David Bowie I Can't Give Everything Away (2002 - 2016) [Box Set]
David Bowie's I Can't Give Everything Away (2002 - 2016) [Box Set] arrives as a carefully curated late-career dossier that reads like a final lesson in reinvention and mortality. Across three professional reviews, critics single out the set's emotional center in “I Can’t Give Everything Away” and the dark propulsion of “Blackstar”, presenting the collection as both elegy and archival triumph rather than a mere compilation.
The critical consensus, reflected in an 87.33/100 score across 3 professional reviews, praises the box set's balance of studio highlights, live preservation and revelatory curios. Reviewers consistently cite the Montreux live document, late-era remasters and selected B-sides as evidence of thoughtful curation and legacy-minded pedagogy. Standout tracks named repeatedly include “I Can’t Give Everything Away”, “Blackstar”, and frequently mentioned companions like “Dollar Days” and “Where Are We Now?”. Critics note themes of mortality, late-career retrospection and New York-period vitality; these threads give the collection narrative coherence and make it a key resource for those asking what critics say about I Can't Give Everything Away (2002 - 2016) [Box Set] and which are the best songs on it.
While reviews are overwhelmingly appreciative, they frame the box set as an interpretive act - an artful inventory that invites reappraisal rather than closing the book. For readers seeking a deep dive into Bowie’s final creative chapter, this collection offers preserved performances, instructive sequencing and the poignant final statements that many critics call essential.
Critics' Top Tracks
The standout songs that made critics take notice
I Can’t Give Everything Away
2 mentions
"it closes on an upbeat note with “I Can’t Give Everything Away”"— Variety
Blackstar
2 mentions
"the intensity is palpable in every note of the album"— Variety
Dollar Days
1 mention
"the final track on Blackstar gives this collection its name, ‘Dollar Days’ is more poignant"— The Quietus
it closes on an upbeat note with “I Can’t Give Everything Away”
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Sunday - 2025 Remaster
Cactus - 2025 Remaster
Slip Away - 2025 Remaster
Slow Burn - 2025 Remaster
Afraid - 2025 Remaster
I've Been Waiting For You - 2025 Remaster
I Would Be Your Slave - 2025 Remaster
I Took A Trip On A Gemini Spaceship - 2025 Remaster
5:15 The Angels Have Gone - 2025 Remaster
Everyone Says 'Hi' - 2025 Remaster
A Better Future - 2025 Remaster
Heathen (The Rays) - 2025 Remaster
Sunday - Live at the Montreux Jazz Festival, 18th July, 2002
Life On Mars? - Live at the Montreux Jazz Festival, 18th July, 2002
Ashes To Ashes - Live at the Montreux Jazz Festival, 18th July, 2002
Cactus - Live at the Montreux Jazz Festival, 18th July, 2002
Slip Away - Live at the Montreux Jazz Festival, 18th July, 2002
China Girl - Live at the Montreux Jazz Festival, 18th July, 2002
Starman - Live at the Montreux Jazz Festival, 18th July, 2002
I Would Be Your Slave - Live at the Montreux Jazz Festival, 18th July, 2002
I've Been Waiting for You - Live at the Montreux Jazz Festival, 18th July, 2002
Stay - Live at the Montreux Jazz Festival, 18th July, 2002
Changes - Live at the Montreux Jazz Festival, 18th July, 2002
Fashion - Live at the Montreux Jazz Festival, 18th July, 2002
Fame - Live at the Montreux Jazz Festival, 18th July, 2002
I'm Afraid Of Americans - Live at the Montreux Jazz Festival, 18th July, 2002
5:15 The Angels Have Gone - Live at the Montreux Jazz Festival, 18th July, 2002
"Heroes" - Live at the Montreux Jazz Festival, 18th July, 2002
Heathen (The Rays) - Live at the Montreux Jazz Festival, 18th July, 2002
Everyone Says 'Hi' - Live at the Montreux Jazz Festival, 18th July, 2002
Hallo Spaceboy - Live at the Montreux Jazz Festival, 18th July, 2002
Let's Dance - Live at the Montreux Jazz Festival, 18th July, 2002
Ziggy Stardust - Live at the Montreux Jazz Festival, 18th July, 2002
Warszawa - Live at the Montreux Jazz Festival, 18th July, 2002
Speed Of Life - Live at the Montreux Jazz Festival, 18th July, 2002
Breaking Glass - Live at the Montreux Jazz Festival, 18th July, 2002
What In The World - Live at the Montreux Jazz Festival, 18th July, 2002
Sound And Vision - Live at the Montreux Jazz Festival, 18th July, 2002
Art Decade - Live at the Montreux Jazz Festival, 18th July, 2002
