Lord Of The Lost OPVS NOIR Vol. 3
Released Apr 10, 2026 Napalm Records Handels GmbH
Early read 2 professional reviews Updated Apr 16, 2026
Split critical consensus
Early read based on 2 professional reviews. Lord of the Lost's OPVS NOIR Vol.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
Square One
1 critic mention
“Square One" is an understated gem” — Blabbermouth
I Hate People
2 critic mentions
“I Hate People" turns the misanthropic-sounding title on its head” — Angry Metal Guy
Kill The Lights
1 critic mention
“The opening "Kill The Lights" is a fine example” — Blabbermouth
Full critic consensus
Lord of the Lost's OPVS NOIR Vol. 3 closes the band's dark trilogy with a theatrical, synth-driven finale that mixes gothic pop and gothic metal into a mood-forward, sometimes contradictory record. Across two professional reviews the critical consensus sits at a 60/100, suggesting fans of electro-goth drama will find worthwhile moments even as the album's subdued stretches test patience.
Reviewers consistently point to clear highlights rather than a uniformly strong sequence. Critics praised “I Hate People” as a venomous, crowd-pleasing centerpiece, while “Kill The Lights” and “Square One” were singled out as commanding opener material and an understated gem respectively. Angrier assessments favored the melodic, Rammstein-tinged thrust of “I’m a Diamond” and the tongue-in-cheek lyricism of “My Funeral” as the record's most immediate hooks, which frames the question of the best songs on OPVS NOIR Vol. 3 around a handful of standout singles rather than the album as a whole.
Thematic threads run through the record: doomed love, empowerment, duets and ballads braided into brooding synth textures and theatrical production. Some critics celebrate the trilogy conclusion for feeling monolithic and earned, while others find the mood-first approach leaves momentum uneven. Taken together, professional reviews agree that OPVS NOIR Vol. 3 is worth sampling for its standout tracks and dramatic moments, even if the overall flow proves divisive.
Below you'll find the full reviews and track-by-track notes that expand on the praise, reservations, and the album's place as the finale of Lord of the Lost's OPVS NOIR saga.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Kill The Lights
I'm A Diamond
My Funeral
I Hate People
The Shadows Within
La Vie Est Hell
Square One
When Did The Love Break?
Your Love Is Colder Than Death
Take Me Far Away
The Days Of Our Lives
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What Critics Are Saying
Deep insights from 2 critics who reviewed this album
Bl
Critic's Take
LORD OF THE LOST's OPVS NOIR Vol. 3 closes the trilogy with trademark, fizzingly fresh gothic metal bangers and some undeniable standouts. The opener “Kill The Lights” is bullish, powerful and effortlessly catchy, the kind of show-opener this band does best. “I Hate People” delivers sleazy, badass goth-metal venom with a guest turn that amplifies the nastiness. Quietly brilliant, “Square One” emerges as an understated gem, and the finale “The Days Of Our Lives” bows out with melancholy synths that make the whole project feel monolithic and earned.
Key Points
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The closing “The Days Of Our Lives” crowns the album with grandeur and makes the trilogy feel complete.
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The album's strengths are its confident electro-goth bombast, catchy hooks, theatrical synth production, and consistent songwriting across three volumes.
Themes
An
Critic's Take
Lord of the Lost closes its trilogy with OPVS NOIR Vol. 3, a mellower, mood-first record that nonetheless yields a few clear best tracks. The catchiest moments arrive in “I’m a Diamond” and the high-energy “I Hate People”, which feel like Rammstein-flavored techno-pop anthems and rank among the best songs on OPVS NOIR Vol. 3. Harms’ lyrical wit elevates “My Funeral” into a favorite, its tongue-in-cheek lines sticking in the ear. For listeners after the best tracks on OPVS NOIR Vol. 3, these upbeat and melodic numbers are the clearest highlights amid a generally subdued finale.
Key Points
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The best song is "I’m a Diamond" for its catchy, techno-industrial pop hook.
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The album’s core strengths are Harms’ performance, melodic duets, and gothic-pop mood.