EUSEXUA Afterglow by FKA twigs

FKA twigs EUSEXUA Afterglow

76
ChoruScore
10 reviews
Nov 14, 2025
Release Date
Atlantic Records
Label

FKA twigs's EUSEXUA Afterglow arrives as a nocturnal epilogue to her club-facing experiments, a record that trades peak-time catharsis for the shimmering residue of the afterparty. Across professional reviews, critics point to a consistent set of highlights — notably “Love Crimes”, “Sushi” and “HARD” — as the record's clearest moments, while other cuts offer hazy, textural pleasures that reward repeat listening. The critical consensus suggests the collection largely succeeds at capturing post-club comedown and digitized ecstasy even when its momentum fragments.

Earning a 76.38/100 consensus score across 10 professional reviews, the album draws praise for its adventurous production, sensuality, and thematic focus on hedonism, memory and the aftermath of nights out. Reviewers consistently flagged “Love Crimes” for its propulsive, EDM-tinged thrust, “Sushi” for its ballroom elan and joyous peak moments, and “HARD” for its eerie, infectious charge. Critics also noted quieter triumphs such as “Cheap Hotel” and “Lost All My Friends”, describing the record as more of a companion piece to previous work than a straight return to form.

While some reviewers described Afterglow as uneven, a sequence of brilliant bursts amid experimental leftovers, others celebrated its willingness to foreground mood and sensual detail over instant memorability. The professional reviews coalesce around a portrait of an artist deepening her club/electropop palette — an album that may not replace earlier hits but rewards those curious about the best songs on EUSEXUA Afterglow and the ways Twigs turns afterparty fragments into something vividly alive. Below, read the full critic narratives and track-by-track impressions that shaped the consensus.

Critics' Top Tracks

The standout songs that made critics take notice

1

Love Crimes

8 mentions

"‘Love Crimes’ ignites a primal, subterranean energy"
New Musical Express (NME)
2

Got to Feel

1 mention

""Got to Feel" is another highlight and has massive Björk energy to it"
The Needle Drop
3

Lonely but Exciting Road

1 mention

""Lonely but Exciting Road" is a better closer than "Wanderlust""
Sputnikmusic
‘Love Crimes’ ignites a primal, subterranean energy
N
New Musical Express (NME)
about "Love Crimes"
Read full review
8 mentions
78% sentiment

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

Love Crimes

8 mentions
100
02:40
2

Slushy

9 mentions
100
03:33
3

Wild And Alone (feat. PinkPantheress)

6 mentions
100
04:05
4

HARD

7 mentions
100
03:34
5

Cheap Hotel

8 mentions
57
03:32
6

Touch A Girl

6 mentions
43
02:59
7

Predictable Girl

7 mentions
73
02:27
8

Sushi

9 mentions
100
05:22
9

Piece Of Mine

5 mentions
55
03:15
10

Lost All My Friends

8 mentions
100
03:44
11

Stereo Boy

5 mentions
04:51

What Critics Are Saying

Deep insights from 9 critics who reviewed this album

Critic's Take

Hi, everyone. Marty Supreme here, and on FKA twigs’s EUSEXUA Afterglow the best tracks are the darker, more focused pieces like “Hard” and “Got to Feel” which land with eerie, sensual authority. The record often feels like extras and experimental afterthoughts, yet songs such as “Love Crimes” and “Piece Of Mine” still cut through with strong production and emotional clarity. If you are searching for the best songs on EUSEXUA Afterglow, look to those tracks for the record's clearest pleasures, even as the album drifts into uneven territory.

Key Points

  • The best song is "Hard" because it combines eerie production, clear beats, and intense sensuality that the reviewer calls a highlight.
  • The album's core strengths are adventurous experimentation and moments of strong production, but it is uneven and often feels like extras or afterthoughts.

Themes

sexuality and desire independence experimentation afterglow/aftermath

Critic's Take

FKA twigs sounds like she’s having a blast on EUSEXUA Afterglow, and the review makes clear the best tracks are the ones that lean into that chaotic, club-inflected energy. The breezy duet Wild and Alone with PinkPantheress is singled out for its light-hearted take on fame, while opener Love Crimes and the Mechatok collaborations HARD and Predictable Girl are praised for marrying murmured melodies to battering rhythms and sumptuous bass. The quieter wins include Two Shell-assisted Cheap Hotel, described as the most absorbing of the sleepier numbers, even as songs like Slushy and Touch A Girl drift by with less impact. Overall the review favors Afterglow's club-leaning highs and moody introspection, recommending listeners hunt out those standout tracks as the best songs on EUSEXUA Afterglow.

Key Points

  • The best song is the club-leaning "Wild and Alone" for its breezy fame meditation and strong guest turn.
  • The album’s strengths are its club-inflected production, contrasts between murmured melodies and heavy rhythms, and moody introspection.

Themes

fame aftermath of a night out loneliness reimagining/deluxe edition club production

Critic's Take

FKA twigs's EUSEXUA Afterglow feels like an extension of that ecstatic post-club euphoria, and the best songs here - notably Love Crimes and HARD - are where she translates that energy into something primal. The reviewer's voice savours the pummeling drums of Love Crimes and the coquettish bounce of HARD, arguing these tracks are the album's clearest thrills. At the same time the record trades some of Eusexua's darker nuance for brighter, more reckless afters, which makes the standout tracks feel simultaneously triumphant and slightly lighter in emotional weight.

Key Points

  • The best song is Love Crimes because its pummeling drums and primal energy crystallize the album's post-club high.
  • The album's core strengths are its ecstatic dance production and surreal, alien-tinged reworking of familiar club rhythms.

