Ecca Vandal LOOKING FOR PEOPLE TO UNFOLLOW!
Ecca Vandal's LOOKING FOR PEOPLE TO UNFOLLOW! sparks with abrasive joy and sharpened intent, a record where punk aggression meets bhangra, hip-hop and trip-hop flourishes to memorable effect. Critics agree the album's concise songwriting and confrontational ethos power its strongest moments, and the collection earned a
The best song is "CRUISING TO SELF SOOTHE" because the reviewer calls it one of the very best singles of 2025 and compares its energy to Jane's Addiction and Death From Above 1979.
“Bleed But Never Die” is best because it is a defiant, first single that distills Vandal's resilient persona.
Best for listeners looking for genre-blending and defiance, starting with CRUISING TO SELF SOOTHE and BLEACH.
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See where this record sits inside the full critic-ranked discography.
Jump from this record into the broader critic-consensus lists for 2026.
Full consensus notes
Ecca Vandal's LOOKING FOR PEOPLE TO UNFOLLOW! sparks with abrasive joy and sharpened intent, a record where punk aggression meets bhangra, hip-hop and trip-hop flourishes to memorable effect. Critics agree the album's concise songwriting and confrontational ethos power its strongest moments, and the collection earned a 77/100 consensus score across 5 professional reviews—proof that reviewers find its fusion of noise and melody compelling if occasionally unpolished.
Across reviews, “CRUISING TO SELF SOOTHE” emerges as the album's definitive single, praised by every critic for its skatecore charge and viral momentum, while “EYES SHUT”, “BLEED BUT NEVER DIE” and “BLEACH” recur as standout tracks that distill Vandal's defiant, feminist perspective. Reviewers consistently highlight the record's genre-blending - from skater culture swagger to synth-led hooks - and commend how brash production and sharp vocal delivery turn short, potent songs into the best songs on LOOKING FOR PEOPLE TO UNFOLLOW!.
Not all commentary is uniform: some critics celebrate the album as a long-awaited breakthrough and return to form, noting its anthemic radio-ready choruses and immediacy, while others flag its maximal, deliberately messy tendencies as moments that could use more restraint. Still, the critical consensus suggests the album is worth attention for anyone asking "is LOOKING FOR PEOPLE TO UNFOLLOW! good"—it captures Ecca Vandal's rebirth, resilience and creative freedom, and sets a clear marker in her catalog before deeper dives in the full reviews below.
Critics' Top Tracks
The standout songs that made critics take notice
CRUISING TO SELF SOOTHE
5 mentions
"the self-assured ‘CRUISING TO SELF SOOTHE’ on which she screams through her anger: “Cruising on my own/ I’m moving up where I belong”."— DIY Magazine
BLEACH
2 mentions
"Punk and hip hop collide on ‘BLEACH’, with its deeply satisfying bursts of guitar and vocal screams."— DIY Magazine
EYES SHUT
3 mentions
"After ‘Eyes Shut’ and ‘Sorry! Crash!’ introduce ‘Looking For People To Unfollow’ as an album of blistering punk- rock"— New Musical Express (NME)
the self-assured ‘CRUISING TO SELF SOOTHE’ on which she screams through her anger: “Cruising on my own/ I’m moving up where I belong”.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
AIRPLANE MODE
EYES SHUT
SORRY! CRASH!
VERTICAL WORLDS
BLEED BUT NEVER DIE
CRUISING TO SELF SOOTHE
MOLLY
OKAY NOT TO BE OKAY
LEVITATE PART 1 + 2
LOOKING FOR PEOPLE TO UNFOLLOW
THEN THERE'S ONE
BLEACH
DID A LITTLE MORE TO FORGET
DO IT ANYWAY
DANCE IN DEBT
GHOSTS
CAME HERE FOR THE LOOT
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What Critics Are Saying
Deep insights from 5 critics who reviewed this album
Cl
Critic's Take
In a tone equal parts exultant and hard-headed, Ecca Vandal's LOOKING FOR PEOPLE TO UNFOLLOW! is sold on high-octane highlights like “CRUISING TO SELF SOOTHE” and “SORRY! CRASH!”. The reviewer praises “CRUISING TO SELF SOOTHE” as one of the very best singles of 2025, and crowns “SORRY! CRASH!” a thunderous stormer, while noting the radio-ready chorus of “VERTICAL WORLDS”. That blend of swagger, hardcore blasts and hip-hop atmospherics makes these the best tracks on LOOKING FOR PEOPLE TO UNFOLLOW!, and explains why the record feels like a long-awaited breakthrough.
