Everything Must Go by Goose

Goose Everything Must Go

77
ChoruScore
3 reviews
Apr 25, 2025
Release Date
No Coincidence Records
Label

Goose's Everything Must Go arrives as a self-aware bridge between road-tested jamcraft and studio ambition, and the record's high points answer the question of whether Everything Must Go is worth listening to. Across three professional reviews, critics consistently point to handfuls of standout songs that carry the album - notably “Dustin Hoffman”, “Give It Time” and “Your Direction” - as the moments where the band's melodic gifts and live energy cohere into vivid songcraft.

The critical consensus, reflected in a 76.67/100 score across three reviews, praises the album's arrangements and nostalgic lineage while also noting lyrical awkwardness and occasional studio overreach. Reviewers repeatedly highlight how tour-tested material and horn and synth accents lift tracks: PopMatters emphasizes “Give It Time” and “Your Direction” for their restorative and breezy 1970s nods, Glide Magazine celebrates the live-minded propulsion of “Dustin Hoffman” and the triumphal tone of “Give It Time”, and Rolling Stone points to “Dustin Hoffman” and “Red Bird” as luminous peaks even as it flags meandering lyrics. Critics agree that the record balances jam-band tradition with clearer studio ambitions, cataloguing fan favorites while nudging toward mainstream polish.

While some reviewers find parts of the album uneven - especially in phrasing and lyrical focus - the broader verdict is favorable: the collection's standout tracks make Everything Must Go a rewarding listen for existing fans and a reasonable entry point for newcomers. Below, the assembled professional reviews unpack how these highlights position the album within Goose's catalog and the ongoing tension between live improvisation and studio refinement.

Critics' Top Tracks

The standout songs that made critics take notice

1

Give It Time

2 mentions

"the uplifting "Give It Time" speaks to the restorative power of music"
PopMatters
2

Everything Must Go

1 mention

"The LP’s eponymous opening track immediately establishes newest member Cotter Ellis as a musical focal point"
Glide Magazine
3

Dustin Hoffman

3 mentions

"New album cuts like "Dustin Hoffman" and "Iguana Song" provide a framework"
PopMatters
the uplifting "Give It Time" speaks to the restorative power of music
P
PopMatters
about "Give It Time"
Read full review
2 mentions
93% sentiment

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

Everything Must Go

1 mention
75
05:55
2

Give It Time

2 mentions
100
06:46
3

Dustin Hoffman

3 mentions
69
06:57
4

Your Direction

3 mentions
40
04:57
5

Thatch

2 mentions
23
06:40
6

Lead Up

3 mentions
32
05:18
7

Animal

2 mentions
29
07:47
8

Red Bird

3 mentions
53
06:14
9

Atlas Dogs

1 mention
25
05:25
10

California Magic

2 mentions
35
06:01
11

Feel It Now

1 mention
38
06:41
12

Iguana Song

2 mentions
10
07:47
13

Silver Rising

3 mentions
40
08:51
14

How It Ends

1 mention
5
05:01

What Critics Are Saying

Deep insights from 4 critics who reviewed this album

Critic's Take

The stately, conversational critic in me hears Goose framing Everything Must Go as both archive and launchpad, and the album’s best songs - notably “Give It Time” and “Your Direction” - exemplify that push. The reviewer's voice celebrates how “Give It Time” channels restorative power and how “Your Direction” leans into breezy 1970s soft rock, making them the clear best tracks on Everything Must Go. There is admiration for how studio touches - synths, horns, nature sounds - perfect familiar jams without overcooking them, which helps these standout songs land for newcomers and devotees alike.

Key Points

  • The best song, "Give It Time", is best because it captures restorative, uplifting songwriting and hints at live possibilities.
  • The album’s core strengths are tight, intricate jams translated well to studio form and tasteful embellishments that broaden appeal.

Themes

studio vs live tension mainstream ambition songcraft and arrangements cataloguing fan favorites

Critic's Take

In his amused-but-critical voice, David Browne finds the best tracks on Everything Must Go where Goose briefly escape the safe jam-band fold. He praises “Dustin Hoffman” for its high-flying solos and commends “Silver Rising” for an unexpectedly creepy, electronica-tinged edge. Browne also singles out “Red Bird” as a luminous, parental ballad that resembles Goose’s own "Box of Rain," even as he flags lyrical meandering elsewhere. The result is an album with clear high points - those standout songs are why listeners search for the best tracks on Everything Must Go and the best songs on Everything Must Go.

Key Points

  • “Dustin Hoffman” is best for its soaring, high-flying guitar solos that showcase studio ambition.
  • The album’s strengths are melodic highlights and occasional adventurous production that push the band beyond jam-band comfort.

Themes

jam-band tradition vs. experimentation studio ambition nostalgia and lineage moments of edge and creepiness melodic highlights and lyrical awkwardness

Critic's Take

In a celebratory and sometimes wry voice the reviewer argues that Goose's Everything Must Go is at its best when it leans into sprawling, live-minded jams - tracks like “Dustin Hoffman” and “Your Direction” emerge as the best tracks on Everything Must Go, marrying funky grooves and Fleetwood Mac-tinged breeziness. The critique highlights “Give It Time” as a triumphant statement of progress and roots, while praising the eponymous opener for showcasing Cotter Ellis's percussive prowess. Overall the reviewer positions these standout songs as proof that the band has returned to its jam-band instincts, producing the best songs on the album through vivid production and road-tested arrangements.

Key Points

  • “Dustin Hoffman” is best for its surprise shift from funky '70s strut to horn-laden adult-contemporary chorus.
  • The album’s core strengths are its return to jam-band dynamics, strong horn arrangements, and polished studio production mixed with road-tested material.

Themes

lineup changes jam-band roots horn arrangements tour-tested material studio production