cumgirl8 the 8th cumming
cumgirl8's the 8th cumming arrives as a gleaming, goth-tinged fever dream that pairs sex-positive provocation with post-punk danceability. Critics note a fondness for 1980s goth and new wave textures, and the record's most compelling moments are the taut, club-ready cuts that turn uncomfortable honesty into stubbornly catchy hooks. With a 64/100 consensus score across 5 professional reviews, the critical verdict is admiring but uneven.
Reviewers consistently point to a core of standout tracks that define the record's identity. “Karma Police” is repeatedly praised as a pulsing opener that reframes Radiohead melancholy into disco-punk framings; “uti” (also written as "UTI" in some reviews) functions as the wrenching, batshit centrepiece; “iBerry” and “ahhhh!hhhh! (i don't wanna go)” surface as gothic, synth-driven highlights; and “hysteria!” gets singled out for lo-fi punk fury. Critics agree the band excels when blending glimmering atmospheres, digital intimacy and femme-forward politics into tight, danceable songs.
That said, several reviews flag inconsistency: certain tracks slide into retro pastiche or exhausting excess, and slower moments occasionally lose momentum. Still, the consensus emphasizes boldness over polish — a record whose provocative humour, frankness about body and desire, and post-punk revivalism reward repeated listens. For readers searching for "the 8th cumming review" or the "best songs on the 8th cumming," start with “Karma Police”, “uti”, “iBerry” and “ahhhh!hhhh! (i don't wanna go)” before exploring the album's messier charms.
Critics' Top Tracks
The standout songs that made critics take notice
Karma Police
4 mentions
"The chiming synths, electro-clash vibes, and high-pitched vocals of “Karma Police”"— The Line of Best Fit
ahhhh!hhhh! (i don't wanna go)
4 mentions
"“ahhhh!hhhh! (i don’t want to go)” oscillates between the retro analogue sounds of an 80s goth dancefloor, and horror movie soundtracks"— The Line of Best Fit
iBerry
5 mentions
"the gothic synth-based ‘iBerry’ is similarly successful"— New Musical Express (NME)
The chiming synths, electro-clash vibes, and high-pitched vocals of “Karma Police”
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Karma Police
ahhhh!hhhh! (i don't wanna go)
mercy
hysteria!
uti
simulation
girls don't try
iBerry
ny winter
something new
What Critics Are Saying
Deep insights from 5 critics who reviewed this album
Critic's Take
cumgirl8 deploys a gleefully uncomfortable honesty on the 8th cumming, and the best songs - especially “uti” and “Karma Police” - make that bluntness sing. Lisa Wright’s voice savours the batshit centrepiece “uti” as the record’s wrenching high point, and she frames opener “Karma Police” as a gloriously frenetic rework of Radiohead melancholia. The review leans into comparisons - Cure guitars, Kraftwerk nods - to explain why the best tracks on the 8th cumming feel both funny and substantial. Overall, the album’s best tracks are those that pair sex-positive piss-taking with genuinely unsettling ambience, so query results for "best tracks on the 8th cumming" should point to “uti” and “Karma Police”.
Key Points
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“uti” is the album’s standout because it is called the "batshit centrepiece" and evokes visceral, uncomfortable ambience.
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The album’s core strengths are its frank, sex-positive humour combined with 1980s electronic and post-punk influences.
Themes
Critic's Take
With a wink and a shove, cumgirl8 make the 8th cumming feel like a nostalgia-drenched nightclub fever dream, and the best songs - notably “ahhhh!hhhh! (i don’t wanna go)” and “Karma Police” - are where their blend of goth, disco and synth-pop clicks. Cat Woods writes in a voice equal parts amused and admiring, praising the album’s rhythmic disco-goth bangers and FOMO-phobic anthems while noting moments that slide into tired retro pastiche. The standout tracks deliver singalong hooks and club-ready production, even as filler like “mercy” and the exhausting turbo of “uti” undercut momentum. Overall, the record works best when it leans into its party-hard, orgasm-enthusiast persona rather than trying to reinvent the wheel.
Key Points
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The best song, “ahhhh!hhhh! (i don’t wanna go)”, pairs relatable lyrics with a FOMO-phobic, danceable hook that defines the album’s strengths.
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The album’s core strengths are its nostalgic, danceable disco-goth production and confident provocation, even if originality is limited.
Themes
Critic's Take
cumgirl8’s debut the 8th cumming finds its best tracks in taut, danceable cuts that marry politics and playfulness. The review highlights “Mercy” as an album standout, a new-wave song that leaps into a melodramatic refrain and encapsulates the record’s cybernetic sensuality. Equally notable is “iBerry”, a gothic synth piece that smartly contrasts blackberry sensuality with digital longing. Even when slower moments like “Girls Don’t Try” lose tightness, the record’s risqué politics and rhythmic inventiveness keep the best tracks compelling.
Key Points
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“Mercy” is best for combining sugary vocals with a weighty rhythm to capture cybernetic sensuality.
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The album’s core strengths are its feminist politics and danceable post-punk reinvention.
Themes
Fa
Critic's Take
cumgirl8 lean into a glimmering, gothic chaos on the 8th cumming, and the best tracks prove why. The opener “Karma Police” sets the tone with pulsing, glimmering soundscapes that make it one of the best tracks on the album. Elsewhere, “UTI” shocks into being a guilty-pleasure banger despite its TMI subject, while softer moments like “Simulation” and closer “Something New” show the band can craft genuine, affecting pop. This is an album of contrasts - abrasive choices and heartfelt hooks - so listeners hunting for the best songs on the 8th cumming should start with “Karma Police” and “UTI”.
Key Points
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“Karma Police” is the best track because it establishes the album’s pulsing, inimitable sound and chaotic charisma.
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The album’s core strengths are its fearless lyrical frankness, blend of post-punk/new wave influences, and its knack for creating gothic yet glimmering atmospheres.
Themes
Critic's Take
In a voice that delights in provocation, cumgirl8 make the 8th cumming feel like a love letter to 80s New York post-punk while stubbornly refusing to be nostalgic. The best tracks - “Karma Police” and “hysteria!” - skew between provocative synth-play and lo-fi punk fury, and they repeatedly steal the listener’s attention with surreal, alien melodies. Matt Young’s review praises how songs like “ahhhh!hhhh! (i don’t want to go)” and “iBerry” mix horror-tinged analogue textures with sardonic lyrics, making them among the best songs on the 8th cumming. Overall the album is celebrated for its daring blend of experimentation and femme-forward commentary, which is why listeners searching for the best tracks on the 8th cumming should start with those highlights.
Key Points
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“Karma Police” stands out for its chiming synths and boundary-pushing vocal provocations, making it the album’s strongest hook.
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The album’s core strengths are its fusion of 80s post-punk aesthetics, experimental electronic textures, and sharp femme-forward commentary.