Key Points
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The best song is "CRUISING TO SELF SOOTHE" because the reviewer calls it one of the very best singles of 2025 and compares its energy to Jane's Addiction and Death From Above 1979.
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The album's core strengths are its genre-blending bravado, memorable hooks and high-octane punk and hip-hop-infused energy.
Themes
Critic's Take
Ecca Vandal returns with LOOKING FOR PEOPLE TO UNFOLLOW, a 17-track blast that crowns “Bleed But Never Die” and “Cruising To Self Soothe” as the record's fiercest moments. Shah writes with the same punchy admiration that marked her debut coverage, praising the album's concise songs and ruthless streak while noting how Vandal's vocal bite keeps diverse beats coherent. He frames the best tracks as compact powerhouses - “Bleed But Never Die” for defiant resilience and “Cruising To Self Soothe” as an uplifting rock anthem that proves her momentum is back. The result answers searches for the best songs on LOOKING FOR PEOPLE TO UNFOLLOW with a clear verdict: these standouts capture the album's renewed identity and livewire unpredictability.
Key Points
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“Bleed But Never Die” is best because it is a defiant, first single that distills Vandal's resilient persona.
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The album's core strength is concise, punchy songs that let genre-blending beats and vocal bite create a coherent, ruthless identity.
Themes
Critic's Take
Ecca Vandal keeps her bravado front and center on LOOKING FOR PEOPLE TO UNFOLLOW, and the best songs on the album are those that marry noise with melody. The jolting immediacy of “EYES SHUT” and the lead single “SORRY! CRASH!” are standout moments that channel punk vitriol and theatrical percussion, while the viral charm of “CRUISING TO SELF SOOTHE” and the synth-tinged “OKAY NOT TO BE OKAY” show her softer, hook-driven instincts. Mid-album gems like “THEN THERE’S ONE” and “BLEACH” stick with you, tiny but potent, proving the best tracks on LOOKING FOR PEOPLE TO UNFOLLOW balance bite with earworm melody. The record’s closing pair, “GHOSTS” and “CAME HERE FOR THE LOOT”, leave a politically charged aftertaste that cements the album’s intent and impact.
Key Points
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The best song is the lead single ‘SORRY! CRASH!’ for its thundering percussion and memorable, punk-inflected energy.
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The album’s core strength is its genre-blending eclecticism that pairs political lyricism with hook-driven melodies.
Themes
Critic's Take
Ecca Vandal on LOOKING FOR PEOPLE TO UNFOLLOW is at her most confrontational and inventive, and the best songs - like “EYES SHUT” and “CRUISING TO SELF SOOTHE” - show why. Campbell writes with sharp admiration for how Vandal pours anger over distorted guitars on “EYES SHUT”, while the skatecore charge of “CRUISING TO SELF SOOTHE” captures her snarky, biting optimism. The record shines when she lets punk meet bhangra, hip-hop, and trip-hop textures, and those hybrid moments make the best tracks on LOOKING FOR PEOPLE TO UNFOLLOW feel both modern and rooted. Overall, the album’s willingness to mix styles and foreground Vandal’s voice is what makes its standout songs so compelling.
Key Points
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The best song is "CRUISING TO SELF SOOTHE" because it distills Vandal’s snark, bite, and optimistic manifesto into skatecore energy.
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The album’s core strength is fusing punk with diverse genres and foregrounding Vandal’s uncompromising voice.
Themes
Critic's Take
Ecca Vandal sounds maximal and deliberately messy on LOOKING FOR PEOPLE TO UNFOLLOW! — the best songs, like “BLEACH” and “LEVITATE PART 1 + 2”, show how punk, hip hop and R&B can collide into something thrilling. Roczniak’s ear catches the album’s mission statement in “BLEACH” and praises the synth-led sweep of “LEVITATE PART 1 + 2”, while the jazzy touch on “DID A LITTLE MORE TO FORGET” underlines Ecca’s adventurousness. The result is a varied collection that feels tight and purposeful, marking these as the best tracks on LOOKING FOR PEOPLE TO UNFOLLOW!.
Key Points
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“BLEACH” functions as the album’s mission statement with raw guitar bursts and confrontational lyrics.
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The album’s core strength is its genre-mixing and tight execution that makes noisy, defiant songs feel purposeful.