GloRilla GLORIOUS
Consensus is still forming across 4 professional reviews. GloRilla's GLORIOUS stakes out a bruising, celebratory territory where ratchet braggadocio collides with genuine gospel uplift, and critics largely agree the record delivers vivid high points even as it tilts unevenly. Across four professional reviews, the critical consensus (65.5/100 from 4 reviews) highlights how tra
GLORIOUS’s core strengths are GloRilla’s idiosyncratic voice, the melding of crunk and gospel, and memorable crowd-pleasers that showcase her swagger.
GloRilla's GLORIOUS stakes out a bruising, celebratory territory where ratchet braggadocio collides with genuine gospel uplift, and critics largely agree the record delivers vivid
Best for listeners looking for faith and religion and personal growth, starting with RAIN DOWN ON ME (feat. Kirk Franklin, Maverick City Music, Kierra Sheard, Chandler Moore) and TGIF.
Full consensus notes
GloRilla's GLORIOUS stakes out a bruising, celebratory territory where ratchet braggadocio collides with genuine gospel uplift, and critics largely agree the record delivers vivid high points even as it tilts unevenly. Across four professional reviews, the critical consensus (65.5/100 from 4 reviews) highlights how tracks like “I AIN’T GOING”, “RAIN DOWN ON ME (feat. Kirk Franklin, Maverick City Music, Kierra Sheard, Chandler Moore)” and “LET HER COOK” emerge as the album's most compelling moments, balancing raw Memphis energy with surprising spiritual warmth. The opening hook and solo moments earn repeated praise for their live-wire performance and Southern hip-hop homage.
Reviewers consistently note themes of faith and street bravado, nostalgia for Aughts southern rap, and short-form, internet-era trackcraft. Pitchfork and Rolling Stone point to the crunk and gospel fusion on “Rain Down On Me” as an emotional centerpiece, while Clash and NME celebrate the unfiltered attitude of “I AIN’T GOING” and club-ready cuts like “How I Look” and “Whatchu Know About Me”. Critics praise GloRilla's brash presence and girl-power confidence, even as some guest appearances and moments of inconsistency dilute the record's momentum.
The overall picture from professional reviews is mixed-positive: GLORIOUS contains standout tracks that make a strong case for why fans will search for the best songs on GLORIOUS, but the tension between commercial ambition and street authenticity means the album feels uneven at times. For listeners weighing whether GLORIOUS is worth listening to, the consensus suggests its high-energy highlights and gospel-rap experiments justify a close listen, especially for those drawn to Southern hip-hop and bold, faith-inflected bravado.
Critics' Top Tracks
The standout songs that made critics take notice
RAIN DOWN ON ME (feat. Kirk Franklin, Maverick City Music, Kierra Sheard, Chandler Moore)
3 mentions
"At Glorious’ center are two spiritual-minded tracks. The first, “Rain Down on Me,” is a lavish gospel testimonial with Kirk Franklin"— Rolling Stone
PROCEDURE (feat. Latto)
2 mentions
"The back-and-forth hook of "Procedure" lands far better"— Pitchfork
TGIF
2 mentions
"Singles ‘Hollon’ and ‘TGIF’ – reminiscent of Southern hip-hop ’s golden age – have already proven their party-starting power"— New Musical Express (NME)
At Glorious’ center are two spiritual-minded tracks. The first, “Rain Down on Me,” is a lavish gospel testimonial with Kirk Franklin
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
INTRO
HOLLON
PROCEDURE (feat. Latto)
TGIF
WHATCHU KNO ABOUT ME (feat. Sexyy Red)
STOP PLAYING
DON’T DESERVE (feat. Muni Long)
RAIN DOWN ON ME (feat. Kirk Franklin, Maverick City Music, Kierra Sheard, Chandler Moore)
GLO’S PRAYER
HOW I LOOK (feat. Megan Thee Stallion)
I AIN’T GOING
STEP (feat. BossMan Dlow)
LET HER COOK
I LUV HER (feat. T-Pain)
QUEEN OF MEMPHIS (feat. Fridayy)
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What Critics Are Saying
Deep insights from 5 critics who reviewed this album
Critic's Take
Even when features wobble, GloRilla's taste and charm keep the best songs on GLORIOUS vivid and memorable.
Key Points
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GLORIOUS’s core strengths are GloRilla’s idiosyncratic voice, the melding of crunk and gospel, and memorable crowd-pleasers that showcase her swagger.
Themes
Critic's Take
GloRilla’s GLORIOUS is a raw, raunchy return that wears its bravado proudly, and the best songs show her at full force - notably “I AIN’T GOING” and “STOP PLAYING”. Robin Murray praises the solo moments as where GloRilla is most potent, calling the brash “I AIN’T GOING” a highlight while noting the woozy electronics behind “STOP PLAYING” linger memorably. The review’s tone is admiring yet candid, acknowledging mis-steps while ultimately arguing that GLORIOUS often lives up to its title.
Key Points
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The brash solo track “I AIN’T GOING” best encapsulates GloRilla’s potency and command of flow.
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The album’s core strengths are its bold, colourful bravado, concise 15-track focus, and standout solo performances.
Themes
Critic's Take
GloRilla’s GLORIOUS pivots between riotous ratchet bangers and sincere spiritual moments, and the best songs here prove that balance. The review frames the album as uneven but with clear standouts that answer the question of the best tracks on GLORIOUS in forceful, memorable ways.
Key Points
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“I Ain’t Going” is best because Glo’s angry, focused delivery and subject matter make her most compelling.
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The album’s core strengths are its raw ratchet energy and surprise gospel moments that showcase range.
Themes
Critic's Take
In her unmistakable streetwise voice Kyann-Sian Williams argues that GloRilla makes the best songs on GLORIOUS with club-ready bangers and blunt empowerment anthems. Despite uneven moments like “I Ain’t Going” and “Stop Playing”, the album's energy and girl-power message make these best songs worth hunting down.
Key Points
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The album’s core strengths are GloRilla’s raw energy, unapologetic girl-power messaging, and occasional genre-bending (gospel) warmth.