Fat Dog Cancel Me (I'm Tired)
Released Oct 2, 2026 Domino Recording Co.
Consensus forming 4 professional reviews Updated Oct 5, 2026
Mostly positive consensus
Consensus is still forming across 4 professional reviews. Fat Dog's Cancel Me (I'm Tired) channels exhausted exhilaration into a ragged, often irresistible record that critics call both a charged comeback and a sign of frayed momentum.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
Smile and Wave
3 critic mentions
“Smile and Wave" sounding like a remix of the classic DOOM soundtrack” — AllMusic
Go F**k Urself
3 critic mentions
“Being told to go fuck yourself has rarely sounded so welcoming.” — Dork
Cancel Me (I’m Tired)
2 critic mentions
“the John Lennon-inspired title track.” — The Line of Best Fit
Full critic consensus
Fat Dog's Cancel Me (I'm Tired) channels exhausted exhilaration into a ragged, often irresistible record that critics call both a charged comeback and a sign of frayed momentum. Across professional reviews the collection earned a 72.5/100 consensus score from four reviews, with praise clustering around the album's knack for marrying pop hooks and dance-punk energy to moments of genuine tenderness. The question of whether Cancel Me (I'm Tired) is good lands in the margins: reviewers consistently celebrate standout songs while noting uneven stretches.
Critics repeatedly flagged “Smile and Wave”, “Go F**k Urself” and the title track “Cancel Me (I'm Tired)” as the record's brightest highlights, crediting them with infectious hooks, chant-ready choruses and a brazen commentary on cancel culture. Several reviews also champion “Aliens” for its swooning psychedelia and “Shit Love” for its gleeful excess, showing that the best songs on Cancel Me (I'm Tired) pivot between abrasive catharsis and unexpected melodicism. Critics note recurring themes of exhaustion, touring and industry pressure, satirical bite and a contrast of soft and aggressive sounds that give the record both its chaotic exuberance and its moments of intimacy.
While some reviewers found the album hurried and frayed after a strong opening, others applauded its kaleidoscopic genre-mixing and live-ready energy; the consensus suggests a record worth hearing for its standout tracks and theatrical ambition, even if it does not fully recapture the band’s earlier absurdist pizzazz. Below, the full reviews unpack why these moments of tenderness and fury make Cancel Me (I'm Tired) a divisive but frequently rewarding entry in Fat Dog's catalogue.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Smile and Wave
Go F**k Urself
Cancel Me (I’m Tired)
Heart of Darkness
Shit Love
Call It What You Want
Snakes
Bad Dog
The Devil
Aliens
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What Critics Are Saying
Deep insights from 7 critics who reviewed this album
Critic's Take
Fat Dog sound deliriously generous on Cancel Me (I'm Tired), the best songs - “Go F**k Urself”, “Cancel Me (I'm Tired)” and “Shit Love” - throwing ridiculous pleasures around like confetti. Dan Harrison's tone is gleeful and slightly mischievous, noting bright synths and funk grooves that make the album's excess feel entirely reasonable. The record mixes gothic keyboards, klezmer bursts and techno riffs, keeping hooks abundant and the moods varied. By the time you reach “Aliens” the grand romantic finale cements why these tracks stand out.
Key Points
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The best song, “Go F**k Urself”, stands out as a big pop tune that turns abrasiveness into a ridiculous pleasure.
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The album's core strength is abundant, genre-mixing hooks with bright synths and emotional warmth that balance darker textures.
Themes
Critic's Take
South London’s frantic septet arrive on Cancel Me (I'm Tired) with an album that delights in jolts and surprises, and the best songs - notably “Smile and Wave” and “Snakes” - showcase that tug between snarling noise and melodic respite. Lana Marshall’s voice revels in the carnivalesque chaos, noting how “Smile and Wave” throws listeners into thrashing waters while “Snakes” is "quite wedding-y," an acoustic oasis displaying Joe Love’s enchanting vocals. The title track “Cancel Me (I’m Tired)” is singled out for its daring, colossal club beat and brazen jab at cancel culture, making it one of the album’s most memorable moments. Overall, the best tracks on Cancel Me (I'm Tired) are those that balance fury with unexpected melody, offering the strongest hooks amid the chaos.
Key Points
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The best song is the opener "Smile and Wave" because it immediately establishes the album’s thrashing, uncompromising tone.
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The album’s core strength is its ability to juxtapose snarling, eardrum-rattling tracks with brief, melodic oases for contrast and impact.
Themes
Critic's Take
In a voice that mixes sympathy with impatience, Fat Dog deliver Cancel Me (I'm Tired) as a record where a few best songs - notably “Smile and Wave” and “Go F**k Urself” - still sparkle, but the album mostly feels hurried and frayed around the edges. The reviewer keeps returning to the idea that the band were exhausted and rushed, noting how those strengths show up early, then dissipate into misjudged diversions like “Heart of Darkness” and “Snakes”. Praise is reserved for the raucous energy that will translate live, yet the overall verdict is that the album rarely recaptures the absurd pizzazz of their debut. This is a record with enjoyable moments, but not enough to erase the sense of a group worn down by industry pressure.
Key Points
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The best song is "Smile and Wave" because it shows promise and memorable production that stands out early.
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The album's core strength is raucous energy that will translate well live, despite a sense of being rushed and emotionally drained.
Themes
mu
Critic's Take
Fat Dog’s Cancel Me (I'm Tired) finds its best songs in the mix of chaos and tenderness, where the band’s noise finally wears an emotional centre. The opener “Smile and Wave” bristles with swagger and odd intimacy, and the title track “Cancel Me (I’m Tired)” turns burnout into a bleak, funny philosophy that anchors the record. There are shoutable bangers too - “Go F**k Urself” is irresistible chant-pop and “The Devil” approaches arena-theatre grandeur - but it is the softer turn of “Aliens” that leaves the clearest aftertaste. The album’s best tracks balance fury and feeling, making the question of the best songs on Cancel Me (I'm Tired) a matter of whether you prefer catharsis or tenderness.
Key Points
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The opener “Smile and Wave” best combines the band's swagger and newfound emotional warmth.
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The album’s core strength is balancing abrasive electro-punk chaos with unexpectedly tender, melodic moments.
Themes
Re
Critic's Take
Fat Dog sound revitalised on Cancel Me (I'm Tired), and the best songs on the album - “Smile and Wave”, “Go F**k Urself” and “Aliens” - prove the band have broadened their palette without losing the riotous core. The opener “Smile and Wave” kicks off as if out of nowhere, lurching between Metallica-grade guitars and gothic keyboards with a joyous lack of pause. Bright, synth-driven “Go F**k Urself” and the title-track push the pop hooks hard, mining disco flurries to infectious effect while retaining punk attitude. Closer “Aliens” surprises with swoon-y psychedelia and sultry sax, giving the record a persuasive soundtrack grandeur that suggests the band are only just beginning.
Key Points
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The best song is the opener “Smile and Wave” for its thrilling, nothing-before-it start and restless shifts in tone.
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The album’s core strengths are kinetic dance-punk energy, sharper pop hooks, and moments of unexpected grandeur.