Elucid Revelator
Elucid's Revelator opens like an interrogation of intimacy and anger, a record where struggle and alienation are rendered with surgical clarity and hard-won feeling. Across professional reviews critics praise the album's incisive songwriting and the tension between live instrumentation and electronic noise, arguing that the most memorable moments distill personal stakes into compact, urgent lines.
The critical consensus awards Revelator a 79/100 average across 2 professional reviews, and reviewers consistently point to standout tracks as the clearest evidence of its strengths. Pitchfork highlights “BAD POLLEN (feat. billy woods)” and “IKEBANA” as songs that land with force, while also naming “THE WORLD IS DOG” and “IN THE SHADOW OF IF” for their emotional economy; Dusted Magazine likewise frames several cuts as photographic in their precision. Critics note production choices - the interplay of live drums, Luke Stewart's bass, and abrasive electronic textures - that give the record its muscular immediacy and make the best songs on Revelator feel like focused evidence rather than loose sketches.
Some reviews temper praise with a reminder that the album rewards close listening rather than casual spins, but the consensus suggests Revelator is a significant, often gripping statement about family, resistance, and survival. For readers searching for a measured verdict on whether Revelator is worth your attention, critics agree it merits careful engagement: the standout tracks named above function as the album's most persuasive arguments.
Critics' Top Tracks
The standout songs that made critics take notice
BAD POLLEN (feat. billy woods)
1 mention
"I squeeze my children’s hand and walk hard against the wind"— Pitchfork
IKEBANA
1 mention
"My favorite month September/I make gorgeous babies but I’m done makin’ N-words"— Pitchfork
THE WORLD IS DOG
1 mention
"concise, frenetic songwriting on tracks like “World Is Dog”"— Pitchfork
I squeeze my children’s hand and walk hard against the wind
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
THE WORLD IS DOG
CCTV (feat. Creature)
YOTTABYTE
BAD POLLEN (feat. billy woods)
SLUM OF A DISREGARD
RFID
INSTANT TRANSFER (feat. billy woods)
IKEBANA
IN THE SHADOW OF IF
SKP
HUSHPUPPIES
14.4 (feat. Skech185)
VOICE 2 SKULL
XOLO
ZIGZAGZIG
What Critics Are Saying
Deep insights from 3 critics who reviewed this album
Critic's Take
In a vivid, almost clinical register the reviewer treats Elucid’s Revelator as a diagnostic record, singling out moments that function like photographic clarity - the review locates its strongest turns in the album’s incisive, dense tracks. The critic praises the record’s penetrating clarity and production, and frames the best tracks as revealing - the review repeatedly returns to the songs as evidence of a precise, muscular vision. Read as a case study in focused songwriting, Revelator rewards close listening to those standout cuts highlighted by the critic.
Key Points
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The best song is singled out for its clarity and muscular production, acting as the album's revealing centerpiece.
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The album’s core strength is precise, clinical production that highlights Elucid's dense, incisive songwriting.
Critic's Take
In a voice that balances fury and tenderness, Elucid makes Revelator feel like a lived manifesto, where the best songs - “Bad Pollen” and “Ikebana” - land with particular force. The reviewer hears Elucid squeezing personal stakes into compact lines, so the best tracks on Revelator are those that pair economy of words with emotional weight, especially “World Is Dog” and “In the Shadow of If”. Production noise, live drums, and Luke Stewart’s bass give these standout moments muscle and immediacy, making them the clearest answers to what the best songs on Revelator actually are.
Key Points
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“Bad Pollen” is the best song because it condenses intimate family stakes into a potent, persistent lyric backed by live instrumentation.
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The album’s core strengths are concise, emotionally resonant songwriting and a mesh of noisy electronics with live drums and bass.