Gia Margaret Singing
Released Apr 24, 2026 Jagjaguwar
Established consensus 5 professional reviews Updated Oct 1, 2026
Broadly positive consensus
Gia Margaret's Singing marks a quietly triumphant vocal comeback, a record of intimate reckonings and ambient textures that asks for close listening rather than immediate spectacle.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
Everyone Around Me Dancing
2 critic mentions
“Everyone Around Me Is Dancing fills the negative space of IDM.” — The Line of Best Fit
Alive Inside
2 critic mentions
“And all the songs I could have sung / I chose to fight / And yeah, I roll with it” — Clash Music
Moon Not Mine
2 critic mentions
“On ‘Moon Not Mine’, Margaret unravels her past, revealing: "I was inside of my body / For the first time now I feel my soul.” — Hot Press
Full critic consensus
Gia Margaret's Singing marks a quietly triumphant vocal comeback, a record of intimate reckonings and ambient textures that asks for close listening rather than immediate spectacle. Across professional reviews critics note a prevailing sense of healing and nostalgia, and the consensus suggests the album rewards patience: it earned a 76/100 consensus score across 5 professional reviews.
Reviewers consistently praise standout tracks as the emotional anchors. “Good Friend” is frequently singled out for its surprising instrumentation and charm, while “Everyone Around Me Dancing” emerges as an early highlight praised for its sophisti-pop poise. Critics also point to “Alive Inside” and “Moon Not Mine” as meticulously crafted moments where fragile vocals and layered, gauze-like production converge. Themes of introspection, redemption, and nuanced lyricism recur in professional reviews, with several critics crediting silence and recovery for sharpening Margaret's self-expression.
Not entirely without reservation, some reviewers find certain arrangements occasionally recycled or restrained, which creates a mixed edge to otherwise admiring appraisals. Still, the critical consensus frames Singing as a modestly essential entry in Margaret's catalog: a healing, intimate collection with clear highlights and a tonal coherence that makes the record worth listening to for anyone curious about the best songs on Singing or what critics say about her artistic return. Below, detailed reviews unpack why these tracks stand out and how the album fits into her ongoing evolution.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Everyone Around Me Dancing
Cellular Reverse
Alive Inside
Moon Not Mine
Rotten
Rotten Outro
Good Friend
Phenomenon
Ambient for Ichiko
Phone Screen
Guitar Duo
E-Motion
Get the next albums worth your time.
Critic-backed picks in one clean digest. No clutter.
What Critics Are Saying
Deep insights from 5 critics who reviewed this album
Ho
Critic's Take
Gia Margaret returns with Singing, a hard-won exercise in release where the best tracks - “Moon Not Mine” and “E-Motion” - crystallize her regained voice. Other moments, such as “Good Friend”, scatter vignettes and domestic detail, keeping the album wistful and gauze-like rather than overtly dramatic. This framing answers listeners asking for the best songs on Singing by pointing to the emotional center in those standout tracks.
Key Points
-
The best song is "Moon Not Mine" because it unravels Margaret's past and features a revealing lyric about feeling her soul.
-
The album’s core strengths are its hushed guitars, cottony synths and a tender redemption arc conveyed in fragmentary vignettes.
Themes
Critic's Take
Gia Margaret returns with Singing, a soulful vocal comeback that spotlights her most affecting moments, notably “Everyone Around Me Dancing” and “Good Friend”. The review traces how silence and recovery sharpened her craft, making songs like “Alive Inside” and “Moon Not Mine” feel meticulously handcrafted and emotionally luminous. The critic’s voice is reflective and admiring, arguing that the best tracks on Singing are those where fragile vocals and layered textures meet, producing quietly powerful payoff. This framing answers listeners searching for the best songs on Singing by pointing to the album’s intimate centrepieces and radiant highlights.
Key Points
-
The best song is the mesmerising lead single “Everyone Around Me Dancing” because its haunting lines and emotional weight embody the album’s vocal rebirth.
-
The album’s core strength is its nuanced, handcrafted textures where fragile vocals and detailed lyrics create intimate, restorative moments.
Themes
Critic's Take
Gia Margaret has returned on Singing with a record about finding herself again, and the best tracks prove it. Opener “Everyone Around Me Dancing” is an early contender for song of the year, its tasteful sophisti-pop and piano letting her inner monologue command the floor. A fragile note of resolution hides behind the harp on “Alive Inside”, giving the album some of its brightest moments. Meanwhile “Good Friend” charms with tablas, turntable scratches and Gregorian chanting, and “Rotten” functions as the emotional centerpiece even if its arrangements feel recycled at times.
Key Points
-
Opener "Everyone Around Me Dancing" is the album's most assured standout because of its tasteful production and commanding inner monologue.
-
The album's core strength is its intimate blending of recovered singing and careful production, yielding recurring miraculous moments.
