Flyte Between You And Me
Flyte's Between You And Me arrives as a gently assured collection that favors quiet reflection and intimate detail, earning a measured critical reception that suggests the record rewards close, patient listening. Across professional reviews, critics point to the album's warmth and presence - its small vignettes of LA life and romantic uncertainty - as the defining tone rather than grand gestures.
The critical consensus, reflected in a 70.5/100 score across 2 professional reviews, highlights standout tracks that repeatedly surface in praise: “Hello Sunshine”, “Emily and Me” and “Cold Side of The Pillow”. Reviewers consistently note the duo's close harmonies, exchanged fingerpicking and tasteful textural flourishes, with “I Just Can’t Believe That We’re Friends” singled out for its warm, skipping acoustic and “If You Can't Be Happy” for playful nods to their influences. Critics agree the album's gentleness, nostalgia and intimacy make its best songs feel like modest revelations rather than arena-ready anthems.
While praise centers on songwriting craft and subtle arrangements, some reviews imply the record's restraint may leave listeners seeking bolder departures wanting more; still, the professional reviews present Between You And Me as a cohesive, finely observed follow-up that solidifies Flyte's strengths in collaboration, presence and understated storytelling. Below, the full reviews unpack how these themes shape the album's quiet charm and where its restraint proves both strength and limitation.
Critics' Top Tracks
The standout songs that made critics take notice
I Just Can't Believe That We're Friends
1 mention
"the instrumental of ‘I Just Can’t Believe That We’re Friends’ has an almost bouncy brightness"— Clash Music
Cold Side of The Pillow
1 mention
"The Elliott Smith-inhabited “Cold Side of the Pillow” chugs along"— Paste Magazine
Emily and Me
2 mentions
"“Emily & Me” depicts something like a Linklater-like dream of loving attentiveness"— Paste Magazine
the instrumental of ‘I Just Can’t Believe That We’re Friends’ has an almost bouncy brightness
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Hurt People
Alabaster
Emily and Me
I'm So Down
Hello Sunshine
I'm Not There
If You Can't Be Happy
Cold Side of The Pillow
I Just Can't Believe That We're Friends
Everybody Says I Love You
What Critics Are Saying
Deep insights from 2 critics who reviewed this album
Critic's Take
Flyte sound quietly assured on Between You And Me, where the best songs - notably “Hello Sunshine” and “Cold Side of The Pillow” - find intimacy in spare, live-feeling arrangements. The reviewer’s ear lingers on Taylor and Hill’s close harmonies and exchanged fingerpicking, making tracks like “Hello Sunshine” feel rhapsodic and immediate. At moments such as “If You Can’t Be Happy” the record frolics with its influences rather than hiding them, which brings a winsome warmth to the album. Overall, the record’s gentleness and modesty reward patient listening and mark its best tracks as modest revelations rather than grand statements.
Key Points
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“Hello Sunshine” is best for its playful exchanged fingerpicking and close-harmony intimacy.
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The album’s core strengths are its modest, gentle arrangements and the close creative exchange between Taylor and Hill.
Themes
Critic's Take
There is a steady charm at the heart of Flyte's Between You and Me, and the best songs - notably “Emily and Me” and “I Just Can’t Believe That We’re Friends” - reveal why. The record favours small, vivid vignettes and the reviewer lingers on Flyte's gift for the simple, the sly and the resonant, whether in sardonic LA lines or a suddenly urgent second verse. You hear it in the fuzzy electric of “Alabaster” and the warm, skipping acoustic of “I Just Can’t Believe That We’re Friends”, moments where added texture lets their quiet songwriting shine. The closer, “Everybody Says I Love You”, then ties up the album's tentativeness and sincerity in a fittingly muted, intimate finish.
Key Points
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‘Emily and Me’ is the best for its subtle, sardonic lyrics and vivid Hollywood imagery.
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The album’s core strengths are quiet, meticulously crafted songwriting and small radiant moments of brightness.