I'm Only F**king Myself by Lola Young

Lola Young I'm Only F**king Myself

80
ChoruScore Critic consensus / 100

Released Sep 19, 2025 Universal-Island Records Ltd.

Early read 1 professional review Updated Feb 21, 2026

Broadly positive consensus

Early read based on 1 professional reviews. Lola Young's I'm Only F**king Myself opens like a dare: candid, combustible and unwilling to tidy its own wreckage.

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Critics' Top Tracks

The songs critics returned to most

01

One Thing

1 critic mention

“the single, One Thing, spent five weeks in the Top 20” — Standard
02

SPIDERS

1 critic mention

“It’s on full display on SPIDER, the album’s sleeper hit” — Standard
03

F**K EVERYONE

1 critic mention

“F**K EVERYONE is a paean to screwing your life up while screwing around.” — Standard
Full critic consensus

Lola Young's I'm Only F**king Myself opens like a dare: candid, combustible and unwilling to tidy its own wreckage. Across the record the best songs cut the deepest, and critics point to “One Thing” and “SPIDERS” as the album's emotional anchors while the brash opener “F**K EVERYONE” and the bruised slow-burn “Post Sex Clarity” supply its tonal extremes.

Professional reviews find a volatile, self-aware collection that turns self-destruction into craft. The album earned an 80/100 consensus score from one professional review, with critics consistently praising Young's frankness about addiction, toxic relationships, vulnerability and sexual frankness. Reviewers note how messy honesty becomes a compositional advantage here: lyricism that reads like confession, melodies that lean punk-snarled, and production choices that foreground emotional rawness rather than polish. As a statement of intent, the record stakes Young as an artist willing to trade neatness for emotional specificity.

Not all observations are purely celebratory. Some critics express worry that the same patterns of self-destruction that fuel the most compelling tracks also risk becoming repetitive, but even reservations arrive with admiration for the songwriting's bite. For listeners searching for the best songs on I'm Only F**king Myself, “One Thing” and “SPIDERS” emerge as standout tracks; for those asking whether the record is worth listening to, the critical consensus suggests a provocative, frequently rewarding listen. Below, detailed reviews unpack where Young's intensity lands as both risk and reward.

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

how long will it take to walk a mile? (interlude)

0 mentions
—
00:36
2

F**K EVERYONE

1 mention
83
03:23
3

One Thing

1 mention
90
03:28
4

d£aler

1 mention
73
02:40
5

SPIDERS

1 mention
88
04:27
6

Penny Out of Nothing

0 mentions
—
04:01
7

Walk All Over You

0 mentions
—
03:04
8

Post Sex Clarity

1 mention
80
04:21
9

SAD SOB STORY! :)

0 mentions
—
04:02
10

CAN WE IGNORE IT? :(

0 mentions
—
04:34
11

why do i feel better when i hurt you?

0 mentions
—
03:46
12

Not Like That Anymore

1 mention
70
03:22
13

who f**king cares?

0 mentions
—
03:23
14

ur an absolute c word (interlude)

0 mentions
—
01:23

Get the next albums worth your time.

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What Critics Are Saying

Deep insights from 6 critics who reviewed this album

80

Critic's Take

Lola Young's I'm Only F**king Myself is an unflinching, self-aware record where the best songs cut the deepest - chief among them “One Thing” and the sleeper hit “SPIDERS”. The reviewer revels in Young's frank sexuality and pop-punk nonchalance, praising “F**K EVERYONE” as a brash opener and noting “Post Sex Clarity” as a deliciously dirty ballad. The album's strengths lie in its candid lyricism and messiness turned into craft, even as that same self-destruction causes worry. Read as a set of best tracks on I'm Only F**king Myself, these songs show why Young is teetering on the knife edge of greatness.

Key Points

  • The best song is “One Thing” because it is a chart-proven single with an instantly quotable, memorable line.
  • The album's core strengths are its frank lyricism and turning personal mess into compelling pop-punk songwriting.

Themes

self-destruction addiction toxic relationships sexual frankness vulnerability