Blood Orange Essex Honey
Blood Orange's Essex Honey arrives as a quietly potent chronicle of English memory, turning pastoral recollection and private grief into some of the record's most affecting moments. Across professional reviews, critics praise how the collection pairs sparse piano, cello motifs and warm funk with Hynes' intimate vocal center, and they point repeatedly to tracks such as “Mind Loaded”, “Thinking Clean”, “Look At You” and “The Last of England” as the album's clearest emotional anchors.
The critical consensus—an 82.67/100 average across 12 professional reviews—frames Essex Honey as a record of musical juxtaposition: elegiac tenderness against occasional pop sheen, and communal collaborations against solitary confession. Reviewers consistently name “Mind Loaded” for its kinetic keys and percussion, “Thinking Clean” for its piano-centered crescendo and dance-tinged release, and “The Field” and “Look At You” for their guest hooks and intimate clarity. Critics note recurring themes of growing up in Essex, nostalgia and mourning, praising Hynes' ability to make experimentation feel like homecoming rather than ornament.
Not all assessments are identical; some critics caution that large collaborations sometimes diffuse the album's intimacy, and a few find certain sequences more distant than immediate. Still, the prevailing view among music critics is that Essex Honey rewards repeated listens—its best songs emerge slowly and settle as indispensable pieces of Hynes' evolving work. For readers searching for an Essex Honey review or wondering what the best songs on Essex Honey are, the record's consensus highlights those standout tracks and confirms the album's place as a thoughtful, melancholic, and ultimately restorative statement in Blood Orange's catalog.
Critics' Top Tracks
The standout songs that made critics take notice
Countryside (feat. Eva Tolkin, Liam Benzvi & Ian Isiah)
1 mention
"Another morning here without you/Thinking where did our time go? on the yearning "Countryside" turns the longing into something closer to reverie."— Pitchfork
Mind Loaded
8 mentions
"There’s a heartbreaking moment when Lorde’s voice soars out during Mind Loaded"— The Guardian
Look At You
6 mentions
"The first track, Look at You, starts out with softly sung vocals over a cushion"— The Guardian
Another morning here without you/Thinking where did our time go? on the yearning "Countryside" turns the longing into something closer to reverie.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Look At You
Thinking Clean
Somewhere in Between
The Field (feat. The Durutti Column, Tariq Al-Sabir, Caroline Polachek & Daniel Caesar)
Mind Loaded (feat. Caroline Polachek, Lorde & Mustafa)
Vivid Light
Countryside (feat. Eva Tolkin, Liam Benzvi & Ian Isiah)
The Last of England
Life (feat. Tirzah & Charlotte Dos Santos)
Westerberg (feat. Eva Tolkin & Liam Benzvi)
The Train (King's Cross) (feat. Caroline Polachek)
Scared of It (feat. Brendan Yates & Ben Watt)
I Listened (Every Night)
I Can Go (feat. Mabe Fratti & Mustafa)
What Critics Are Saying
Deep insights from 13 critics who reviewed this album
Critic's Take
Blood Orange's Essex Honey feels like a haunted stroll through childhood, and the best tracks - “Look at You”, “Somewhere in Between”, and “Mind Loaded” - do the heaviest lifting. Stephen Kearse writes with a measured intimacy, noting how the opener's muted chords reappear and how “Somewhere in Between” crystallizes the album's paradoxical cheer. The collagist touches on “Mind Loaded” and “The Field” show Hynes' inventive references, making these among the best songs on Essex Honey. Overall the record trades blunt catharsis for recurring, tender motifs that keep those tracks lingering long after they end.
Key Points
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The best song work is where recurring musical motifs and emotional ambivalence meet, notably on "Somewhere in Between" and the opener "Look at You".
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Essex Honey's core strengths are its recurring motifs, inventive musical callbacks, and a liminal balance of grief and tenderness.
