Julianna Barwick & Mary Lattimore Tragic Magic
Julianna Barwick's Tragic Magic, made in collaboration with Mary Lattimore, unfolds as a deliberate, consoling journey where harp and synth textures converse in hushed, cinematic tones. Critics agree the record's strengths lie in its patient pacing and immersive atmosphere, a collection of ambient miniatures that favor reverence and mystique over dramatic peaks. Across nine professional reviews the album earned a 79/100 consensus score, with reviewers repeatedly citing solitude, solace, and a thread of grief-and-recovery that gives the work emotional weight.
Reviewers consistently point to several standout tracks as the clearest expressions of the duo's chemistry. “Melted Moon”, “Perpetual Adoration” and “Stardust” are named most often as the best songs on Tragic Magic, each praised for balancing Barwick's ethereal voice and Lattimore's patient harp — while “Haze with no Haze” and “The Four Sleeping Princesses” supply moments of brittle melody and slow-blooming intensity. Critics note recurring themes of nature and space, cinematic nostalgia, and minimalism and repetition; when the pieces swell the record achieves near-epic resonance, but its consistent power comes from restraint and delicate interplay.
While many reviews are laudatory, some critics register that patience is required and occasional passages verge on the decorative or film-score familiar. Yet the prevailing critical consensus frames Tragic Magic as a rewarding ambient collaboration: not a radical reinvention, but a finely wrought, emotionally candid statement that cements Barwick and Lattimore's partnership and offers plenty of moments that feel essential. Read on for full reviews and track-by-track reactions to decide whether Tragic Magic belongs in your own quiet- listening ritual.
Critics' Top Tracks
The standout songs that made critics take notice
Melted Moon
7 mentions
""Melted Moon" builds worried energy"— Beats Per Minute
Perpetual Adoration
7 mentions
"one of deep yearning and (even for the atheists among us) a nearly overwhelming sense of spiritual awakening"— Beats Per Minute
Stardust
8 mentions
"they were able to play with instruments dating as far back as the 1700's"— Beats Per Minute
"Melted Moon" builds worried energy
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Perpetual Adoration
The Four Sleeping Princesses
Rachel's Song
Haze with no Haze
Temple of the Winds
Stardust
Melted Moon
What Critics Are Saying
Deep insights from 9 critics who reviewed this album
Critic's Take
There is a steady, nearly devotional tenderness at the heart of Tragic Magic, the record that finds Julianna Barwick and Mary Lattimore luxuriating in shared feeling and quiet power. The review’s voice insists that the best songs — like “Melted Moon” — crystallize that blend of urgency and solace, Barwick’s voice arriving as clouds break. This is not the duo chasing Earth-shattering peaks, but rather creating refuge, which makes the album’s strongest moments quietly resonant. For listeners asking what are the best tracks on Tragic Magic, the answer lies in those pieces that balance Barwick’s ache with Lattimore’s patient restraint.
Key Points
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The best song, "Melted Moon", is best because it combines Barwick's urgent vocal arrival with Lattimore's patient tension.
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The album's core strengths are its sense of refuge, collaborative intimacy, and the melding of spiritual yearning with instrumental subtlety.
Critic's Take
On Tragic Magic, Julianna Barwick and Mary Lattimore slowly discover a third voice together, with highlights like “Stardust” and “Melted Moon” proving most revelatory. The record often favors patience over payoff, so while “Perpetual Adoration” is lovely it never quite transcends, and the album finds momentum when tracks accrete and evolve. Barwick and Lattimore’s best songs on Tragic Magic are the ones where structure yields to unexpected density - notably “The Four Sleeping Princesses” and the time-tripping kosmische of “Stardust” that leaves the reviewer wanting more. Ultimately the duo’s connection makes the strongest moments feel necessary and emotionally real.
Key Points
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“Stardust” is best for its adventurous kosmische sound and expansive seven-minute scope.
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The album’s core strengths are the emotional connection between the two artists and the patient, evolving structures that reveal a unique collaborative voice.
Themes
Critic's Take
On Tragic Magic, Julianna Barwick and Mary Lattimore translate their "musical telepathy" into a set of immersive, ambient miniatures where the best tracks - notably “Perpetual Adoration” and “Haze With No Haze” - linger like lullabies and quiet urgencies. The opener “Perpetual Adoration” charms with a delicate harp loop and hushed whispers, while “Haze With No Haze” carries a brittle melody and Barwick’s yearning high register that give the album its emotional centre. When they push toward intensity, as on “Rachel's Song” and the climactic “Stardust”, the duo flirt with epic, almost pop-inflected moments before retreating to the intimate shimmer of “Melted Moon” as a closing grace.
Key Points
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Perpetual Adoration is best for its lullaby-like harp loop and hushed vocal textures that set the album’s tone.
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The album’s core strengths are the duo’s telepathic interplay, cinematic ambient textures, and a balance of intimacy and occasional grandeur.
