Lael Neale Altogether Stranger
Lael Neale's Altogether Stranger arrives as a sharp, often wry exploration of consumerism, escapism and environmental concern filtered through city-versus-country tensions. Across professional reviews the record earns a 77/100 consensus score from two reviews, and critics consistently point to songs that turn alienation into vivid, hook-driven vignettes.
Reviewers highlight “All Good Things Will Come To Pass” and “Down On The Freeway” as the album's clearest triumphs, praising Neale's ability to pair mordant social observation with chomping rhythms and eddying synths; both tracks are repeatedly cited as among the best songs on Altogether Stranger. Other standout tracks named by critics include “Tell Me How To Be Here”, “Come On” and the surf-tinged “Wild Waters”, which together map the record's tension between mechanical urban life and pastoral retreat. Professional reviews note that Neale's songwriting balances bleak concept with memorable popcraft, and that moments recorded live add a galvanizing immediacy to the lyrical bite.
While praise centers on the album's incisive themes and standout singles, critics also register a coolness toward the record's pervasive urban aggravation - some find the tone more observational than consoling. That said, the critical consensus suggests Altogether Stranger is worth listening to for its standout tracks and thematic focus, a compact collection that confirms Neale's growth as a songwriter navigating alienation and belonging. Detailed reviews below unpack how these songs place the album within her evolving catalogue.
Critics' Top Tracks
The standout songs that made critics take notice
All Good Things Will Come To Pass
2 mentions
"In any case, “All Good Things Will Come to Pass” showcases there has always been a social hierarchy"— PopMatters
Down On The Freeway
2 mentions
"The third track, “Down the Freeway”, could be Suicide mixed with Neu! with its eddying synths and an unremitting electropop beat."— PopMatters
Tell Me How To Be Here
2 mentions
"With gentle electric guitar strumming, echoing the Velvet Underground’s “Heroin”, “Tell Me How to Be Here” delineates the adverse effects of a data-driven culture."— PopMatters
In any case, “All Good Things Will Come to Pass” showcases there has always been a social hierarchy
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Wild Waters
All Good Things Will Come To Pass
Down On The Freeway
Sleep Through The Long Night
Come On
Tell Me How To Be Here
New Ages
All Is Never Lost
There From Here
What Critics Are Saying
Deep insights from 3 critics who reviewed this album
Critic's Take
Lael Neale's Altogether Stranger finds its best songs in those that sharpen the album's satirical gaze, especially “All Good Things Will Come To Pass” and “Down the Freeway”. Jack Walters writes with a careful, almost forensic eye, reveling in the way “All Good Things Will Come To Pass” pairs a chomping rhythm with mordant social observation, and how “Down the Freeway” condenses limbo into eddying synths and unremitting beat. The record's centerpiece moments - the surf-rock jolt of “Wild Waters” and the lullaby gloom of “Sleep Through The Long Night” - make clear why these are the best tracks on Altogether Stranger, songs that balance bleak concept with irresistible hooks. Overall, the album's best tracks prove Neale's gift for turning modern malaise into haunting, memorable pop.
Key Points
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The best song, notably “All Good Things Will Come To Pass”, marries biting social critique with infectious surf-rock hooks.
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The album's core strengths are its conceptual focus on LA-era consumerism and Neale's ability to make bleak themes melodic and memorable.
Themes
Critic's Take
Speaking with Lael Neale in the voice of a traveler between two worlds, Mark Moody frames Lael Neale’s Altogether Stranger as an album born of city friction and pastoral retreat. The best songs on Altogether Stranger - especially “Down on the Freeway” and “Tell Me How to Be Here” - are presented as vivid dispatches from Los Angeles, mechanical and anxious in tone yet sharp in observation. Moody singles out “All Good Things Will Come to Pass” as a personal favorite, praising its live-recorded vitality and darkly comic punch. The review reads like a close conversation, balancing admiration for Neale’s growth with clear notes about the album’s urban aggravation and empathetic reach.
Key Points
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"All Good Things Will Come to Pass" stands out for its live energy and darkly comic punch, making it the reviewer’s favorite.
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The album’s core strength is its vivid depiction of urban agitation versus rural respite, delivered through sharp imagery and empathetic perspective.