Themes
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Critic's Take
In a voice that both mourns and marvels, Blood Orange makes Essex Honey feel like a late-morning revelation, where the best songs - notably “Vivid Light” and “Thinking Clean” - turn small moments into urgent epiphanies. Will Dukes frames “Vivid Light” as a standout that revisits peak U.K. soul while “Thinking Clean” is a piano-driven stunner that builds to a danceable, negative-space concerto. The record’s quiet explosions, from the cinematic swell of “Mind Loaded” to the aching intimacy of “The Last of England”, make the best tracks on Essex Honey feel rehabilitative and plainly alive. This is Hynes at his most poetically exact, serving contemplative bops that linger long after the final note.
Key Points
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The best song, especially “Vivid Light”, is best for marrying U.K. soul heft with intimate, poetic observation.
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The album’s core strength is refined emotional clarity that balances mourning with unexpected joy and tasteful restraint.
Themes
Critic's Take
Blood Orange's Essex Honey unfolds as a quietly gorgeous meditation, and the best songs on the album are those low-key bangers that sneak up on you. The reviewer's ear latches onto “Vivid Light” for its xx-meets-Blood Orange sheen and to “The Field” for Caroline Polachek's gorgeous vocal hook, both singled out as the album's high points. Hynes' arrangements reveal themselves over repeats, so when readers ask "best tracks on Essex Honey," point them to “Vivid Light” and “The Field” as standout moments. Overall the record is cast as a chill masterpiece - perfect for the quiet end of a night rather than a party playlist.
Key Points
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The best song is 'The Field' and 'Vivid Light' because they emerge as low-key bangers with memorable hooks and evocative production.
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The album's core strengths are its intricate arrangements, gentle atmospherics, and emotionally resonant songwriting centered on grief and reminiscence.
Themes
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Critic's Take
Shaad D'Souza hears Dev Hynes returning to pop on Essex Honey with a grief-tinged palette, and he singles out songs like “Life” and “The Train (King's Cross)” as the album's sharpest moments. The review's voice is thoughtful and precise, noting how “Life” wraps Tirzah and Charlotte Dos Santos' feathery runs over warm funk, and how “The Train (King's Cross)” is blackly comic yet gutting. D'Souza emphasises the record's pastoral clarity - piano, cello and spare guitar make these tracks feel both familiar and freshly affecting. For listeners asking "best songs on Essex Honey," the critic foregrounds “Life” as an album standout and “The Train (King's Cross)” as another must-hear track, each embodying the record's elegiac, memory-haunted strengths.
Key Points
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The critic calls "Life" the album standout for its feathery vocal runs and warm funk grooves.
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The album's core strengths are its elegiac lyricism, pastoral textures, and skillful blend of nostalgia and genre fusion.
Themes
Critic's Take
In a voice plainly moved by loss, Blood Orange's Essex Honey keeps returning to elegiac centers, and the best tracks - notably “The Last Of England” and “The Field” - are where that grief is clearest and most devastating. The reviewer lingers on intimacy and detail, saying these songs pull you back to the carpeted floors of family homes and the valley of mourning, which makes them the album's clearest emotional anchors. Sonically spare and feather-thin, these standout moments reward repeated listens, the kind of best tracks on Essex Honey that reveal themselves slowly. The album's collaborators help distribute the voice, but it is on songs like “The Last Of England” that Hynes' own unvarnished presence makes them the best songs on Essex Honey.
Key Points
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The Last Of England is best for its raw, personal confrontation with grief and direct ties to the reviewer's memory.
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Essex Honey's core strengths are its intimate, spare arrangements and evocative, mournful lyrics that repurpose collaboration into emotional resonance.
Themes
Critic's Take
Blood Orange’s Essex Honey is a delicate memoir of grief, and the review makes clear the best songs are those that centre Hynes’ voice - notably “Look At You” and “Thinking Clean” - which reveal the album’s mournful core. The critic’s tone is intimate and observant, praising tracks like “Somewhere in Between” for offering necessary light amid darkness while warning that large collaborations such as “Mind Loaded” sometimes overwhelm the personal thread. The narrative emphasizes why the quieter, piano- and string-led pieces feel most authentic, framing them as the emotional anchors that make these the best tracks on Essex Honey.
Key Points
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The best song(s) centre Hynes’ voice and intimate production, with “Look At You” and “Thinking Clean” serving as the emotional anchors.
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The album’s core strength is its patient, sophisticated documentation of grief that balances darkness with moments of buoyant light.
