CMAT EURO-COUNTRY
Released Aug 29, 2025 CMATBABY
Established consensus 12 professional reviews Updated Oct 1, 2026
Strong critical consensus
CMAT's EURO-COUNTRY announces a bolder, more theatrical chapter for the Irish songwriter, an album that stitches country-pop fusion to sharp social observation and raw grief.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
EURO-COUNTRY
10 critic mentions
“I was 12 when the da’s started killing themselves all around me ,” she sings on the opening title track” — New Musical Express (NME)
Take A Sexy Picture Of Me
9 critic mentions
“On the saccharine soul of Take a Sexy Picture of Me, she captures the formative nature of toxic femininity” — The Guardian
When A Good Man Cries
9 critic mentions
“the most overtly country-sounding tune, "When a Good Man Cries", a honky-tonk tune with fiddle and steel pedal guitar” — PopMatters
Full critic consensus
CMAT's EURO-COUNTRY announces a bolder, more theatrical chapter for the Irish songwriter, an album that stitches country-pop fusion to sharp social observation and raw grief. Across professional reviews critics praise the record's standout songs - notably “EURO-COUNTRY”, “Take A Sexy Picture Of Me”, “When A Good Man Cries” and “Lord, Let That Tesla Crash” - as both instant earworms and emotionally precise statements, answering the common query about the best songs on EURO-COUNTRY with repeated emphasis on those tracks.
The critical consensus is emphatic: EURO-COUNTRY earned an 88.5/100 score across 12 professional reviews, with reviewers consistently celebrating CMAT's knack for mixing humour, satire and heartfelt storytelling. Critics note recurring themes of Irish identity, economic anxiety and womanhood folded into Nashville-tinged arrangements and theatrical showmanship. Praise centers on CMAT's lyrical wit and the album's ability to turn personal setbacks and public shaming into cathartic pop - reviewers singled out “Take A Sexy Picture Of Me” as a blistering, salon-ready critique of appearance and fame, while the title track maps recession-era history with surprising melancholy.
While most reviews applaud the record's ambition and genre-mixing bravado, a few critics temper the acclaim by pointing to moments where production choices prioritize polish over sonic risk. Even so, the prevailing view frames EURO-COUNTRY as CMAT's most accomplished, stage-ready work to date - a collection whose best tracks combine humour, narrative depth and big, memorable choruses. For readers asking whether EURO-COUNTRY is worth listening to, the consensus score and repeated highlights across reviews suggest it stands as an essential, emotionally complex entry in her catalog.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Billy Byrne From Ballybrack, The Leader Of The Pigeon Convoy
EURO-COUNTRY
When A Good Man Cries
The Jamie Oliver Petrol Station
Tree Six Foive
Take A Sexy Picture Of Me
Ready
Iceberg
Coronation St.
Lord, Let That Tesla Crash
Running/Planning
Janis Joplining
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What Critics Are Saying
Deep insights from 12 critics who reviewed this album
Critic's Take
He praises how the title track anchors a political throughline, and how quirky standouts like “The Jamie Oliver Petrol Station” and “Lord, Let That Tesla Crash” balance humour with real heartbreak. The result, he argues, is an album that marries camp, conviction and catharsis, making these the best tracks on EURO-COUNTRY by dint of emotional impact and earworm power.
Key Points
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“When A Good Man Cries” is the best song for its sweeping scope and emotional directness.
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The album's core strengths are combining campy humour with political and personal catharsis across memorable pop hooks.
Themes
Critic's Take
CMAT remains gloriously singular on EURO-COUNTRY, a record whose best songs - the title-track “EURO-COUNTRY” and the gorgeous dirge “When A Good Man Cries” - distil her mix of wit, melancholy and offbeat cultural reference. Rachel Aroesti writes with amused affection, admiring how the title-track fuses a potted economic history with Lana-esque melancholia while staying funny and catchy. The reviewist’s ear for detail also lifts “When A Good Man Cries” as a standout, its brash fiddle and Fleetwood Mac-style harmonies making it one of the best tracks on EURO-COUNTRY. Elsewhere, songs like “Take A Sexy Picture Of Me” and “Lord, Let That Tesla Crash” showcase Thompson’s knack for turning messy psychology into sharp, entertaining pop.