Always Crashing in the Same Car - Live at the Montreux Jazz Festival, 18th July, 2002
Be My Wife - Live at the Montreux Jazz Festival, 18th July, 2002
A New Career In A New Town - Live at the Montreux Jazz Festival, 18th July, 2002
Subterraneans - Live at the Montreux Jazz Festival, 18th July, 2002
New Killer Star - 2025 Remaster
Pablo Picasso - 2025 Remaster
Never Get Old - 2025 Remaster
The Loneliest Guy - 2025 Remaster
Looking For Water - 2025 Remaster
She'll Drive The Big Car - 2025 Remaster
Days - 2025 Remaster
Fall Dog Bombs The Moon - 2025 Remaster
Try Some, Buy Some - 2025 Remaster
Reality - 2025 Remaster
Bring Me The Disco King - 2025 Remaster
Rebel Rebel - Live; 2025 Remaster
New Killer Star - Live; 2025 Remaster
Reality - Live; 2025 Remaster
Fame - Live; 2025 Remaster
Cactus - Live; 2025 Remaster
Sister Midnight - Live; 2025 Remaster
Afraid - Live; 2025 Remaster
All The Young Dudes - Live; 2025 Remaster
Be My Wife - Live; 2025 Remaster
China Girl - Live; 2025 Remaster
The Loneliest Guy - Live; 2025 Remaster
The Man Who Sold The World - Live; 2025 Remaster
Fantastic Voyage - Live; 2025 Remaster
Hallo Spaceboy - Live; 2025 Remaster
Sunday - Live; 2025 Remaster
Under Pressure - Live; 2025 Remaster
Life On Mars? - Live; 2025 Remaster
Battle For Britain (The Letter) - Live; 2025 Remaster
Fall Dog Bombs The Moon - Live; 2025 Remaster
Ashes To Ashes - Live; 2025 Remaster
The Motel - Live; 2025 Remaster
Loving The Alien - Live; 2025 Remaster
Breaking Glass - Live; 2025 Remaster
Never Get Old - Live; 2025 Remaster
Changes - Live; 2025 Remaster
I'm Afraid Of Americans - Live; 2025 Remaster
"Heroes" - Live; 2025 Remaster
Bring Me The Disco King - Live; 2025 Remaster
Slip Away - Live; 2025 Remaster
Heathen (The Rays) - Live; 2025 Remaster
Five Years - Live; 2025 Remaster
Hang On To Yourself - Live; 2025 Remaster
Ziggy Stardust - Live; 2025 Remaster
The Next Day - 2025 Remaster
Dirty Boys - 2025 Remaster
The Stars (Are Out Tonight) - 2025 Remaster
Love Is Lost - 2025 Remaster
Where Are We Now? - 2025 Remaster
Valentine's Day - 2025 Remaster
If You Can See Me - 2025 Remaster
I'd Rather Be High - 2025 Remaster
Boss Of Me - 2025 Remaster
Dancing Out In Space - 2025 Remaster
How Does The Grass Grow? - 2025 Remaster
(You Will) Set The World On Fire - 2025 Remaster
You Feel So Lonely You Could Die - 2025 Remaster
Heat - 2025 Remaster
Atomica - 2025 Remaster
Love Is Lost - Hello Steve Reich Mix by James Murphy for the DFA; 2025 Remaster
Plan - 2025 Remaster
The Informer - 2025 Remaster
I'd Rather Be High - Venetian Mix; 2025 Remaster
Like A Rocket Man - 2025 Remaster
Born In A UFO - 2025 Remaster
I'll Take You There - 2025 Remaster
God Bless The Girl - 2025 Remaster
So She - 2025 Remaster
★
'Tis A Pity She Was A Whore
Lazarus
Sue (Or In A Season Of Crime)
Girl Loves Me
Dollar Days
I Can't Give Everything Away
Lazarus - No Plan
No Plan
Killing A Little Time
When I Met You
Slow Burn - Single Edit; 2025 Remaster
Wood Jackson - 2025 Remaster
When The Boys Come Marching Home - 2025 Remaster
Safe - 2025 Remaster
Sunday - Moby Remix; 2025 Remaster
A Better Future (Remix by Air) - 2025 Remaster
Slip Away (SACD Mix) - 2025 Remaster
Slow Burn (SACD Mix) - 2025 Remaster
I've Been Waiting For You (SACD Mix) - 2025 Remaster
5:15 The Angels Have Gone (SACD Mix) - 2025 Remaster
A Better Future (SACD Mix) - 2025 Remaster
Safe (SACD Mix) - 2025 Remaster
Everyone Says ‘Hi’ (Radio Edit) - 2025 Remaster
Sunday (Tony Visconti Mix) - 2025 Remaster
Everyone Says ‘Hi’ (METRO Remix Radio Edit) - 2025 Remaster
Heathen (The Rays) [Live in Berlin 22/09/02] - 2025 Remaster
Hop Frog (feat. David Bowie)
Saviour (feat. David Bowie)
Isn't It Evening (The Revolutionary) [feat. David Bowie]
Bring Me The Disco King (Loner Mix) [feat. Maynard James Keenan and John Frusciante] [Underworld: Music from the Motion Picture] - 2025 Remaster
New Killer Star (Radio Edit) - 2025 Remaster
Love Missile F1-11 - 2025 Remaster
Fly - 2025 Remaster
Queen Of All The Tarts (Overture) - 2025 Remaster
Never Get Old (Single Edit) - 2025 Remaster
Waterloo Sunset - 2025 Remaster
Rebel Rebel (Charlie’s Angels: Full Throttle Music from the Motion Picture) - 2025 Remaster
New Killer Star (Sessions@AOL, 23/09/03) - 2025 Remaster
Days (Live) - 2025 Remaster
5:15 The Angels Have Gone (Live) - 2025 Remaster
Rebel Never Gets Old (Radio Mix) - 2025 Remaster
