Brian Eno & Beatie Wolfe Lateral
Consensus is still forming across 4 professional reviews. Brian Eno and Beatie Wolfe's Lateral unfolds as a slow, meditative journey through space and time, a project critics position more as a single immersive experience than a conventional song collection. Across professional reviews the record's sparse arrangements and ambient soundscapes are repeatedly noted, with the mul
Across professional reviews the record's sparse arrangements and ambient soundscapes are repeatedly noted, with the multi-part suite “Big Empty Country” - especially “Big Empty Cou
The album's core strengths are sparse, breathing arrangements and a gradual, cyclical development that rewards full listens.
Best for listeners looking for ambient soundscapes and space and time, starting with Big Empty Country - I and Big Empty Country - II.
Full consensus notes
Brian Eno and Beatie Wolfe's Lateral unfolds as a slow, meditative journey through space and time, a project critics position more as a single immersive experience than a conventional song collection. Across professional reviews the record's sparse arrangements and ambient soundscapes are repeatedly noted, with the multi-part suite “Big Empty Country” - especially “Big Empty Country - I” through “Big Empty Country - IV” and “Big Empty Country - VIII” - emerging as the record's emotional anchors and the best songs on Lateral.
The critical consensus is nuanced: reviewers praise the transportive listening the pair achieve, highlighting Wolfe's delicate melodic touches against Eno's textural architecture, yet some critics find the pacing deliberate to the point of inaccessibility. Lateral earned a 67.25/100 consensus score across 4 professional reviews, with reviewers consistently pointing to the album's ability to create breathing, spacious moments even as its minimalist approach narrows its immediate appeal. Critics agree the collection works best experienced in sequence, where the Day and Night movements of “Big Empty Country” reveal gradual shifts in tone and atmosphere.
For listeners wondering whether Lateral is worth listening to, the critical consensus suggests a conditional recommendation: essential for fans of ambient soundscapes and transportive composition, more challenging for those seeking hook-driven songs. Below follow the full reviews unpacking where the record's restraint either rewards patience or frustrates expectation.
Critics' Top Tracks
The standout songs that made critics take notice
Big Empty Country - I
4 mentions
"Lateral is really one long song, divided into two, "Big Empty Country (Day)" and "Big Empty Country (Night)"— The Spill Magazine
Big Empty Country - II
4 mentions
"Big Empty Country Parts I-VIII exists if you want it to, or becomes part of the background if you don’t."— Classic Rock Magazine
Big Empty Country - III
4 mentions
"the eight movements of Big Empty Country exist if you want it to, or melt into the room if you don’t."— Classic Rock Magazine
Lateral is really one long song, divided into two, "Big Empty Country (Day)" and "Big Empty Country (Night)
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Big Empty Country - I
Big Empty Country - II
Big Empty Country - III
Big Empty Country - IV
Big Empty Country - V
Big Empty Country - VI
Big Empty Country - VII
Big Empty Country - VIII
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What Critics Are Saying
Deep insights from 2 critics who reviewed this album
Critic's Take
The review frames the best songs on Lateral as those that create spacious, breathing soundscapes that ebb and flow like a tide, returning the listener to that initial quiet.
Key Points
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The album's core strengths are sparse, breathing arrangements and a gradual, cyclical development that rewards full listens.
Themes