Here for It All by Mariah Carey

Mariah Carey Here for It All

70
ChoruScore
1 review
Sep 26, 2025
Release Date
MARIAH under exclusive license to gamma.
Label

Review coming soon...

Critics' Top Tracks

The standout songs that made critics take notice

1

Here For It All

1 mention

2

Confetti & Champagne

1 mention

3

I Won’t Allow It

1 mention

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

Mi

1 mention
65
02:49
2

Play This Song (feat. Anderson .Paak)

1 mention
60
03:44
3

Type Dangerous

1 mention
25
02:55
4

Sugar Sweet (feat. Shenseea & Kehlani)

1 mention
80
03:39
5

In Your Feelings

1 mention
80
03:22
6

Nothing Is Impossible

1 mention
75
03:22
7

Confetti & Champagne

1 mention
80
02:35
8

I Won’t Allow It

1 mention
80
03:26
9

My Love

1 mention
80
03:50
10

Jesus I Do (feat. The Clark Sisters)

1 mention
75
03:25
11

Here For It All

1 mention
93
06:37

What Critics Are Saying

Deep insights from 9 critics who reviewed this album

Critic's Take

In a voice that refuses to be pinned down, Mariah Carey on Here For It All leans into both schmaltzy balladry and sly, campy braggadocio, making songs like “Mi” and “In Your Feelings” the album's clearest moments. Andy Steiner savors Carey’s humor and knock-out kiss-offs while noting that the music often drifts toward adult contemporary rather than the sharper R&B of Caution. He praises the vocal texture - the roughness, the squeaks, the deliberate effort - as what makes tracks such as “Here For It All” and “Nothing Is Impossible” notable. Ultimately, the best tracks are those that balance her wit and vocal grit, the songs that remind listeners why she remains omnipresent.

Key Points

  • “Mi” and “In Your Feelings” best marry Carey’s campy wit with vocal grit, making them the album’s highlights.
  • The album’s core strengths are Carey’s enduring personality, humor, and textured vocals, even when the production skews adult contemporary.

Themes

endurance diva humor and camp vocal aging and texture retro soul influences mix of balladry and braggadocio

Critic's Take

In a graceful, slightly nostalgic register Peter Piatkowski argues that Mariah Carey's Here for It All finds its best moments in songs like “Play This Song” and “Jesus I Do” which wear 1970s pop-soul and gospel influences with charm. He praises the record's retro leanings and Carey’s still-spectacular voice, noting that tracks such as “Play This Song” and the title track close the album with satisfying vocal fireworks. Piatkowski treats “Type Dangerous” as a competent stab at contemporaneity but insists the album’s strengths lie in its affectionate nods to the past and those standout tracks that let Carey shine.

Key Points

  • “Jesus I Do” is the best song because its gospel energy and the Clark Sisters lift Carey to a clear high point.
  • The album’s core strengths are its retro homage to 1970s/1980s soul and Carey’s enduring, spectacular voice.

Themes

nostalgia 1970s/1980s soul and disco homages vocal craftsmanship adaptation to modern industry

Critic's Take

Pitchfork spotlights the title track as the emotional anchor: a sparse piano ballad with an indelible melody and a performance that’s both hilarious and moving. Carey’s raw, lived-in voice adds welcome grit elsewhere, most notably transforming the McCartney/Wings cover “My Love” with unexpected edge. The lively, combative side pops on “I Won’t Allow It,” “Confetti & Champagne,” and the lovely single “Sugar Sweet,” while “In Your Feelings” finds a novel hook-and-pre-chorus drama. Uplift arrives via the minimal “Nothing Is Impossible” and the Clark Sisters collab “Jesus I Do.” The lone dud is the lead single “Type Dangerous,” whose hook “flatlines,” but overall the album’s craft, humor, and vocal candor carry it.

Key Points

  • The title track stands out for its indelible melody and straight-faced vulnerability that lands as both hilarious and moving.
  • Carey’s candid, gritty vocals and well-constructed melodies—spanning disco-soul bite, petty breakup anthems, and gospel uplift—make the album consistently enjoyable despite one weak single.

Themes

aging and vocal vulnerability petty breakups and bitterness soulful disco and ’70s influences self-mythologizing diva persona gospel-tinged inspiration

Critic's Take

Mariah Carey's Here for It All limns the best songs as nods to past glories, with “Nothing Is Impossible” and the title track emerging as the album's most affecting moments. The review hears throwback charm in “Play This Song” and disco funk in “I Won't Allow It”, yet it keeps returning to how Carey replays old wounds rather than finding new ground. The critic praises the gospel-infused climax of “Here for It All” and the soul-searching piano of “Nothing Is Impossible”, while faulting inconsistent songwriting and noticeably weathered vocals.

Key Points

  • The best song is the title track for its gospel-infused climax and emotional lift.
  • The album's core strengths are throwback arrangements and occasional standout balladry, tempered by dated lyrical focus and weakened vocals.

Themes

nostalgia retrospection vocal deterioration genre pastiche

Critic's Take

Mariah Carey's Here for It All finds its best tracks in the patient, battle-worn moments where her voice carries history and heart. The title track, “Here For It All”, is spectacularly simmering - a three-minute jam of heavenly vocal runs and production chaos that makes it one of the best songs on Here for It All. Likewise, “Nothing Is Impossible” is a pretty, elegant piano-backed showcase that ranks among the best tracks on the record. Even when she missteps, as on the screeching retro throwback “In Your Feelings”, the album mostly trades in polished, immaculately written R&B that suits her to a tee.

Key Points

  • The title track is best for its extended vocal runs and production chaos that showcase mature Carey.
  • The album's core strengths are its polished, immaculately written R&B and use of vocal maturity and nostalgia.

Themes

vocal maturity nostalgia triumph-against-adversity glitzy R&B

Critic's Take

Mariah Carey arrives on Here For It All with that familiar mix of diva sparkle and naked feeling, and the review makes clear which are the best tracks on Here For It All. The reviewer leans into the slow-burn power ballads as highlights, especially “Nothing Is Impossible” and the closing trio including “My Love” and “Jesus I Do”, praising their misty-eyed dramatics and gospel backbone. At the same time she still gets her show-stopping moments - bubbly hits like “Confetti & Champagne” and the diamond-flexing “Mi” register as essential Mimi moments. The voice is admiring and measured, noting that the record’s strength is Carey’s consistency rather than revelation.

Key Points

  • “Nothing Is Impossible” is the best song because it showcases Carey’s vulnerability and resilient vocal heart, singled out as the standout slow song.
  • The album’s core strengths are its gospel backbone and consistent diva moments, balancing vulnerability with showmanship.

Themes

resilience vulnerability gospel influence diva showmanship

Critic's Take

Mariah Carey sounds comfortable and reflective on Here for It All, with the best songs being the assured “Nothing Is Impossible” and the stirring cover “My Love”. Tim Chan finds Carey leaning into retro soul and lounge-ready balladry, praising those moments where restraint serves the material rather than undermining it. He singles out the radio-ready one-two punch of “Type Dangerous” and “Sugar Sweet” as the album's most immediate tracks, while noting the title track finally lets her belt with genuine emotion. Overall, the review frames the best tracks as quietly powerful evidence that Carey still has her voice and taste intact.

Key Points

  • The best song, "Nothing Is Impossible," stands out as a self-empowerment gem where Carey sounds emotionally assured.
  • The album’s core strengths are its retro-soul arrangements, restrained vocal choices, and sincere, nostalgia-tinged songwriting.

Themes

retrospective soul and jazz influence restraint versus vocal maximalism introspection and recovery nostalgia