Lateral by Brian Eno & Beatie Wolfe
67
ChoruScore
4 reviews
Jun 6, 2025
Release Date
Verve
Label

Brian Eno and Beatie Wolfe's Lateral unfolds as a slow, meditative journey through space and time, a project critics position more as a single immersive experience than a conventional song collection. Across professional reviews the record's sparse arrangements and ambient soundscapes are repeatedly noted, with the multi-part suite “Big Empty Country” - especially “Big Empty Country - I” through “Big Empty Country - IV” and “Big Empty Country - VIII” - emerging as the record's emotional anchors and the best songs on Lateral.

The critical consensus is nuanced: reviewers praise the transportive listening the pair achieve, highlighting Wolfe's delicate melodic touches against Eno's textural architecture, yet some critics find the pacing deliberate to the point of inaccessibility. Lateral earned a 67.25/100 consensus score across 4 professional reviews, with reviewers consistently pointing to the album's ability to create breathing, spacious moments even as its minimalist approach narrows its immediate appeal. Critics agree the collection works best experienced in sequence, where the Day and Night movements of “Big Empty Country” reveal gradual shifts in tone and atmosphere.

For listeners wondering whether Lateral is worth listening to, the critical consensus suggests a conditional recommendation: essential for fans of ambient soundscapes and transportive composition, more challenging for those seeking hook-driven songs. Below follow the full reviews unpacking where the record's restraint either rewards patience or frustrates expectation.

Critics' Top Tracks

The standout songs that made critics take notice

1

Big Empty Country - I

4 mentions

"the hour-long album consists of one unbroken, eight-part piece, "Big Empty Country""
Pitchfork
2

Big Empty Country - II

4 mentions

"those two focal notes expand a little further; with each new layer of tone"
Pitchfork
3

Big Empty Country - III

4 mentions

"Very little changes throughout the course of the piece, but as it continues, there’s an ever-so-slight shift in perception."
Pitchfork
the hour-long album consists of one unbroken, eight-part piece, "Big Empty Country"
P
Pitchfork
about "Big Empty Country - I"
Read full review
4 mentions
77% sentiment

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

Big Empty Country - I

4 mentions
100
08:02
2

Big Empty Country - II

4 mentions
87
07:59
3

Big Empty Country - III

4 mentions
74
08:01
4

Big Empty Country - IV

4 mentions
74
07:59
5

Big Empty Country - V

4 mentions
43
07:56
6

Big Empty Country - VI

4 mentions
25
08:03
7

Big Empty Country - VII

4 mentions
15
07:56
8

Big Empty Country - VIII

4 mentions
49
08:02

What Critics Are Saying

Deep insights from 2 critics who reviewed this album

Critic's Take

In his measured, admiring tone, Aaron Badgley presents Brian Eno and Beatie Wolfe's Lateral as essentially one expansive piece, praising the album's best moments within the two-part “Big Empty Country (Day)” and “Big Empty Country (Night)”. He emphasizes how the sparse arrangements and Wolfe's hint of melody make tracks such as “Big Empty Country” the standout - a transportive, multi-layered journey meant to be heard from beginning to end. The review frames the best songs on Lateral as those that create spacious, breathing soundscapes that ebb and flow like a tide, returning the listener to that initial quiet.

Key Points

  • The best song is the collective "Big Empty Country" suite because it creates a transportive, multi-layered ambient world.
  • The album's core strengths are sparse, breathing arrangements and a gradual, cyclical development that rewards full listens.

Themes

ambient soundscapes space and time sparse arrangements transportive listening