Themes

dance escapism post-club afters ecstatic hedonism alien/delirious production

Critic's Take

FKA twigs’s EUSEXUA Afterglow is less about peak-time catharsis and more about the afterparty’s luminous residue, and the best songs here lean into that melancholic euphoria. Slushy is a clear standout, its juddering percussion swelling to a jungle climax that locates consolation in strangers and sensation. Equally vital is Cheap Hotel, a trip-hop bombast that finds comfort in food and sex, while the ballroom splendour of Sushi supplies the album’s joyous, death-drop moment. The record excels in its foggy miasma of fractal beats and processed vocals, rewarding repeated listens for the best tracks on EUSEXUA Afterglow.

Key Points

  • ‘Slushy’ is the best song for its juddering percussion and jungle climax that encapsulate the album’s afterglow.
  • The album’s core strengths are its textured post-club atmosphere, inventive production, and sensual, fragmented narratives.

Themes

post-club comedown fragmented memory dancefloor transcendence sensuality and solitude

Critic's Take

FKA twigs's EUSEXUA Afterglow feels like a surrender to hedonism, its best songs reveling in late-night intoxication. The reviewer singles out Love Crimes as a standout for its imposing noughties thump and cathedralic synths, while Sushi is praised for turning familiar R&B into sticky, nocturnal delirium. Lost All My Friends is framed as the album's dawn-after moment, capturing the dazed slide toward daylight. For listeners asking "best songs on EUSEXUA Afterglow" or "best tracks on EUSEXUA Afterglow," those three tracks are positioned as the album's clearest highlights.

Key Points

  • The best song is Love Crimes for its fusion of noughties thump and cathedralic synths that define the album's hedonistic pulse.
  • The album's core strengths are its vivid club-atmosphere production and the balance between euphoric dance tracks and intimate, sensual moments.

Themes

club nightlife hedonism nostalgia and references dance/euphoria vs introspection

Critic's Take

FKA twigs's EUSEXUA Afterglow doubles down on the personal cybernetic project she has been engineering, leaning into AI, virtual spaces and digitized ecstasy with a sly, club-ready confidence. The reviewer's ear latches onto the album's most immediate pleasures - the softly percolating collaboration Wild and Alone and the midway adrenaline rush of Predictable Girl and Sushi - as the best songs on EUSEXUA Afterglow, moments where the beats are sickest and Twigs' experiments pay off. There is wistful comparison to earlier staples - no new track is as sticky as “Sticky” - but Afterglow finds its strength in those peak, heady after-the-afterparty cuts. The tone is admiring and precise, pointing listeners toward the best tracks on EUSEXUA Afterglow without exaggeration.

Key Points

  • The best song moments are the mid-album peaks "Predictable Girl" and "Sushi" where the beats are sickest.
  • The album's core strengths are its club-ready production, thematic focus on digitized desire, and precise, experimental beats.

Themes

AI and virtual spaces digitized ecstasy body modification club culture post-party afterglow

Critic's Take

FKA twigs's EUSEXUA Afterglow is a purposeful comedown that privileges human quirks over club perfection, and the best tracks - “Sushi” and “Slushy” - make the postgame feel more fun than the main event. The reviewer writes with the same sly, conversational wit of the piece: playful pop earworms crop up as the record's winning moments, while songs like “Cheap Hotel” and “Predictable Girl” grind the mood down. The album is sexy and spontaneous, occasionally brilliant in short bursts, but ultimately designed to fizzle rather than climax. Read as a companion to EUSEXUA, Afterglow catches a vibe more than it secures a lasting rush.

Key Points

  • The best song, "Sushi", is the album's apex because it turns earlier ideas into sparkling, stomping dance pop.
  • The album's core strength is its playful, radio-ready pop moments that make the postgame feel preferable to the main event.

Themes

comedown ecstasy aftermath club/electropop sexuality vibe over memorability

Critic's Take

FKA twigs leans into pleasure and pain on EUSEXUA Afterglow, and the review suggests its best songs are the bruising opener Love Crimes and the nostalgic Slushy. The critic dwells on how “Love Crimes” goes surprisingly hard and how Slushy uses food imagery to locate emotional comfort, making both evident best tracks on EUSEXUA Afterglow. There is also mention of a mini song cycle—from the ballroom swagger of Sushi to the disorientation of Lost All My Friends—that reinforces why these cuts stand out. The voice remains analytical but admiring, framing the album as both continuation and reflection of the artist’s earlier work.

Key Points

  • The best song is the opener "Love Crimes" because its relentless 4/4 throb and mortality imagery make it immediately striking.
  • The album’s core strengths are its continuity with Eusexua through drum'n'bass and arpeggios plus new textures like distorted guitars and pitched-up vocals.

Themes

pleasure and pain memory and nostalgia psyche/mental state dance/drum’n’bass production
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Sputnikmusic

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72

Critic's Take

FKA twigs frames EUSEXUA Afterglow as the slow comedown from a rave, and the review insists the best songs sustain that twilight mood. The critic praises “Love Crimes” for its pumping EDM beats and haunting melody, spots “HARD” as probably the most infectious track, and highlights “Lost All My Friends” as the most intriguing moment in the record's dusky second half. The voice is measured and observant, noting subtle production details that make these tracks the best songs on EUSEXUA Afterglow rather than simple singles. The conclusion celebrates Twigs's winning streak, suggesting these standout tracks prove the concept succeeds overall.

Key Points

  • HARD is the album's infectious centerpiece thanks to glitchy club-pop production and gorgeous vocals.
  • The album's strengths are its detailed soundscapes and effective transition from rave energy to subdued afterglow.

Themes

afterparty/comedown ambient soundscapes club/EDM fusion introspection