Loose Talk by Bryan Ferry & Amelia Barratt
70
ChoruScore
2 reviews
Mar 28, 2025
Release Date
Dene Jesmond Enterprises
Label

Bryan Ferry's Loose Talk, a collaborative record with Amelia Barratt released 2025-03-28, folds Ferry's familiar past into a set of fragmentary, synth-tinged vignettes that critics call more diversion than reinvention. Across two professional reviews the collection earned a 70/100 consensus score, with reviewers noting both haunting atmospheres and a deliberate reworking of memory and retro references. The title track “Loose Talk” surfaces repeatedly as a focal point, its guitar-clanging finale cited alongside Ferry's atmospheric synthy backing.

Critics consistently praise how demo-like fragments become full-bodied moments: Mojo highlights Barratt's plummy, hyperreal texts and the album's measured, retrospective-minded tone, while The Guardian singles out “Landscape” and “Cowboy Hat” as standout tracks that convert lo-fi sketches into genuinely haunting songs. Reviewers agree that collaboration is central here - Barratt's cool, often menacing narration reframes Ferry's melodies, turning wordless or muffled vocals into memory-like ornaments and lending the record a conspiratorial intimacy.

The critical consensus suggests Loose Talk will appeal to those curious about Ferry revisiting his archive rather than seeking a bold new direction: praised for atmosphere, retro referencing, and select standout songs, yet described by some as an intriguing diversion. Below are the full professional reviews for readers wanting deeper context on whether Loose Talk is worth a listen and which are the best songs on the record.

Critics' Top Tracks

The standout songs that made critics take notice

1

Landscape

1 mention

"genuinely haunting moments, frequently when the old demos yield a snatch of vocal, as on Landscape"
The Guardian
2

Cowboy Hat

1 mention

"as on Landscape or Cowboy Hat"
The Guardian
3

Loose Talk

2 mentions

"the more strident closing title track boasts an appropriately end-credits feel"
The Guardian
genuinely haunting moments, frequently when the old demos yield a snatch of vocal, as on Landscape
T
The Guardian
about "Landscape"
Read full review
1 mention
80% sentiment

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

Loose Talk

2 mentions
50
03:25

What Critics Are Saying

Deep insights from 3 critics who reviewed this album

60

Critic's Take

Bryan Ferry and Amelia Barratt’s Loose Talk feels like an intriguing diversion rather than a reinvention, with the title track’s guitar-clanging finale and Ferry’s synthy backing standing out. The reviewer's clipped, slightly sardonic voice praises Barratt’s plummy texts and their hyperreal, fragmentary narratives while noting the album never quite becomes the In Every Dream Home A Heartache reboot some suggested. For listeners asking what are the best songs on Loose Talk, the title track “Loose Talk” and the synth-tinged opener implied by the Retrospective inclusion are the clearest highlights in this measured, retrospective-minded set.

Key Points

  • The title track is best for its guitar-clanging finale and synth-enhanced production.
  • The album’s core strengths are Barratt’s evocative, fragmentary lyrics and Ferry’s retro synth textures.

Themes

collaboration synthy backing fragmentary narratives retro references

Critic's Take

Bryan Ferry and Amelia Barratt’s Loose Talk is at once exhumation and reinvention, the best tracks - notably “Landscape” and “Cowboy Hat” - turning lo-fi demo fragments into genuinely haunting moments. Petridis’s prose relishes the guessing game of eras while insisting Ferry’s melodies remain beautiful, those wordless or muffled vocals becoming memory-like ornaments. Barratt’s cool, unemotional narration and tentative, often menacing texts give the album a different emotional cast, so the best songs on Loose Talk feel both familiar and strangely new. The result is a diversion that nevertheless transforms Ferry’s past into something fresh, where “Landscape” and “Cowboy Hat” emerge as clear standouts.

Key Points

  • The best song(s), like "Landscape" and "Cowboy Hat", are best because lo-fi vocal snatches make Ferry’s melodies haunting and memory-like.
  • The album’s core strength is transforming archival demos into fresh, atmospheric collaborations that rework Ferry’s past with Barratt’s unsettling narration.

Themes

memory reworking the past collaboration haunting atmospheres