Themes
No
Critic's Take
The review for Austra's Chin Up Buttercup in Northern Transmissions is terse and informational rather than song-by-song praise, so there is no clear list of best songs like “Amnesia” or “Chin Up Buttercup” singled out. The outlet frames the release within a fan-focused context, which suggests modest approval but stops short of detailed acclaim. For readers searching for the best tracks on Chin Up Buttercup, the review does not provide the customary highlights or rankings, offering background about the site and its mission instead.
Key Points
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No specific song is identified as the best because the review contains no track-level commentary.
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The review offers general context about the site and modest approval, but lacks detailed critique or highlights.
Critic's Take
In a voice that feels equal parts reverent and awed, Julianna Barwick & Mary Lattimore make Tragic Magic sound like a voyage from hearth to heavens, where “Rachel’s Song” and “Stardust” emerge as the album's most transporting moments. The review lingers on “Rachel’s Song” as a weighty, otherworldly reimagining of Blade Runner, while “Stardust” is hailed as the definitive, unofficial song of the cosmos; both tracks underpin why listeners ask for the best tracks on Tragic Magic. The conversation-style praise balances personal fandom and detailed description, explaining why these are the best songs on the record and why the album feels simultaneously ancient and futuristic.
Key Points
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“Stardust” is the standout for its transcendental final third and cosmic production.
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The album's core strengths are its historic instrument textures and a progression from earthy to cosmic soundscapes.
Themes
Critic's Take
Julianna Barwick and Mary Lattimore’s Tragic Magic is an otherworldly, jazzy listen that rewards patient ears, with highlights like “Stardust” and “Temple of the Winds” standing out. The reviewer's voice lingers on the record’s haunting beauty and soaring, eerie vocals, noting how Lattimore’s harp shines on “The Four Sleeping Princesses” and “Haze with No Haze” while Barwick’s synths make “Stardust” an early favorite. Across seven songs the duo’s chemistry and quiet sonic risks make these the best tracks on Tragic Magic, each a small, spellbinding portrait of solitude and solace. The result is a cohesive collaborative LP that asks listeners to slow down and be absorbed by its jaw-dropping ambiance.
Key Points
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“Stardust” is best for its luminous synth lead and being named an early favorite.
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The album’s core strengths are its ethereal ambiance, harp-led moments, and collaborative chemistry.
Themes
KL
Critic's Take
The long friendship between Julianna Barwick and Mary Lattimore yields a radiant, immersive record in Tragic Magic, and the best songs here - “Perpetual Adoration” and “Melted Moon” - showcase that rare mix of experimental daring and plain beauty. The opener “Perpetual Adoration” eases you in with Lattimore's harp and Barwick's swooning vocal, while closing “Melted Moon” delivers Barwick's clearest, most unfiltered voice against filigree harp, making them the album's emotional anchors. Other highlights like “The Four Sleeping Princesses” and “Stardust” expand the palette, moving from neo-classical minimalism to sweeping, futuristic synth vistas that linger. In short, for listeners asking "best songs on Tragic Magic," start with “Perpetual Adoration” and “Melted Moon” and let the record's subtle shifts reveal themselves.
Key Points
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Perpetual Adoration is best for its inviting harp melody and swooning vocal that set the record’s lush tone.
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The album’s core strengths are its textural contrasts, subtle mood shifts, and the blend of experimental modernism with plain beauty.
Themes
Critic's Take
On Tragic Magic Julianna Barwick and Mary Lattimore do exactly what you expect: they luxuriate in weightless, sublime textures. The best songs on Tragic Magic are clearly “Haze with no Haze”, “Perpetual Adoration” and the haunting “Melted Moon”, each showcasing Barwick's washed-out synths and Lattimore's crystalline harp in striking tandem. The record is not full of surprises, but when it swells - notably on “Haze with no Haze” and “Stardust” - the chemistry feels titanic and precisely moving. Even the more fragmentary pieces, like “The Four Sleeping Princesses”, retain a pretty, drifting charm that fits the album's steady wonder.
Key Points
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The best song is “Haze with no Haze” for its dramatic clash of harp and titanic synths.
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The album's core strength is the seamless melding of Barwick's washed-out synths and Lattimore's crystalline harp producing sublime, weightless textures.
Themes
Critic's Take
There are at least three ideal situations in which to listen to Tragic Magic, and in each the record's best tracks - notably “Perpetual Adoration” and “Melted Moon” - perform the same gentle work of consolation. Richie Assaly's prose luxuriates in image and mood, describing how “Perpetual Adoration” opens with bright harp plucks and Barwick's soaring falsetto, while “Melted Moon” closes with a stunning, reality-returning vocal. The review praises the sorrowful standout “Haze with No Haze” for its breathtaking reverberation, and calls out covers like “Rachel's Song” and “Stardust” as moments where the album slips into a more derivative, film-score territory. Overall the tone is admiring and measured: this is ambient music that soothes and grounds, best heard in transit, at night, or in the bath.
Key Points
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The best song, "Melted Moon," is a stunning, reality-returning finale rooted in clear, emotional vocals.
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The album's core strengths are its ambient consolation, spacious collaboration, and cinematic textures that soothe anxiety.