JACKBOYS 2 by JACKBOYS & Travis Scott
52
ChoruScore
5 reviews
Jul 13, 2025
Release Date
Cactus Jack / Epic
Label

JACKBOYS & Travis Scott's JACKBOYS 2 arrives as a high-gloss sequel that often substitutes spectacle for substance, and critics largely agree that its brightest moments come when production or guest turns break the record's sameness. Across five professional reviews, the compilation earned a 51.6/100 consensus score, with reviewers pointing to sporadic highs rather than sustained momentum.

Critics consistently name “SHYNE”, “DUMBO”, “CHAMPAIN & VACAY” and “NO COMMENTS” as the standout tracks on JACKBOYS 2. Those songs surface as the best songs on the record because they either foreground distinctive guests - GloRilla and Waka Flocka are repeatedly praised - or lean into Travis Scott production that reads as festival-ready and immediate. Reviewers from RapReviews.com, Slant, Pitchfork, Rolling Stone and Clash note themes of production over lyrics, repetition, and a compilation unity that tilts toward label showcase rather than a coherent collective identity.

While some critics (Clash) praise Don Toliver's and a few club-ready cuts for injecting life, others (Slant, Pitchfork) find the project too formulaic, with many tracks feeling perfunctory and underdeveloped. The critical consensus suggests JACKBOYS 2 is worth seeking out for its standout collaborations and a handful of must-listen moments, but not for sustained narrative or breakthrough performances. Below, detailed reviews unpack where the compilation succeeds - and where the branding overshadows artistry.

Critics' Top Tracks

The standout songs that made critics take notice

1

SHYNE

4 mentions

"The closest I get to that here is GloRilla being on “Shyne.” Her Memphis drawl and her non-modulated vocals are a breath of fresh air in a stale room."
RapReviews.com
2

NO COMMENTS

3 mentions

"Don Toliver is a thrilling force, and ‘No Comments’ epitomises his creative reach"
Clash Music
3

ILMB

3 mentions

"The lead single “ILMB” (“I Love My Bitch”) is a duet between Scott and Sheck Wes but both are going through the motions."
RapReviews.com
The closest I get to that here is GloRilla being on “Shyne.” Her Memphis drawl and her non-modulated vocals are a breath of fresh air in a stale room.
R
RapReviews.com
about "SHYNE"
Read full review
4 mentions
65% sentiment

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

JB2 RADIO

1 mention
00:31
2

CHAMPAIN & VACAY

5 mentions
90
03:04
3

2000 EXCURSION

4 mentions
03:42
4

KICK OUT

2 mentions
02:50
5

DUMBO

5 mentions
03:58
6

MM3

2 mentions
37
02:54
7

VELOUR

1 mention
02:24
8

CONTEST

3 mentions
04:32
9

ILMB

3 mentions
85
03:04
10

WHERE WAS YOU

3 mentions
04:32
11

NO COMMENTS

3 mentions
97
02:09
12

BEEP BEEP

4 mentions
03:54
13

PBT

1 mention
04:10
14

SHYNE

4 mentions
100
03:13
15

OUTSIDE

2 mentions
10
03:03
16

CANT STOP

2 mentions
02:12
17

FLORIDA FLOW

2 mentions
05:28

What Critics Are Saying

Deep insights from 6 critics who reviewed this album

Critic's Take

Travis Scott delivers more of the same on JACKBOYS 2, which means the best songs are those that at least vary the formula - notably “Dumbo” and “Shyne” where production or guest vocals cut through the monotony. The reviewer's tone is blunt and wrestling-savvy, noting that “Dumbo” leans on Scott's syrupy, pitch-corrected vocals and hypnotic bass while “Shyne” benefits from GloRilla's unmodulated Memphis drawl. If you search for the best tracks on JACKBOYS 2 expect hits that foreground stronger production or distinctive guests, because otherwise the album stays calcified in familiar territory. The conclusion is frank: it is not a bad album, just repetitive, and those two songs are the moments that stand out most.

