Broken Social Scene Remember The Humans

Critic's Take

Broken Social Scene's Remember The Humans often feels like communal uplift rendered in miniature and vast sweep, and the best songs prove that paradox. “Parking Lot Dreams” is the twinkly closing centerpiece that feels absolutely enormous even when hardly anything is happening, and “Not Around Anymore” acts as a full-on bear hug, Newfeld's production making drums and voices pogo with giddy warmth. The mid-tempo “Only The Good I Keep” is a warm bath with subtly bizarre presentation, while “Relief” hits like a pure release of pent-up angst. In short, the best tracks on Remember The Humans land because they marry sparse emotional clarity with maximalist, microscopic sonic drama.

Key Points

• The best song, "Parking Lot Dreams," is best because it feels enormous while using sparse, intimate arrangements.

Themes

Critic's Take

Broken Social Scene return with Remember The Humans, an album whose first blush is sheer momentum and communal joy, and the best songs prove it. The opener, “Not Around Anymore”, pulses with pent-up energy and reassures that passing time is okay, setting the tone for standout moments. Lisa Lobsinger absolutely drives the incredible “Relief”, a track that showcases the record's layered textures and symphonic pleasures. Justin Peroff's drumming propels “The Call” into one of the album's most churning highlights, and Feist's touch on “What Happens Now” registers as one of the loveliest turns here. This is an excellent Broken Social Scene record, one of their best, because the band sounds hungry again and the communal interplay makes the best tracks soar.

Key Points

• The opener “Not Around Anymore” is best for its pulsing energy and triumphant reassurance.
• The album's core strengths are communal interplay, textured arrangements, and revived hunger.

Themes

Critic's Take

On Broken Social Scene's Remember The Humans the reviewer latches onto the songwriting axis that has sustained the group, praising the deep melancholy and eighties fuzz of standout moments such as “Mission Accomplished (Kingfisher)” and the reflective “The Call”. The tone is measured and affectionate, noting that the record swivels back to Kevin Drew and Brendan Canning's songwriting, with experimental flourishes that never overwhelm the emotional throughline. As a result, queries about the best songs on Remember The Humans find answers in these intimate, elegiac tracks that balance wistfulness with small bursts of sonic invention.

Key Points

• The best song is a track praised as a standout for its eighties fuzz and lead vocal prominence.
• The album's core strengths are focused songwriting, melancholy vocals, and tasteful experimental touches.

Themes

Critic's Take

On Broken Social Scene's Remember The Humans the best songs show the band balancing memory and mischief, and tracks like “Only The Good I Keep”, “Relief” and “This Briefest Kiss” stand out. Will Yarbrough's prose is affectionate and precise, noting how Hannah Georgas "steals the spotlight" on “Only The Good I Keep” and how Lisa Lobsinger's nervous charm gives “Relief” necessary spark. He highlights the album's spontaneity and instrumental flourishes - flutes, trumpet and sax that make “This Briefest Kiss” luxuriate in smoky jazz. The result is not a return to past glories but a welcome, memorable reminder of why Broken Social Scene endears itself to listeners.

Key Points

• Hannah Georgas's vocal turn on "Only The Good I Keep" is the album's clearest standout.
• The album's strengths lie in its spontaneous arrangements and rich instrumentation rather than nostalgia.

Themes

Critic's Take

Broken Social Scene return on Remember the Humans with a buoyant, communal energy that leans into reconnection and grief in equal measure. Tom Taylor praises the anthemic opener, calling “Not Around Anymore” the album high point, and he frames that track as emblematic of the record's hopeful horns and joyful get-together feel. The review highlights recurring crowded compositions and gathering tempos that sometimes mute momentum, but insists the band retain a knack for emotional weight in lilting melodies. For readers asking about the best songs on Remember the Humans, “Not Around Anymore” is presented as the standout, the track that best captures the album's strengths and shortcomings.

Key Points

• The album's best song is “Not Around Anymore” because the reviewer calls it the anthemic opener and the record's high point.
• Remember The Humans' core strengths are its hopeful horns, communal ensemble sound, and emotional weight in its melodies.

Themes

Critic's Take

In his conversational, detail-rich tone Alex Hudson celebrates Broken Social Scene’s Remember The Humans as a record with a youthful spark and sturdier songwriting. He singles out “Only The Good I Keep” for its fluttering duet energy with Hannah Georgas, and “What Happens Now” as a yearning sprawl that reunites Feist, making them the best tracks on Remember The Humans. Hudson frames the album as more streamlined than You Forgot It in People, less indulgent and more about ol’ fashioned songwriting, which is why listeners searching for the best songs on Remember The Humans will find those two moments most rewarding.

Key Points

• The best song is "Only The Good I Keep" because its fluttering duet encapsulates the album's youthful spark.
• The album's core strength is its move toward streamlined, ol' fashioned songwriting while retaining vintage BSS longing.

Themes

Critic's Take

The review does not discuss any songs from Remember The Humans, so there are no best songs on Remember The Humans to highlight. Because the critic focuses entirely on Car Seat Headrest and Teens of Denial, there are no track-level appraisals for Broken Social Scene here.

Key Points

• No tracks from the provided album are discussed, so no best song can be identified.
• The review focuses on themes of youthful transition and self-deprecation in a different album, leaving this album unanalyzed.

Critic's Take

In her measured, affectionate tone Nina Corcoran presents Broken Social Scene’s Remember the Humans as a patient, communal triumph that highlights the best songs through extended jams and quiet revelation. She singles out “Not Around Anymore” as emblematic of the album’s sweep and identifies “Only The Good I Keep” and “Relief” as moments where the band’s warmth and catharsis crystallize. The narrative stays rooted in friendship and humility, arguing that the best tracks on Remember the Humans trade immediacy for cushioned, soulful expanses that reward attentive listening. Corcoran’s voice is conversational and observant, letting specific songs exemplify the record’s larger themes rather than dominate them.

Key Points

• “Not Around Anymore” is best because it embodies the album’s recurring themes and lifts Drew’s grief into communal triumph.
• The album’s core strengths are its sense of friendship, extended jams, and nuanced balance of stillness and catharsis.

Critic's Take

Broken Social Scene sound like they are reuniting with old instincts on Remember the Humans, and the review spotlights a pair of immediate highs. The writeup emphasizes “Hey Amanda” as a buoyant second single and treats “Not Around Anymore” as a quirky, ethereal preview, both positioned as the best tracks on Remember the Humans for their energy and signature indie-weirdo charm. The tone is celebratory and slightly reverent, noting the return of David Newfeld and the personal losses behind the record, which also colors why these songs land. Overall, the reviewer pitches those two songs as the clearest standouts and the main reasons to seek the album out.

Key Points

• The best song is “Hey Amanda” because it’s the buoyant second single that fully embraces the band’s signature indie-weirdo charm.
• The album’s core strengths are reunion energy, collaborative spirit, and songs shaped by personal loss and nostalgia.

Themes