CMAT EURO-COUNTRY
CMAT's EURO-COUNTRY arrives as a theatrical, fiercely witty consolidation of persona and politics, an album critics call both outrageously entertaining and emotionally exacting. Across its brightest moments - notably “EURO-COUNTRY”, “Take A Sexy Picture Of Me” and “When A Good Man Cries” - Thompson folds Irish history, online misogyny and personal grief into pop-hook craftsmanship, making a vivid case for why many are asking whether EURO-COUNTRY is worth the attention it has received. The record has earned an 87.45/100 consensus score across 11 professional reviews, evidence of strong critical consensus that balances praise for songwriting with notes about sonic choices.
Professional reviews consistently single out several standout tracks as the album's emotional and viral cores. Critics praised the title track “EURO-COUNTRY” as a sweeping statement on Irish economic trauma and national identity, while “Take A Sexy Picture Of Me” emerged repeatedly as a blistering, funny take on fame, beauty standards and social media pressures. “When A Good Man Cries”, “Lord, Let That Tesla Crash” and “Coronation St.” are cited across reviews for translating private loss into theatrical, country-pop anthems; reviewers point to self-aware pastiche, satirical humour and moments of genuine grief as the record's chief strengths.
While most critics celebrate the album's ambition, some note that the production sometimes prioritizes showmanship over experimentation, producing a trade-off between polish and risk. Still, the critical consensus suggests EURO-COUNTRY is CMAT's most accomplished and stage-ready statement to date, a collection whose best songs combine catharsis, satire and earworm melody. Below, the full reviews unpack how these tracks and themes place the album in the artist's evolving catalogue and why many regard it as a defining release.
Critics' Top Tracks
The standout songs that made critics take notice
Take A Sexy Picture Of Me
8 mentions
"struck TikTok gold with the celeb-endorsed viral dance challenge for ‘Take A Sexy Picture Of Me ’"— New Musical Express (NME)
EURO-COUNTRY
9 mentions
"Birdsong and a gentle Irish voice lead us into ‘Euro-Country’"— New Musical Express (NME)
Lord, Let That Tesla Crash
7 mentions
"the brilliantly bitter ‘Lord Let That Tesla Crash’"— New Musical Express (NME)
struck TikTok gold with the celeb-endorsed viral dance challenge for ‘Take A Sexy Picture Of Me ’
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Billy Byrne From Ballybrack, The Leader Of The Pigeon Convoy
EURO-COUNTRY
When A Good Man Cries
The Jamie Oliver Petrol Station
Tree Six Foive
Take A Sexy Picture Of Me
Ready
Iceberg
Coronation St.
Lord, Let That Tesla Crash
Running/Planning
Janis Joplining
What Critics Are Saying
Deep insights from 11 critics who reviewed this album
Critic's Take
CMAT makes a bold statement on EURO-COUNTRY, where the best tracks stake out the album's emotional and political terrain. The review savors “The Jamie Oliver Petrol Station” as a masterclass in 21st-century malaise and praises “Take a Sexy Picture of Me” as a blistering critique wrapped in perfect pop. Rick Quinn notes how songs like “Lord, Let That Tesla Crash” and “When a Good Man Cries” translate private grief into culturally sharp songwriting, making these among the best tracks on EURO-COUNTRY. Overall, the record is both danceable and profound, a striking record of the year that pushes at country and pop boundaries.
Key Points
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The Jamie Oliver Petrol Station is best for turning novelty into sharp cultural critique with an irresistible beat.
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The album's core strengths are its blending of country and pop with incisive social commentary and emotionally resonant grief.
Themes
Critic's Take
CMAT's EURO-COUNTRY reads like a leap forward, a record that trades coy pastiche for full-on cinematic pop, with the title track “EURO-COUNTRY” and the blunt, funny “Take A Sexy Picture Of Me” standing out. The reviewer delights in CMAT's ability to balance humor and melancholy, praising “EURO-COUNTRY” as a sprawling masterpiece while noting how “Take A Sexy Picture Of Me” turns anger about appearance into a rallying cry. There is also affection for the darkly comic melodicism of “Coronation St.” and the adventurous close of “Janis Joplining”, which together show an album equal parts intimate and ambitious. This is described as her most accomplished, idiosyncratic work yet, one primed to answer the question of the best tracks on EURO-COUNTRY with those highlights above.