Key Points
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The title-track “EURO-COUNTRY” is best because it fuses personal and national history with distinctive, melancholic-yodel vocals and memorable hooks.
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The album’s core strengths are its inventive lyrics, cultural references, and CMAT’s ability to make messy psychology both funny and emotionally resonant.
Themes
Ho
Critic's Take
CMAT sounds even more thrilling on EURO-COUNTRY, where the best songs - “Take A Sexy Picture Of Me” and “EURO-COUNTRY” - show her knack for blending wit and ache. The review’s voice revels in the record’s humour and shrewdness, pitching songs like “Lord, Let That Tesla Crash” and “When A Good Man Cries” as country-inflected masterpieces. With boogie-woogie on “Tree Six Foive”, soul on “Ready” and folk on “Coronation St.”, the album’s best tracks demonstrate CMAT’s genre-mixing bravado and comic precision.
Key Points
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‘Take A Sexy Picture Of Me’ is the standout for cultural impact and being called a pantheon-level Irish single.
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The album’s core strengths are sharp humour and bold genre-mixing across country, pop, soul and folk.
Themes
Critic's Take
CMAT’s EURO-COUNTRY arrives like a confident, referential manifesto, the record that will see her make the leap to bona fide star. Daisy Carter’s voice relishes the album’s cheeky self-awareness and impeccably judged touches, pointing to tracks such as “Tree Six Foive” and “Coronation St.” as choice cuts that encapsulate its themes of national identity, fame and womanhood. It’s a summer-defining third album, scene-stealing and knowingly referential, and those best songs are why listeners will call it CMAT’s breakout.
Key Points
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The best song, exemplified by "Tree Six Foive", is singled out as a choice cut that distills the album’s referential wit and themes.
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The album’s core strengths are its cheeky self-awareness, impeccable judgement, and fluent thesis on national identity, fame and womanhood.
Themes
Critic's Take
CMAT’s EURO-COUNTRY feels like the artist finally pulling every thread of her persona into one incandescent record, and the best songs - “Take A Sexy Picture Of Me” and “Lord, Let That Tesla Crash” - explain why. The reviewer revels in her knack for mixing fun and sadness, noting how “Take A Sexy Picture Of Me” turns viral energy into real emotional bite. There is also praise for the reflective “Running/Planning” and the country-leaning “When A Good Man Cries”, which all help answer the question of the best tracks on EURO-COUNTRY. Ultimately the album’s anthemic choruses, thematic depth and sharper songwriting make these standout moments genuinely feel like CMAT at her peak.
Key Points
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The best song, “Take A Sexy Picture Of Me”, fuses viral pop energy with sharp emotional commentary on body-shaming.
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The album’s core strengths are thematic depth, anthemic choruses, and sharper, more mature songwriting from CMAT.
Themes
Critic's Take
CMAT's EURO-COUNTRY reads like a leap forward, a record that trades coy pastiche for full-on cinematic pop, with the title track “EURO-COUNTRY” and the blunt, funny “Take A Sexy Picture Of Me” standing out. The reviewer delights in CMAT's ability to balance humor and melancholy, praising “EURO-COUNTRY” as a sprawling masterpiece while noting how “Take A Sexy Picture Of Me” turns anger about appearance into a rallying cry. There is also affection for the darkly comic melodicism of “Coronation St.” and the adventurous close of “Janis Joplining”, which together show an album equal parts intimate and ambitious. This is described as her most accomplished, idiosyncratic work yet, one primed to answer the question of the best tracks on EURO-COUNTRY with those highlights above.
Key Points
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The title track “EURO-COUNTRY” is best for its cinematic scope and incisive commentary on Ireland's generational fallout.
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The album's core strengths are its blend of sharp humor, emotional depth, genre-hopping musicality, and vivid lyrical detail.
Themes
Critic's Take
CMAT makes a bold statement on EURO-COUNTRY, where the best tracks stake out the album's emotional and political terrain. The review savors “The Jamie Oliver Petrol Station” as a masterclass in 21st-century malaise and praises “Take a Sexy Picture of Me” as a blistering critique wrapped in perfect pop. Rick Quinn notes how songs like “Lord, Let That Tesla Crash” and “When a Good Man Cries” translate private grief into culturally sharp songwriting, making these among the best tracks on EURO-COUNTRY. Overall, the record is both danceable and profound, a striking record of the year that pushes at country and pop boundaries.
