By Storm My Ghosts Go Ghost
By Storm's My Ghosts Go Ghost confronts grief and reinvention with audacious production and heartbreaking intimacy, earning a broadly favorable critical reception. Across nine professional reviews the record achieved an 80.22/100 consensus score, and critics consistently point to moments that fuse experimental hip-hop,
The best song, notably “Double Trio 2”, stands out for its overwhelming horns and synths that create a titanic emotional center.
The album's core strengths are its forward-thinking, textured production and its candid grappling with grief, memory, and artistic reinvention.
Best for listeners looking for grief and intimacy, starting with Zig Zag and Grapefruit.
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Full consensus notes
By Storm's My Ghosts Go Ghost confronts grief and reinvention with audacious production and heartbreaking intimacy, earning a broadly favorable critical reception. Across nine professional reviews the record achieved an 80.22/100 consensus score, and critics consistently point to moments that fuse experimental hip-hop, abstract psychedelia, and raw confession as its high points.
Reviewers agree the best songs on My Ghosts Go Ghost are those that balance sonic risk with emotional clarity. “Zig Zag”, praised for its woozy harps and naked sadness, appears repeatedly as a standout, while “Grapefruit” and “And I Dance” are singled out for bruised refrains and cathartic climaxes. Critics also elevate “Double Trio 2” and “Dead Weight” for swelling horns, glitching spectacle, and unusual rhythmic propulsion; these tracks demonstrate how Parker Corey’s avant-garde sound design and RiTchie’s confessional delivery turn mourning into constructive transformation.
While most reviews celebrate the record’s intimate reckoning and inventive textures, some critics note moments of meandering or a sense of diminished ambition compared with earlier work. Still, the critical consensus praises the album’s willingness to deconstruct hip-hop and reconfigure it around family, memory, and fatherhood anxieties. For readers wondering whether My Ghosts Go Ghost is worth listening to, professional reviews suggest it rewards patience: repeated listens reveal fragile, inventive highlights that mark By Storm’s most emotionally candid and sonically daring work to date.
Below, the detailed reviews unpack how specific tracks like “Zig Zag”, “Grapefruit”, “Double Trio 2”, “And I Dance”, and “Dead Weight” anchor the record’s narrative of mourning to catharsis.
Critics' Top Tracks
The standout songs that made critics take notice
Zig Zag
6 mentions
"Single ‘Zig Zag’ begins as a murky piece of loner folk that gradually evolves into an oceanic atmospheric ballad."— Still Listening Magazine
Grapefruit
6 mentions
"Grapefruit’ carries an uncanny swagger with RiTchies rapid bars collapsing into unnerving backing vocals across a shimmering harp loop."— Still Listening Magazine
Double Trio 2
5 mentions
"Maybe the most impressive is ‘Double Trio 2’, a titanic slab of horns and rapturous synths"— Still Listening Magazine
In My Town’s ambiguously explains "the things you do, they seem to hold me down/they say anything can go anywhere in my town
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Can I Have You For Myself?
Dead Weight
Grapefruit
In My Town
Zig Zag
Best Interest
Double Trio 2
And I Dance
GGG
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What Critics Are Saying
Deep insights from 9 critics who reviewed this album
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Critic's Take
In a move that turns inward, By Storm's My Ghosts Go Ghost frames grief and intimacy through hazed neo-psych and raw rap, making songs like “Double Trio 2” and “Dead Weight” feel like the record's emotional centers. The reviewer's tone is reverent and precise, praising how “Double Trio 2” swells with horns and synths while “Dead Weight” pairs looping acoustic guitar with rapid drums to create uncanny chemistry. The best tracks on My Ghosts Go Ghost are those that balance intimacy and scale, notably “Double Trio 2”, “Dead Weight”, and the single “Zig Zag”.
Key Points
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The best song, notably “Double Trio 2”, stands out for its overwhelming horns and synths that create a titanic emotional center.
Themes
Critic's Take
The record rewards patience, and these songs most clearly show why By Storm feels like a startling, sorrowful rebirth.
Key Points
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The best song is "Zig Zag" because its sound design transforms pop into a maelstrom of glitch and guitar.
Themes
Critic's Take
In a hushed, elegiac register John Wohlmacher finds the best tracks on My Ghosts Go Ghost to be intimate reckonings rather than pyrotechnic showpieces. By Storm trades noise for tenderness, with “Can I Have You For Myself?” holding a quietly beautiful opening confessional and “Double Trio 2” serving as a chaotic, high-point centerpiece. The reviewist lingers on “Zig Zag” and “GGG” as nakedly sad, densely poetic meditations on absence, which is why listeners searching for the best songs on My Ghosts Go Ghost should start with those cuts. Overall the album rewards repeated listens, revealing fragility and transformation rather than offering tidy catharsis.
Key Points
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The best song is the opening “Can I Have You For Myself?” because it sets a quietly beautiful, ruminative tone addressing impending parenthood and loss.
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The album’s core strengths are its tenderness, poetic meditations on absence, and willingness to trade expressionistic chaos for fragile intimacy.
Themes
Critic's Take
By Storm’s My Ghosts Go Ghost finds its best songs in the aching directness of “And I Dance” and the bruised clarity of “Grapefruit”, where emotional clarity cuts through maximalist digi-chaos. Tom Morgan frames “And I Dance” as a proper heart-stopper that gathers power toward its climax, while “Grapefruit” nails a recurring refrain that feels like a wound reopening. The record’s other highlights, notably “Dead Weight” and “Zig Zag”, show the duo balancing audacious production with surprising approachability, making searches for the best songs on My Ghosts Go Ghost point repeatedly to those tracks. This quasi-debut rewards listeners seeking the best tracks on My Ghosts Go Ghost with moments that are both demanding and strangely generous.
Key Points
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“And I Dance” is best for its escalating power and status as a proper heart-stopper.
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The album’s core strength is emotional clarity cutting through maximalist experimental production.
Themes
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Critic's Take
By Storm's My Ghosts Go Ghost finds its best songs where grief and improvisation collide, most clearly on “Dead Weight” and “And I Dance”. Benny Sun's account favors the album's jagged, attention-grabbing moments - the frantic drumming of “Dead Weight” and the cathartic closure of “And I Dance” - as the record's strongest tracks. He also spotlights “Can I Have You For Myself?” for its intimate, pre-birth tenderness, though he warns some passages meander. Overall, the review emphasizes that the best tracks balance raw experimentation with focused songwriting, making them the standout moments on My Ghosts Go Ghost.
Key Points
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The best song, "And I Dance", earns its status through tight songwriting and cathartic closure.
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The album's core strengths are its improvisational production and the way experimental textures turn grief into forward motion.
Themes
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Critic's Take
Hi, everyone. Altogether, the album's best songs show how grief and invention can coexist, yielding some of the record's most powerful moments.
Key Points
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The best song, “Grapefruit”, is best because its mesmerizing production and a raw, tortured second verse crystallize the album's emotional core.
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The album's core strengths are its forward-thinking, textured production and its candid grappling with grief, memory, and artistic reinvention.
Themes
Critic's Take
The joys of My Ghosts Go Ghost arrive through dumb astonishment rather than underdog grins, which is why “Grapefruit” and “Best Interest” stand out as unexpected revelations. RiTchie's confessional turns on “In My Town” and the basement-haunted closer crystallize the album's difficult but intimate emotional core.
Key Points
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“Zig Zag” is best for its daring sound design and the moment RiTchie’s voice is swallowed by the beat.
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The album's core strengths are its transformed, avant-garde production and RiTchie’s candid, adult songwriting.