentum. Critics agree the live feel and pastoral melody make Inland See feel more immediate than previous work.
While praise centers on composition and atmosphere, reviewers temper enthusiasm with the implication that the album rewards repeat, attentive listening rather than instant hooks. Taken together, the reviews position Inland See as a focused, melodically strident entry in Bitchin Bajas' catalog that balances drone, synth ambience and Krautrock momentum, and offers clear standout tracks that answer the question of what are the best songs on Inland See for those exploring the record further.
Critics' Top Tracks
The standout songs that made critics take notice
Graut
2 mentions
"on the 18-minute krautrock finale, "Graut," the band shifts upward through the gears"— Dusted Magazine
Skylarking
2 mentions
"Opener "Skylarking" is gently buffeted along by jangling percussion"— Dusted Magazine
Reno
2 mentions
"Though "Reno" is initially built around a rather distant-sounding piano, the piece soon evolves into a rich soundworld"— Dusted Magazine
on the 18-minute krautrock finale, "Graut," the band shifts upward through the gears
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Skylarking
Reno
Keiji Dreams
Graut
What Critics Are Saying
Deep insights from 2 critics who reviewed this album
Critic's Take
Bitchin Bajas' Inland See finds the trio pruning studio trickery in favor of something more alive, and the best songs on Inland See are the ones that let that room-breathed warmth roam: “Skylarking” and “Graut”. The opener “Skylarking” lays out a highway of glowing synth tones, soft percussion and live horns that feel halfway between spiritual jazz and new-age ambient, while closer “Graut” ties the record together across its 18-minute sweep with Krautrock pulsations and swelling flutes. Those two tracks showcase why the album sounds clearer than usual and reward close listening to the details.
Key Points
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The best song is "Graut" because its 18-minute arc unifies the album and showcases the record's range.
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Inland See's core strength is its live, room-recorded clarity that makes dense synth arrangements feel alive.
Themes
Critic's Take
On Inland See Bitchin Bajas deepen the melodic focus first heard on Totality, and the best songs - like “Skylarking” and the sprawling “Graut” - illustrate that clarity. The opener “Skylarking” charms with jangling percussion and earworm melodies, while “Graut” builds krautrock momentum across its 18 minute arc. Elsewhere, “Reno” and “Keiji Dreams” supply contrast, the former expanding into a rich soundworld and the latter melting into detuned drone. The result is a focused, melodically strident record that rewards repeated listening and answers the question of the best tracks on Inland See with substance rather than showmanship.
Key Points
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The best song is "Graut" because its 18-minute build delivers the album's most powerful momentum and payoff.
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The album's core strengths are focused melodies, rich analog textures, and effective live-recorded immediacy.