Key Points
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The title track “EURO-COUNTRY” is best for its cinematic scope and incisive commentary on Ireland's generational fallout.
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The album's core strengths are its blend of sharp humor, emotional depth, genre-hopping musicality, and vivid lyrical detail.
Themes
Critic's Take
In his exuberant take on CMAT's EURO-COUNTRY, Andrew Trendell celebrates the record's best songs as joyous and sharp: “When A Good Man Cries” is Adele-sized in scope and a clear centerpiece, while “Take A Sexy Picture Of Me” and “Running/Planning” supply irresistible pop hooks and cultural bite. He praises how the title track anchors a political throughline, and how quirky standouts like “The Jamie Oliver Petrol Station” and “Lord, Let That Tesla Crash” balance humour with real heartbreak. The result, he argues, is an album that marries camp, conviction and catharsis, making these the best tracks on EURO-COUNTRY by dint of emotional impact and earworm power.
Key Points
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“When A Good Man Cries” is the best song for its sweeping scope and emotional directness.
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The album's core strengths are combining campy humour with political and personal catharsis across memorable pop hooks.
Themes
Critic's Take
CMAT remains gloriously singular on EURO-COUNTRY, a record whose best songs - the title-track “EURO-COUNTRY” and the gorgeous dirge “When A Good Man Cries” - distil her mix of wit, melancholy and offbeat cultural reference. Rachel Aroesti writes with amused affection, admiring how the title-track fuses a potted economic history with Lana-esque melancholia while staying funny and catchy. The reviewist’s ear for detail also lifts “When A Good Man Cries” as a standout, its brash fiddle and Fleetwood Mac-style harmonies making it one of the best tracks on EURO-COUNTRY. Elsewhere, songs like “Take A Sexy Picture Of Me” and “Lord, Let That Tesla Crash” showcase Thompson’s knack for turning messy psychology into sharp, entertaining pop.
Key Points
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The title-track “EURO-COUNTRY” is best because it fuses personal and national history with distinctive, melancholic-yodel vocals and memorable hooks.
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The album’s core strengths are its inventive lyrics, cultural references, and CMAT’s ability to make messy psychology both funny and emotionally resonant.
Themes
Critic's Take
In the reviewer's exuberant voice CMAT’s best songs on EURO-COUNTRY are the immediate hits - “Take A Sexy Picture Of Me” and “EURO-COUNTRY” - which the review singles out as viral and heartfelt respectively. Robin Murray writes with buoyant certainty about CMAT’s knack for lyricism, noting how tracks like “Iceberg” and “When A Good Man Cries” further underline her irresistible country-pop craft. The narrative keeps returning to sharp humour and incisive songwriting, explaining why these are the best tracks on EURO-COUNTRY, and why the album feels both timely and weighty.
Key Points
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‘Take A Sexy Picture Of Me’ is the standout due to its viral reach and immediate impact.
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The album’s strengths are incisive, humorous lyricism and polished Nashville-tinged country-pop production.
Themes
Critic's Take
CMAT sounds at her most playful and pointed on EURO-COUNTRY, where the best songs - notably “When a Good Man Cries” and “Lord, Let That Tesla Crash” - balance wry lyricism with big, rousing pop-rock. O'Connor's sentences praise CMAT's knack for turns of phrase and comedy-tinged honesty, and she foregrounds the record's strong, ambitious songwriting as its chief asset. The title track is singled out for taking in Irish identity, while “The Jamie Oliver Petrol Station” provides sharp, introspective comedy, which together explain why fans will clutch these tracks as live staples. This review keeps a measured caveat - the music is less sonically adventurous than the lyrics - but overall it celebrates an effervescent, stage-ready set of songs.
Key Points
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The best song, “When a Good Man Cries”, is best because it channels country influences into a soulful, power-balladic chorus that stands out.
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The album's core strengths are sharp, contemporary lyricism and an effervescent, stage-ready sound that pairs personal detail with political reach.