Themes
Critic's Take
Blood Orange returns with Essex Honey, and the best songs on the album are clearly led by “The Field” and “Thinking Clean”. Georgia Evans praises “The Field” as showing Hynes at his finest, its soft vocals and guest turns anchoring the record, while “Thinking Clean” rewards close listening with piano, jazz drums and an Arthur Russell quality. The review highlights also the slow-burning charm of “Vivid Light” and the personal resonance of “The Last of England”, making these the tracks listeners will search for when asking about the best songs on Essex Honey.
Key Points
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The Field is the album's standout single, praised as showing Hynes at his finest and anchored by strong guest vocals.
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Essex Honey's core strengths are its layered collaborations, personal reflections on British identity, and carefully arranged production that rewards close listening.
Themes
Critic's Take
The best songs on Essex Honey are those that let Dev Hynes' atmospheric craft breathe, especially “Thinking Clean” and “I Can Go”, which crystallize the album's grief-driven architecture. The reviewer's eye lingers on how “Thinking Clean” crescendos into a rare dance moment, and how “I Can Go” offers the album's tentative uplift, both revealing why these are the best tracks on Essex Honey. Across the record Hynes privileges texture over literal confession, so the strongest songs are those that turn that abstraction into palpable feeling rather than plain narrative.
Key Points
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The best song is strongest when Hynes turns atmospheric architecture into a moment of release, exemplified by “Thinking Clean.”
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The album’s core strength is its precise, spacious production that translates grief into textured, non-literal atmospheres.
Themes
Critic's Take
Blood Orange’s Essex Honey is a record that burrows into melancholy while still offering brief flashes of relief, and the review points squarely to songs like “Mind Loaded” and “I Listened (Every Night)” as the album’s clearest moments of escape. The reviewer praises the rattling percussion of “Mind Loaded” and the noodling guitar and handclaps that buoy “I Listened (Every Night),” arguing those tracks supply the most tangible joy on the album. At the same time, tracks such as “Westerberg” and “The Train (King's Cross)” are singled out as distant and maudlin, which helps explain why the first half stacks up as the record’s best. The narrative frames the album as Hynes’s most piano-centered work, one that repeatedly disrupts grooves but ultimately yields its strongest moments in the earlier, more accessible songs.
Key Points
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The best song is driven by its rhythmic relief, with "Mind Loaded" standing out for its rattling percussion that grounds the track.
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The album's core strengths are its piano-centered arrangements and the intermittent flashes of joy that puncture its prevailing melancholy.
Critic's Take
Alexis Petridis hears on Essex Honey a mournful, late-summer-to-autumn tone that holds together the album's many sudden musical jump-cuts. Blood Orange balances startling transitions with gorgeous melodies, and the reviewer singles out “Look at You” and “Mind Loaded” as moments where Hynes's melancholy becomes unbearably beautiful. He notes how guests seldom steal the spotlight, instead serving songs that make tracks like “The Last of England” and “The Train (King’s Cross)” linger in the memory. The piece positions these as the best tracks on Essex Honey, not for showy turns but for how they anchor the album's elegiac mood.
Key Points
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The best song, notably "Mind Loaded", stands out for its heartbreaking guest moment and emotional weight.
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The album's core strength is holding disparate musical jump-cuts together with a consistent, melancholic tone rooted in place and memory.
Themes
Critic's Take
Blood Orange’s Essex Honey privileges experimentation over instant hooks, and the review points to a few best songs that embody that risk-taking - notably “Mind Loaded” and “Life”. Ben Tipple’s voice is admiring and measured, noting how “Mind Loaded” ramps into rhythmic 80s keys and how “Life” folds R&B into wind-laden textures. He suggests the solo moments like “The Train (King's Cross)” and “I Listened (Every Night)” come closest to classic songcraft, making them among the best tracks on Essex Honey. The result reads as an entrancing, occasionally challenging record where the best tracks reward attentive listening rather than instant singalongs.
Key Points
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The best song is “Mind Loaded” for its dramatic latter-half shift into rhythmic 80s keys and unexpected textures.
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The album’s core strengths are its adventurous experimentation and intimate, collaborative arrangements that reward patient listening.