(She Can) Do That [with BT] [Stealth: Music from the Motion Picture] - 2025 Remaster
Life On Mars? - Live at Fashion Rocks 08/09/05
Wake Up (with Arcade Fire) - Live at Fashion Rocks 08/09/05
Five Years (with Arcade Fire) - Live at Fashion Rocks 08/09/05
Arnold Layne (Live at The Royal Albert Hall 29/05/06) [feat. David Bowie]
Love Is Lost (Hello Steve Reich Mix by James Murphy for The DFA Edit) - 2025 Remaster
Sue (Or In A Season Of Crime) [2014 Version] - 2025 Remaster
‘Tis A Pity She Was A Whore (2014 Version) - 2025 Remaster
Lazarus (Radio Edit) - 2025 Remaster
I Can’t Give Everything Away (Radio Edit) - 2025 Remaster
What Critics Are Saying
Deep insights from 3 critics who reviewed this album
Critic's Take
Inevitably elegiac yet intellectually curious, David Bowie in I Can't Give Everything Away (2002 - 2016) [Box Set] feels like a final seminar on mortality and reinvention. The reviewer singles out “Bring Me The Disco King” as one of his greatest songs and frames “Dollar Days” alongside “Where Are We Now?” as quietly devastating; these are the best tracks on the set because they stitch elegy to melody with a scholar's restraint. The boxset, with its Montreux live document and late-era remasters, confirms Bowie as a teacher-figure - doleful, generous and always a little oblique. This is the best collection for anyone asking which are the best songs on I Can't Give Everything Away (2002 - 2016) [Box Set], because it foregrounds his late-period masterpieces and their lessons on ageing, art and loss.
Key Points
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The best song is "Bring Me The Disco King" because the reviewer calls it one of his greatest, highlighting its melancholy piano and revisited craft.
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The album’s core strengths are elegiac songwriting, late-career reinvention, and a pedagogic, reflective approach to mortality and legacy.
Themes
Re
Critic's Take
Simon Price frames David Bowie's late-career work as a New York-inflected coda, arguing that the box set highlights the best tracks like “Slip Away” and “I Can’t Give Everything Away” as emotional and compositional high points. He writes with knowing relish about the late-period pleasures - the Montreux live set's conviviality, the studio curios and the haunting finality of ★/Blackstar. The narrative places those songs as the best songs on I Can't Give Everything Away (2002 - 2016) [Box Set] because they balance playful covers and bold late statements, giving listeners both fun and profundity.
Key Points
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The best song is the title-linked “I Can’t Give Everything Away” because it encapsulates Bowie’s final, elegant artistic statement.
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The box set’s core strengths are its New York-centered context, generous live-documentation, and a mix of playful covers with profound late works.
Themes
Critic's Take
The boxed set I Can't Give Everything Away (2002 - 2016) [Box Set] reads like a final, artful inventory of a late renaissance, and Jem Aswad repeatedly hails the closing moments of I Can't Give Everything Away (2002 - 2016) [Box Set] — especially “I Can’t Give Everything Away” and the fury of “Blackstar” - as the emotional core. Aswad writes in a measured, appreciative voice about Bowie’s late-period mastery, praising the dark, driving intensity of “Blackstar” and the bittersweet uplift of “I Can’t Give Everything Away” as decisive final statements. He frames the set as generous curation rather than mere retread, noting standout moments from the studio albums and live recordings that make the box set essential for understanding Bowie’s last creative chapter. The result feels less like a cash-in and more like a lovingly assembled obituary in music form, which is why listeners asking "best songs on I Can't Give Everything Away" will most often hear “Blackstar” and “I Can’t Give Everything Away” cited first.
Key Points
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The best song is "Blackstar" because its intensity and innovation make it the most powerful late-career statement.
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The album's core strengths are careful curation, thematic confrontation with mortality, and strong late-period songwriting and live performances.