Themes
Critic's Take
CMAT feels larger-than-life on EURO-COUNTRY, a record that pairs razzle dazzle with real grief and makes the best tracks - the title track and “When a Good Man Cries” - feel like big, necessary statements. The title song lays out that Celtic Tiger history in a sweeping chorus, and “When a Good Man Cries” proves her gift for a soulful, characterful turn. Elsewhere, “The Jamie Oliver Petrol Station” and “Tree Six Foive” ratchet up the comic fury and dramatic staging, keeping the album lively and emotionally sharp. This is CMAT fully realized: theatrical, self-aware, and unafraid to mix humor with grief.
Key Points
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The title track is best for its sweeping chorus and lucid account of Ireland’s Celtic Tiger and aftermath.
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The album’s core strengths are its blend of theatrical showmanship, sharp humor, and genuine emotional weight.
Themes
Critic's Take
CMAT’s EURO-COUNTRY keeps landing daggered lines with a smile, and the best songs - especially “Tree Six Foive”, “The Jamie Oliver Petrol Station” and “Take A Sexy Picture Of Me” - crystallize why. Johnston’s knack for hyper-detailed miniature portraits turns relationship nastiness into comic, self-lacerating vignettes, and that voice coats the blades in honey. The title-track and “Running/Planning” broaden the record’s sweep, folding Irish recession and domestic departures into plush, Nashville-tinged arrangements. Overall, the album’s hooks and incisive commentary make the best tracks on EURO-COUNTRY feel both devastating and irresistible.
Key Points
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The best song, exemplified by “Tree Six Foive”, pairs hyper-detailed hurt with sweet vocals that make its barbed lines land.
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The album’s core strengths are incisive storytelling, hooky pop production, and empathetic yet sharp commentary on modern life.
Themes
Critic's Take
CMAT’s EURO-COUNTRY arrives like a confident, referential manifesto, the record that will see her make the leap to bona fide star. Daisy Carter’s voice relishes the album’s cheeky self-awareness and impeccably judged touches, pointing to tracks such as “Tree Six Foive” and “Coronation St.” as choice cuts that encapsulate its themes of national identity, fame and womanhood. It’s a summer-defining third album, scene-stealing and knowingly referential, and those best songs are why listeners will call it CMAT’s breakout.
Key Points
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The best song, exemplified by "Tree Six Foive", is singled out as a choice cut that distills the album’s referential wit and themes.
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The album’s core strengths are its cheeky self-awareness, impeccable judgement, and fluent thesis on national identity, fame and womanhood.
Themes
Critic's Take
CMAT’s EURO-COUNTRY trades the romp of her past for an icy, introspective sweep, and its best songs underline that shift. The title track “EURO-COUNTRY” functions as an overture, succinctly setting out themes of loss and isolation, while “Coronation St.” is singled out as one of the record’s rawest moments. “Lord, Let That Tesla Crash” and “The Jamie Oliver Petrol Station” further crystallize Thompson’s evolved songwriting, pairing lyrical density with inventive sonics to make clear why listeners asking “best songs on EURO-COUNTRY” will repeatedly land on these tracks.
Key Points
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“Coronation St.” is the album’s emotional high point due to its mournful tone and repeating lyrical coda.
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Euro-Country’s strengths are its evolved, introspective songwriting, lyrical density, and a willingness to experiment sonically.
Themes
Critic's Take
CMAT’s EURO-COUNTRY feels like the artist finally pulling every thread of her persona into one incandescent record, and the best songs - “Take A Sexy Picture Of Me” and “Lord, Let That Tesla Crash” - explain why. The reviewer revels in her knack for mixing fun and sadness, noting how “Take A Sexy Picture Of Me” turns viral energy into real emotional bite. There is also praise for the reflective “Running/Planning” and the country-leaning “When A Good Man Cries”, which all help answer the question of the best tracks on EURO-COUNTRY. Ultimately the album’s anthemic choruses, thematic depth and sharper songwriting make these standout moments genuinely feel like CMAT at her peak.
Key Points
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The best song, “Take A Sexy Picture Of Me”, fuses viral pop energy with sharp emotional commentary on body-shaming.
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The album’s core strengths are thematic depth, anthemic choruses, and sharper, more mature songwriting from CMAT.