By Storm My Ghosts Go Ghost

Critic's Take

Hi, everyone. Greenthony Teamtano here, and I find By Storm's My Ghosts Go Ghost to be a strangely beautiful continuation of their past work, where tracks like “Grapefruit” and “In My Town” stand out for their emotional clarity and adventurous production. The record traffics in fractured, collagey instrumentals and haunted lyrical takes, so when “Grapefruit” mesmerizes with woozy harps and a brutally honest second verse, it becomes one of the best songs on My Ghosts Go Ghost. Likewise, “In My Town” ranks among the best tracks on My Ghosts Go Ghost for Parker Corey taking the instrumental into a transcendental odyssey while RiTchie raps with his heart on his sleeve. Altogether, the album's best songs show how grief and invention can coexist, yielding some of the record's most powerful moments.

Key Points

• The best song, “Grapefruit”, is best because its mesmerizing production and a raw, tortured second verse crystallize the album's emotional core.
• The album's core strengths are its forward-thinking, textured production and its candid grappling with grief, memory, and artistic reinvention.

Themes

Critic's Take

In a hushed, elegiac register John Wohlmacher finds the best tracks on My Ghosts Go Ghost to be intimate reckonings rather than pyrotechnic showpieces. By Storm trades noise for tenderness, with “Can I Have You For Myself?” holding a quietly beautiful opening confessional and “Double Trio 2” serving as a chaotic, high-point centerpiece. The reviewist lingers on “Zig Zag” and “GGG” as nakedly sad, densely poetic meditations on absence, which is why listeners searching for the best songs on My Ghosts Go Ghost should start with those cuts. Overall the album rewards repeated listens, revealing fragility and transformation rather than offering tidy catharsis.

Key Points

• The best song is the opening “Can I Have You For Myself?” because it sets a quietly beautiful, ruminative tone addressing impending parenthood and loss.
• The album’s core strengths are its tenderness, poetic meditations on absence, and willingness to trade expressionistic chaos for fragile intimacy.

Themes

Critic's Take

By Storm's My Ghosts Go Ghost locates its best songs in moments where grief and experimental sound collide, notably “Zig Zag” and “Double Trio”. The reviewer's voice finds wonder in Parker Corey's brave production turns and in RiTchie's raw, newly expanded role, arguing that the best tracks are those that mix glitching spectacle with personal revelation. For listeners asking which are the best tracks on My Ghosts Go Ghost, it is the maelstrom of “Zig Zag” and the wild trip of “Double Trio” that most insistently repay repeat plays. The record rewards patience, and these songs most clearly show why By Storm feels like a startling, sorrowful rebirth.

Key Points

• The best song is "Zig Zag" because its sound design transforms pop into a maelstrom of glitch and guitar.
• The album's core strengths are Parker Corey's adventurous production and RiTchie's candid, grief-tinged lyricism.

Themes

Critic's Take

By Storm’s My Ghosts Go Ghost finds its best songs in the aching directness of “And I Dance” and the bruised clarity of “Grapefruit”, where emotional clarity cuts through maximalist digi-chaos. Tom Morgan frames “And I Dance” as a proper heart-stopper that gathers power toward its climax, while “Grapefruit” nails a recurring refrain that feels like a wound reopening. The record’s other highlights, notably “Dead Weight” and “Zig Zag”, show the duo balancing audacious production with surprising approachability, making searches for the best songs on My Ghosts Go Ghost point repeatedly to those tracks. This quasi-debut rewards listeners seeking the best tracks on My Ghosts Go Ghost with moments that are both demanding and strangely generous.

Key Points

• “And I Dance” is best for its escalating power and status as a proper heart-stopper.
• The album’s core strength is emotional clarity cutting through maximalist experimental production.

Themes

Critic's Take

By Storm's My Ghosts Go Ghost is at its best in songs where improvisation meets emotional clarity, like “Dead Weight” and “And I Dance”. Benny Sun's voice finds them leaning into grief and reinvention, with jagged electronics and conversational raps that make the question of best tracks on My Ghosts Go Ghost feel rooted in process rather than polish. He praises the cathartic climax of “And I Dance” and the frantic freedom of “Dead Weight”, arguing those moments crystallize the album's strengths. The record is uneven at times - meandering passages undercut momentum - but its peaks reward attentive listening.

Key Points

• “And I Dance” is best because it crystallizes catharsis with tight writing and pointed raps.
• The album's core strengths are improvisational production, conversational lyrics, and moments of explosive catharsis.

Themes

Critic's Take

By Storm sound older and stranger on My Ghosts Go Ghost, and the record's best songs - notably “Zig Zag” and “Double Trio” - prove Parker Corey is operating at the brink of hip-hop's avant-garde. The joys of My Ghosts Go Ghost arrive through dumb astonishment rather than underdog grins, which is why “Grapefruit” and “Best Interest” stand out as unexpected revelations. RiTchie's confessional turns on “In My Town” and the basement-haunted closer crystallize the album's difficult but intimate emotional core.

Key Points

• “Zig Zag” is best for its daring sound design and the moment RiTchie’s voice is swallowed by the beat.
• The album's core strengths are its transformed, avant-garde production and RiTchie’s candid, adult songwriting.

Themes