Key Points

  • The best song is best when production or a distinct guest lets the track break from Travis Scott's familiar formula.
  • The album's core strength is consistent production and signature studio effects, but it suffers from repetition and calcified style.

Themes

repetition production over lyrics male fantasies wrestling crossover

Critic's Take

Travis Scott’s JACKBOYS 2 reads like a proof-of-life tape for a roster that can’t quite break through, and the best songs only surface in flashes. The reviewist singles out “Champain & Vacay” and “2000 Excursion” as moments that should smash but instead feel subdued, while “Shyne” and “Beep Beep” are cited as instances where Travis meets the moment. There is an aching hollowness to the record: big names and production gloss cannot hide that the compilation functions more as stitched-together loose cuts than a true launchpad for talent. The reader asking “best songs on JACKBOYS 2” will find that the album’s highlights are Toliver’s croons and Sheck Wes’ loose runs, but they arrive too sparingly to redeem the project.

Key Points

  • The best song moments are isolated flashes where guest energy or Toliver’s croons cut through, notably on "Shyne" and "Beep Beep".
  • The album’s core strength is occasional individual performances, but formulaic production and Travis’ inattentive stewardship undermine cohesion.

Themes

label showcase neglect of signees formulaic production Houston mythology vs. reality

Critic's Take

Travis Scott's JACKBOYS 2 finds its best songs in the album's oddball jolts rather than its filler - tracks like “Shyne” and “Champain & Vacay” register as the most vivid moments. The review stakes out “Shyne” as the record's most striking moment, daffy and ridiculous in a way that actually livens the set. Sheck Wes on “ILMB” and Waka Flocka on “Champain & Vacay” supply the only real jolts of energy, while Scott-led numbers such as “Dumbo” and “2000 Excursion” mostly feel flatter and perfunctory. Overall, the best tracks are the surprising, raucous ones that break the album's branding-by-numbers routine.

Key Points

  • The best song is "Shyne" because its daffy, ridiculous vocal interplay makes it the most striking moment.
  • The album's core strength is the occasional jolts of energy from guest performances amid otherwise flat, branding-driven filler.

Themes

branding over artistry lack of cohesion guest features uninspired performances

Critic's Take

In a voice that never quite shakes familiar routines, Travis Scott and company deliver a sequel that often recycles earlier moves rather than reinventing them. On JACKBOYS 2 the best tracks — notably “Champaign & Vacay” and “Where Was You” — shimmer with slick production and moments of melodic pull, but too many cuts feel like variations on a well-worn formula. Mosi Reeves writes with a wry, exacting eye: the record is entertaining in bursts yet ultimately mediocre, like a late-night diversion you forget by morning. The guest spots and a few strong beats give the album flashes of life, but the overall effect is one of diminishing returns.

Key Points

  • “Champaign & Vacay” stands out for melodic flow and guest swagger, making it the album's best moment.
  • The album’s core strengths are slick production and noteworthy guest lines, but repetitiveness and familiar tropes undercut its impact.

Themes

familiar tropes collaboration/showcase luxury imagery production sameness guest cameos

Critic's Take

There are clear high points on JACKBOYS 2, notably Don Toliver’s thrilling turn on “NO COMMENTS” and the club-ready rush of “2000 EXCURSION”. The record wears Travis Scott’s production palette proudly, so tracks like “DUMBO” feel tailor-made for live sets and festival stages. As Robin Murray notes, the compilation’s unity is pleasing yet sometimes frustrating - its 17-song span can’t always sustain momentum. For listeners chasing the best songs on JACKBOYS 2, these moments are where the project truly clicks.

Key Points

  • Don Toliver’s performance on “NO COMMENTS” is the album’s standout, showing his creative reach.
  • The album’s core strength is Travis Scott’s cohesive production palette that ties the compilation together despite uneven moments.

Themes

collective identity Houston pride travis scott production compilation unity vs inconsistency