Blackwater Holylight Not Here Not Gone

Critic's Take

Blackwater Holylight's Not Here Not Gone feels like the album where menace and melody finally reconcile, with songs such as “How Will You Feel” and “Bodies” standing out as best tracks for their balance of foreboding and shimmer. Andy Von Pip's prose praises the thunderous, spellbinding hard rock of “Bodies” and the propulsive drive of “Spades” while noting how quieter pieces like “Poppyfields” strike with sudden intensity. The record is strongest when it knows when to hold back, making those best songs hit harder because of the restraint that surrounds them. Overall, this is the most assured Blackwater Holylight record yet, and these best tracks demonstrate why the band excels in that liminal space.

Key Points

• The best song(s) are most effective because they balance menace and melody, making their impact stronger through restraint.
• The album's core strength is its control of light and shadow, favoring texture and knowing when to hold back.

Themes

Critic's Take

Blackwater Holylight's Not Here Not Gone finds its clearest victories in songs that let heaviness serve feeling, especially “How Will You Feel” and “Void To Be”. Sadie Sartini Garner writes with a composed, observant cadence, noting how the sleetstorm of guitars and meaningful pauses in “How Will You Feel” make it the album's opening and best track. She likewise highlights “Void To Be” for how regret and restraint reshape lust into sober reflection, which helps answer searches for the best songs on Not Here Not Gone. The review frames these best tracks as embodiments of the record's fatigue-and-resistance core, where distortion is tempered by tenderness.

Key Points

• “How Will You Feel” is best for its sleetstorm guitars, meaningful pauses, and tender narration that center the album.
• The album's core strength is using heavy textures to amplify emotional weight rather than shock, creating a fatigued, spectral intimacy.

Themes

Critic's Take

Blackwater Holylight make a compelling case on Not Here Not Gone, where opener “How Will You Feel” and closer “Poppyfields” bookend a moody, cohesive record. Badgley’s ear finds the band at their best when tension meets melody - the slow-burning shifts on “Poppyfields” and the majestic fade of “Fade” stick with you. He singles out the droning instrumental “Giraffe” as a brief but telling pivot, and praises Allison Faris’s vocals, especially on “Fade”. Overall, the review frames the best tracks as those that balance grit and atmosphere, making the album worth repeated listens.

Key Points

• The best song, "Poppyfields", is the standout because it shifts gears and closes the album with a slow-burning, artful finale.
• The album’s core strengths are its moody cohesion, willingness to experiment, and the blend of grit with melodic atmosphere.

Themes

Critic's Take

Blackwater Holylight’s Not Here Not Gone reads like a feverish collision of heaven and hell, where “How Will You Feel?” and “Spades” stand out as the record’s most arresting moments. The reviewer leans into the album’s doomy pop pull, praising Allison “Sunny” Faris’ plaintive voice as it floats over hypnotic fuzz and thunder-y bass, making songs such as “How Will You Feel?” and “Fade” feel both celestial and infernal. There’s admiration for the band’s integration of past textures - the shimmery sorrow of Silence/Motion and the reconciliatory strides of If Only You Knew - which come to fruition here, especially on the nuanced, overwhelming apex that is “Spades”. The record’s blend of beauty, heartbreak and swagger explains why listeners searching for the best tracks on Not Here Not Gone will gravitate to those aforementioned songs.

Key Points

• “Spades” is the best song because it showcases the band at their most nuanced and apocalyptic, with Faris’ voice and the guitars creating a memorable juxtaposition.
• The album’s core strengths are its melding of doom and shoegaze textures, Allison Faris’ plaintive vocals, and a blend of beauty with heartbreak that feels both celestial and infernal.

Themes

Critic's Take

Blackwater Holylight have made on Not Here Not Gone a study in duality, where the best songs - notably “Heavy, Why?” and “How Will You Feel” - turn menace into melody. The reviewer's tone savors the band’s ability to sculpt thunder into transcendence, praising “Bodies” and “Spades” for sludgy psychedelia that still feels luminous. The instrumental “Giraffe” is called a divisive stylistic hinge, and the final track “Poppyfields” lands as a harrowing, necessary coda. Overall, the critic frames these standout tracks as proof that patience and relocation broadened the band’s horizons without blunting their edge.

Key Points

• The best song, "Heavy, Why?", is best because it crystallizes the band’s duality: threatening instrumentation offset by fragile vocals.
• The album’s core strengths are its tonal contrasts, patience in songwriting, and the melding of heavy shoegaze textures with luminous melodies.

Themes

Critic's Take

The review makes clear that Blackwater Holylight have sharpened the heaviness on Not Here Not Gone, with songs like “Bodies” and “Spades” showcasing nasty chugs while “Poppyfields” rewards patience with a blackened climax. The writer praises the band for balancing aggressive guitars and reassuring mid-range cleans, and singles out “Involuntary Haze” for its smooth chorus as one of the best tracks. There is a measured caveat about interludes like “Giraffe” feeling undercooked, but overall the album is called another quality installment likely to play well live.

Key Points

• The best song, "Poppyfields", is best for delivering a paid-off blackened climax after an upbeat pivot, showing the band’s heavier payoff.
• The album’s core strength is balancing heavier, aggressive guitars and nasty chugs with a comforting psychedelic haze and gradual builds.

Themes