Fievel Is Glauque Rong Weicknes
Fievel Is Glauque's Rong Weicknes opens like a Technicolor carnival - eccentric, densely arranged and unafraid of joyous clutter - and critics largely agree it pays off. Across four professional reviews the record earned an 80.5/100 consensus score, with reviewers pointing to a handful of songs that encapsulate the album's mix of danceability, surrealism and jazz-pop invention. The prevailing verdict: Rong Weicknes rewards both immersion and repeated plays rather than casual backgrounding.
Critics consistently elevate “As Above So Below” as a centerpiece, praising its flute-driven, romantic energy and kaleidoscopic vocal polyphony; Pitchfork and The Quietus called it a crystallizing highlight. Other standout tracks cited across reviews include “Hover”, noted for synth blasts and Ma Clément's vocal heft, and “Kayfabe”, whose bracing horns and maximalist momentum were singled out by Pitchfork. The Guardian diverged slightly by naming “Love Weapon” and “Transparent” among the album's best songs, highlighting lugubrious delivery, electric sitar riffing and melodic bass that underline the record's vintage influences and chamber-pop leanings.
Across professional reviews critics praise the album's kinetic arrangements, collage-like production and willingness to trade polish for improvisatory spontaneity. Some writers flagged moments where maximalism risks overwhelming clarity, but the consensus suggests those risks are often the point: expanded song structures and studio experimentation make the best tracks on Rong Weicknes feel both nostalgic and oddly modern. For readers asking "is Rong Weicknes good" or "what are the best songs on Rong Weicknes", the short answer from critics is yes: the record's top cuts like “As Above So Below”, “Hover” and “Kayfabe” demonstrate why its ambitious collision of styles is worth hearing.
Critics' Top Tracks
The standout songs that made critics take notice
Love Weapon
1 mention
"she gives a more lugubrious, gentle performance on Love Weapon to make it the album’s standout."— The Guardian
As Above So Below
4 mentions
"the lead single "As Above, So Below" feel emblematic of this effect"— Paste Magazine
Hover
3 mentions
"The opening one-two punch of "Hover" and lead single "As Above, So Below" feel emblematic"— Paste Magazine
she gives a more lugubrious, gentle performance on Love Weapon to make it the album’s standout.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Hover
As Above So Below
Would You Rather?
Love Weapon
Rong Weicknes
Toute Suite
It's So Easy
I'm Scanning Things I Can't See
Kayfabe
My Oubliette
Dark Dancing
Great Blues
Transparent
Eternal Irises
Haut Contre Bas
What Critics Are Saying
Deep insights from 5 critics who reviewed this album
Critic's Take
There is a buoyant, anarchic energy at the core of Fievel Is Glauque's Rong Weicknes, and the review makes clear why listeners asking "best tracks on Rong Weicknes" will point to the opening pair. The review revels in how “Hover” primes the record with synth blasts and controlled chaos, while “As Above, So Below” blooms into a sunlit, existential center with a crackling guitar solo. The title track “Rong Weicknes” and songs like “It's So Easy” further prove the band can turn familiar jazz-pop materials into something kinetic and modern. Overall the voice here admires the album's brave layering and Ma Clément's tethering vocals as the reason these are the best songs on Rong Weicknes.
Key Points
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The best songs, led by "As Above, So Below" and "Hover", succeed because of joyful, lavish layering and Ma Clément's anchoring vocals.
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The album's core strengths are its maximalist studio experiments, vintage influences rendered freshly, and kinetic arrangements that balance chaos with direction.
Themes
Critic's Take
In a giddily hyperkinetic sweep, Fievel Is Glauque make Rong Weicknes a vivid, maximalist balm where the best tracks - notably “As Above So Below” and “Kayfabe” - crystallize the record's charms. The reviewer's voice revels in the pastel tangle of instruments, calling “As Above So Below” cardiac arrest-inducing yet irresistible and pointing to “Kayfabe” as a black midi madness that climaxes like doomsday horns. Between the danceable clutter and Clément's kaleidoscopic vocals, these songs show why listeners ask about the best songs on Rong Weicknes, since they balance freakout and melody with uncanny poise. The result is an album whose best tracks reward both close listening and gleeful surrender to its collaged chaos.
Key Points
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“As Above So Below” is the album's standout for pairing a frolicking topline with the record's maximalist instrumentation.
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Rong Weicknes's core strengths are its lavish, collaged arrangements and Clément's polyphonic, intoxicating vocal performances.
Themes
Critic's Take
Fievel Is Glauque’s Rong Weicknes feels like bursting into a Technicolor tent of music, and the best songs prove that surreal, jazz-pop logic. The review’s voice singles out “Love Weapon” as the album’s standout, noting Ma Clément’s lugubrious, gentle performance, while “Transparent” is praised for its electric sitar riff and melodic bassline. Those two tracks, then, emerge as the best songs on Rong Weicknes, balancing improvisatory flourish with strong melodic foundations, and making clear why listeners ask about the best tracks on Rong Weicknes and the best songs on Rong Weicknes. The album’s shifting time signatures and Seuss-ish scurrying give these highlights a vivid, irresistible pull.
Key Points
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Ma Clément’s lugubrious, gentle performance makes "Love Weapon" the album’s standout.
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The album’s strengths are its brilliant melody, inventive musicianship, and playful, surreal jazz-pop arrangements.
Themes
Critic's Take
Fievel Is Glauque's Rong Weicknes feels both playful and meticulously assembled, with clear best tracks that reveal the album's strengths. The reviewer singles out “As Above So Below” for its quirky, romantic flute-driven energy and “Hover” for showcasing Ma Clément's vocal heft, making those the best songs on Rong Weicknes. Other highlights like “Toute Suite” and “My Oubliette” reward close listening for their subtle noise and devolving improvisation, which explains why listeners ask which are the best tracks on Rong Weicknes. Overall, the album's balance of vintage easy-listening motifs and modern glitchy touches makes its top songs stand out as both nostalgic and fresh.
Key Points
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The best song is driven by distinctive flute and a balance of quirky romance and modern glitch, exemplified by "As Above So Below".
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The album's core strengths are its experimental production choices, lush mini-orchestras, and the balance between nostalgic easy-listening and modern textures.