In This Moment Witch
Released Aug 28, 2026 Better Noise Music
Consensus forming 3 professional reviews Updated Sep 4, 2026
Broadly positive consensus
Consensus is still forming across 3 professional reviews. In This Moment's Witch arrives as a theatrical, cathartic plunge into cinematic alt metal that pairs industrial beats with dreamlike symphonic textures and blunt emotionality.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
Shame
2 critic mentions
“It begins with Shame, an apocalypse of industrial beats and Maria Brink’s shapeshifting vocals.” — Kerrang!
Crawl
3 critic mentions
“Hard hitters like Crawl and their re-imagining of the iconic Another Brick In The Wall manage to redeem things somewhat” — Distorted Sound Magazine
Another Brick in the Wall (feat. Kat Von D)
2 critic mentions
“The curveball is a cover of PINK FLOYD 's Another Brick In The Wall , which adds an incredibly haunting metal flavour” — Distorted Sound Magazine
Full critic consensus
In This Moment's Witch arrives as a theatrical, cathartic plunge into cinematic alt metal that pairs industrial beats with dreamlike symphonic textures and blunt emotionality. Across three professional reviews the record earns a 76.67/100 consensus score, and critics repeatedly single out a handful of songs as the album's emotional and sonic anchors.
Critics agree that the best songs on Witch — notably “Crawl”, “Shame” and “Sleeping with the Enemy” — showcase the band's knack for balancing heaviness and melody, with Maria Brink's vocal power and strategic restraint giving climaxes real weight. Reviewers also praise the album's experimentation and collaborations, from the dramatic reinterpretation of “Another Brick in the Wall (feat. Kat Von D)” to the yearning duet “I Want to Believe (feat. Dayseeker)”. Across professional reviews, critics highlight theatrical production, electronic flourishes, and moments of genuine catharsis that reclaim the group's distinctive identity.
That consensus is not unqualified. Some reviewers find sections of Witch soporific or uneven, calling out tracks like “Into the Dark” and certain slower pieces for undercutting momentum. Still, the prevailing view frames the record as a bold, sometimes uneven statement where the highs — industrial apocalypse, gothic melodrama and intimate vulnerability — confirm the band remains a compelling force. For readers wondering whether Witch is worth listening to, the critical consensus suggests the standout tracks make it essential listening for fans and curious newcomers alike.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Shame
I Want to Believe (feat. Dayseeker)
Crawl
Into the Dark
Sleeping with the Enemy
Wrapped Around Your Finger
Heretic (feat. Kim Dracula)
Father
Without Me There’s No You
Another Brick in the Wall (feat. Kat Von D)
Something I Can Never Have
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What Critics Are Saying
Deep insights from 3 critics who reviewed this album
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Critic's Take
In This Moment's Witch is heavy, theatrical and unapologetically dramatic, yet restless enough to surprise. The review singles out “I Want to Believe (feat. Dayseeker)” as one of the biggest highlights, calling it a beautiful, anthemic song built around yearning and vulnerability. It also praises the band's daring covers, noting “Another Brick in the Wall (feat. Kat Von D)” for dragging the familiar into something much heavier, and “Wrapped Around Your Finger” for its atmospheric, experimental treatment.
Key Points
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The best song, “I Want to Believe (feat. Dayseeker)”, is praised for its anthemic yearning and successful vocal chemistry.
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The album's core strengths are theatrical heaviness balanced with melody, experimentation, and bold reinterpretations of classics.
Themes
Critic's Take
In This Moment sound hungrier than ever on Witch, and the best songs on Witch prove it. The reviewer's voice picks out “Sleeping with the Enemy” as the clearest pinnacle, cinematic alt metal distilled into a near-perfect four minutes, while “Shame” and “Crawl” supply industrial apocalypse and rising angst respectively. Tracks like “Into the Dark” and “Without Me There’s No You” show the band can sink into dreamlike, symphonic sound baths as well - Maria Brink’s withheld power makes the climaxes land harder. This is an album where the best tracks are those that balance restraint and explosive payoff, and Witch delivers them in spades.
Key Points
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Sleeping with the Enemy is the album’s standout for its near-perfect cinematic alt metal and explosive payoff.
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Witch balances industrial brutality and dreamlike, symphonic textures, with Maria Brink’s restrained power delivering catharsis.
Themes
Di
Critic's Take
In This Moment return with Witch, an angsty, feminine record that splutters between rip-roaring highs and soporific lows. Conversely, songs like “I Want to Believe (feat. Dayseeker)” and “Into the Dark” are described as bland or snooze-inducing, which undercuts the album's momentum. Overall, the best songs on Witch are those that reclaim the band’s iconic sound - chiefly “Shame” and “Crawl” - even if the full record rarely sustains that spark.
Key Points
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Shame stands out as the best song for its rip-roaring power and haunting vocal performance.
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The album's core strength is moments that reclaim the band’s iconic alternative metal sound, though inconsistent electronic experiments weaken it.