Ken Carson More Chaos
Ken Carson's More Chaos detonates with maximal, distorted production and a gleeful embrace of mayhem, and critics agree its highs are thrilling even when the record as a whole falters. Across four professional reviews that yield a 57/100 consensus score, reviewers point to jagged, Opium-inflected sonics and bravado-heavy lyricism as the album's defining features, while also calling out repetition, misogynistic imagery, and a tendency toward stagnation.
Reviewers consistently single out a cluster of standout tracks that illustrate both the album's power and its limits. “LiveLeak” emerges repeatedly as a top moment for violent textural production and dramatic beat switches; “Blakk Rokkstar” and “Trap Jump” are praised for their adrenaline and apocalyptic momentum; critics also flagged “Diamonds” and “Lord Of Chaos” as high points where distorted piano hooks and blown-out 808s land hardest. Professional reviews note that when production shifts mid-track or Ken leans into sonic aggression, the record feels essential, but when the one-gear delivery and padded 22-track runtime take over, the thrills dissipate.
The critical consensus frames More Chaos as a production-forward collection that doubles down on nihilism, hedonistic flexes, and glitchcore aesthetics. Some reviewers celebrate those choices as deliberate rage music that rewards repeated spins; others see them as evidence of creative plateau. If your query is "is More Chaos good" the short answer from critics is mixed: it contains must-listen, high-energy cuts but does not cohere into a fully realized evolution of Ken Carson's sound. Below, the full reviews unpack where the album succeeds and where it succumbs to its own chaos.
Critics' Top Tracks
The standout songs that made critics take notice
Lord Of Chaos
1 mention
"That’s how Ken Carson kicks off ‘More Chaos’"— New Musical Express (NME)
Blakk Rokkstar
2 mentions
"a three-track run—“Blakk Rokkstar,” “LiveLeak,” “Diamonds”—that comes fully equipped with diabolically nasty mid-track beat switches"— Slant Magazine
Trap Jump
2 mentions
"“Trap Jump” features a triumphantly hard-hitting piano line—courtesy of the usually unreliable Lil 88—that sounds kind of evil"— Slant Magazine
That’s how Ken Carson kicks off ‘More Chaos’
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Lord Of Chaos
Xposed
Money Spread
Root Of All Evil
K-Hole
Trap Jump
Blakk Rokkstar
LiveLeak
Diamonds
Dismantled
200 Kash
Down2Earth
Confetti
Naked
Kryptonite
Psycho
Inferno
Thx
2000
Evolution
Ghoul
What Critics Are Saying
Deep insights from 6 critics who reviewed this album
Critic's Take
Ken Carson's More Chaos traffics in the Opium aesthetic with thrillingly savage production and a few undeniable best tracks. The reviewer's ear keeps returning to “Money Spread” and “LiveLeak” as the album's most electrifying moments, songs where warped synths and calamitous beat switches make Ken sound urgent and dangerous. At the same time, the critic flags “Dismantled” as a standout sonically while condemning its brutal lyrics, and notes that later cuts like “Confetti” and “2000” lose the edge that made the best tracks work. Overall, the best songs on More Chaos are those that sustain raw urgency - primarily “Money Spread” and “LiveLeak” - while the record's darker impulses and uneven moments complicate its thrills.
Key Points
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The best song is best because warped synths, repetition, and raw urgency make it feel like a corrupted spaceship - exemplified by "Money Spread".
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The album's core strengths are its savage production and raw, punk-infused energy, even as misogynistic lyrics and uneven sequencing undercut it.
Themes
Critic's Take
In a blitz of blown-out 808s and strobe-light synths, Ken Carson's More Chaos stakes its claim with anarchic thrills, and the best tracks - notably “Lord Of Chaos” and “Trap Jump” - are where his bravado and production coalesce. The opening salvo on “Lord Of Chaos” body-slams you into his lawless realm, while “Trap Jump” delivers a darker, almost apocalyptic payoff that makes the album truly start. Elsewhere, standouts like “Blakk Rokkstar” and “LiveLeak” keep the adrenaline high, even when 22 songs stretch patience. Carson doesn't ask for your approval; he wants to burn it down, and these best songs explain why fans will join the moshpit.
Key Points
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The best song is "Trap Jump" because it shifts the album into a darker, apocalyptic register and serves as the turning point.
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The album's core strengths are its brash production, anarchic energy, and Carson's knack for manufacturing controlled chaos.
Themes
Th
Critic's Take
Hi, everyone. Rockthony Startano's take on Ken Carson and More Chaos lands skeptical and specific: the best tracks here - notably “Xposed” and “LiveLeak” - succeed because the production is violently textural and abrasive, not because of memorable songwriting. He praises how “Xposed” feels like a tidal wave of noise and how “LiveLeak” is overpowering with a confident vocal and a beat switch, but he repeatedly faults Ken for one-gear delivery and lifeless hooks. Overall, the reviewer frames the album as impressive in moments of sheer sonic aggression, yet largely stuck in stagnation and lacking ambition.
Key Points
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The best song is "Xposed" because its distorted, blown-out production creates a tidal wave of noise that works sonically.
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The album's core strength is abrasive, textural production, but it suffers from one-gear delivery, weak hooks, and lack of ambition.
Themes
Critic's Take
Purposely sloppy but brutally direct, Ken Carson pushes the sound of More Chaos into maximal, often abrasive territory; the review finds the best tracks - notably “Blakk Rokkstar”, “LiveLeak”, and “Diamonds” - to be the most thrilling moments. The album is an extension of his prior work rather than a leap forward, so the best songs feel like heightened iterations instead of revelations. Carson’s victories land when the production switches up mid-track or an aggressive piano loop anchors a verse, which is why the three-track run and “Trap Jump” stand out. Yet the record’s bloated back half and recurrent repetition keep it from fully succeeding, leaving a sense that More Chaos is entertaining in parts but ultimately minor.
Key Points
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The three-track run (“Blakk Rokkstar”, “LiveLeak”, “Diamonds”) is the album’s high point because of nasty mid-track beat switches.
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More Chaos’s core strengths are its aggressive production choices and occasional inspired switches, but repetition and weak lyricism limit its impact.
Themes
