We're Only Human by Hayes Carll

Hayes Carll We're Only Human

80
ChoruScore Critic consensus / 100

Released Aug 8, 2025 Hwy 87 Records

Early read 1 professional review Updated Nov 25, 2025

Broadly positive consensus

Early read based on 1 professional reviews. Hayes Carll's We're Only Human reframes his observational humor as intimate self-examination, earning warm praise from professional reviews while answering whether We're Only Human is worth a listen.

How ChoruScore works

Critics' Top Tracks

The songs critics returned to most

01

We're Only Human

1 critic mention

“the beautiful opening title track is a sweet pep talk” Glide Magazine
02

May I Never

1 critic mention

“The album closes on “May I Never,” where Carll is joined by a slew of friends” Glide Magazine
03

Good People (Thank Me)

1 critic mention

“On “Good People (Thank Me),” he sings about strangers fighting, then coming together and falling in love” Glide Magazine
Full critic consensus

Hayes Carll's We're Only Human reframes his observational humor as intimate self-examination, earning warm praise from professional reviews while answering whether We're Only Human is worth a listen. Glide Magazine's appraisal, reflected in an 80/100 consensus score across 1 professional review, highlights Carll's knack for blending tenderness and wry comedy into songs that read like confessional portraits.

Critics consistently point to standout tracks that carry the record's emotional and thematic weight: the title cut “We're Only Human” offers a pep-talk intimacy, “May I Never” closes with choir-like warmth, and “Good People (Thank Me)” charms with Randy Newman-style piano and brass. “Progress of Man (Bitcoin & Cattle)” supplies the album's sharpest satire, skewering modern priorities with painfully funny clarity, while “High” contributes a quieter contour to the record's introspective arc. Across reviews the recurring themes of introspection, appreciation, everyday people, humor, and self-examination emerge as the album's organizing principles.

While the critical consensus leans positive, reviewers note that the record's strength lies less in sonic reinvention and more in Carll's lyrical empathy and comic timing. For readers searching for a We're Only Human review or wondering what the best songs on We're Only Human are, the professional reviews point to the title track, “May I Never”, and “Good People (Thank Me)” as the collection's most affecting moments. The summary below expands on these highlights and the ways Carll balances humor with heartfelt confession.

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

We're Only Human

1 mention
85
05:02
2

Stay Here Awhile

0 mentions
03:57
3

Progress of Man (Bitcoin & Cattle)

1 mention
80
04:05
4

High

1 mention
75
04:34
5

One Day

0 mentions
04:02
6

What I Will Be

0 mentions
03:18
7

Good People (Thank Me)

1 mention
83
03:43
8

I Got Away With It

0 mentions
05:11
9

Making Amends

0 mentions
03:04
10

May I Never

1 mention
85
04:49

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What Critics Are Saying

Deep insights from 1 critic who reviewed this album

Critic's Take

Hayes Carll leans his trademark wit inward on We're Only Human, turning his observational songs into confessional portraits that still crack a smile. The title track “We're Only Human” reads like a sweet pep talk, while “Progress of Man (Bitcoin & Cattle)” skewers modern priorities with painfully funny clarity. “Good People (Thank Me)” charms with Randy Newman-style piano and brass as Carll admits his own small-town grudge, and the closer “May I Never” gathers friends into a choir-like benediction.

Key Points

  • The best song is the title track because it crystallizes the album's gentle, self-forgiving message in a warm, pep-talk arrangement.

Themes

self-examination humor everyday people appreciation introspection