Key Points
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The Jamie Oliver Petrol Station is best for turning novelty into sharp cultural critique with an irresistible beat.
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The album's core strengths are its blending of country and pop with incisive social commentary and emotionally resonant grief.
Themes
Critic's Take
In the reviewer's exuberant voice CMAT’s best songs on EURO-COUNTRY are the immediate hits - “Take A Sexy Picture Of Me” and “EURO-COUNTRY” - which the review singles out as viral and heartfelt respectively. Robin Murray writes with buoyant certainty about CMAT’s knack for lyricism, noting how tracks like “Iceberg” and “When A Good Man Cries” further underline her irresistible country-pop craft. The narrative keeps returning to sharp humour and incisive songwriting, explaining why these are the best tracks on EURO-COUNTRY, and why the album feels both timely and weighty.
Key Points
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‘Take A Sexy Picture Of Me’ is the standout due to its viral reach and immediate impact.
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The album’s strengths are incisive, humorous lyricism and polished Nashville-tinged country-pop production.
Themes
Critic's Take
CMAT sounds at her most playful and pointed on EURO-COUNTRY, where the best songs - notably “When a Good Man Cries” and “Lord, Let That Tesla Crash” - balance wry lyricism with big, rousing pop-rock. The title track is singled out for taking in Irish identity, while “The Jamie Oliver Petrol Station” provides sharp, introspective comedy, which together explain why fans will clutch these tracks as live staples. This review keeps a measured caveat - the music is less sonically adventurous than the lyrics - but overall it celebrates an effervescent, stage-ready set of songs.
Key Points
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The best song, “When a Good Man Cries”, is best because it channels country influences into a soulful, power-balladic chorus that stands out.
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The album's core strengths are sharp, contemporary lyricism and an effervescent, stage-ready sound that pairs personal detail with political reach.
Themes
Critic's Take
CMAT’s EURO-COUNTRY keeps landing daggered lines with a smile, and the best songs - especially “Tree Six Foive”, “The Jamie Oliver Petrol Station” and “Take A Sexy Picture Of Me” - crystallize why. Johnston’s knack for hyper-detailed miniature portraits turns relationship nastiness into comic, self-lacerating vignettes, and that voice coats the blades in honey. The title-track and “Running/Planning” broaden the record’s sweep, folding Irish recession and domestic departures into plush, Nashville-tinged arrangements. Overall, the album’s hooks and incisive commentary make the best tracks on EURO-COUNTRY feel both devastating and irresistible.
Key Points
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The best song, exemplified by “Tree Six Foive”, pairs hyper-detailed hurt with sweet vocals that make its barbed lines land.
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The album’s core strengths are incisive storytelling, hooky pop production, and empathetic yet sharp commentary on modern life.
Themes
Critic's Take
CMAT’s EURO-COUNTRY trades the romp of her past for an icy, introspective sweep, and its best songs underline that shift. The title track “EURO-COUNTRY” functions as an overture, succinctly setting out themes of loss and isolation, while “Coronation St.” is singled out as one of the record’s rawest moments.
Key Points
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“Coronation St.” is the album’s emotional high point due to its mournful tone and repeating lyrical coda.
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Euro-Country’s strengths are its evolved, introspective songwriting, lyrical density, and a willingness to experiment sonically.
Themes
Critic's Take
CMAT feels larger-than-life on EURO-COUNTRY, a record that pairs razzle dazzle with real grief and makes the best tracks - the title track and “When a Good Man Cries” - feel like big, necessary statements. The title song lays out that Celtic Tiger history in a sweeping chorus, and “When a Good Man Cries” proves her gift for a soulful, characterful turn. Elsewhere, “The Jamie Oliver Petrol Station” and “Tree Six Foive” ratchet up the comic fury and dramatic staging, keeping the album lively and emotionally sharp. This is CMAT fully realized: theatrical, self-aware, and unafraid to mix humor with grief.
Key Points
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The title track is best for its sweeping chorus and lucid account of Ireland’s Celtic Tiger and aftermath.
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The album’s core strengths are its blend of theatrical showmanship, sharp humor, and genuine emotional weight.