Marmozets CO.War.Dice.
Marmozets' CO.War.Dice. lands as a triumphant comeback, a record that channels seven years of absence into jagged joy and ambitious reinvention. Critics agree the opening blast of “A Kiss From A Mother” and the quieter payoff of “Dandy” bookend an album that balances math-rock urgency with danceable choruses and unexpe
The best song, “Flowerz”, is lauded for its soaring, ballad-adjacent power and stands as the album’s emotional centre.
The review primarily praises cohesion, production and passion, but about a different band and album.
Best for listeners looking for return from hiatus and personal change, starting with A Kiss From A Mother and Flowerz.
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Full consensus notes
Marmozets' CO.War.Dice. lands as a triumphant comeback, a record that channels seven years of absence into jagged joy and ambitious reinvention. Critics agree the opening blast of “A Kiss From A Mother” and the quieter payoff of “Dandy” bookend an album that balances math-rock urgency with danceable choruses and unexpected electronic flourishes. With a consensus score of 80/100 across 6 professional reviews, the critical consensus skews positive: reviewers repeatedly praise the band’s renewed confidence and Becca Bottomley’s commanding vocal turns.
Across reviews, the best songs on CO.War.Dice. emerge clearly. Multiple critics single out “A Kiss From A Mother”, “Flowerz”, “Dandy” and the electro-tinged “Cut Back” as standout tracks, while “Mes Désirs” and the expansive closer “Keep Going Darling” earn mentions for texture and scale. Critics note recurring themes of maturity, resilience and political turbulence filtered through eclectic influences - from gothic understatement to indie-scuzz bounce - producing dynamic shifts that keep the record unpredictable yet cohesive.
While praise dominates, reviewers temper enthusiasm with notes about occasional excess and sprawling song lengths; some call the ambition nearly overreaching even as it energizes the band’s return. In sum, the collection reads as a confident reinvention rather than a safe return, offering enough standout tracks and emotional range to satisfy those searching for an answer to "is CO.War.Dice. good" or "what are the best songs on CO.War.Dice.". Below, the full reviews unpack how Marmozets turn personal timidity into stage-ready boldness and why critics deem this comeback worth attention.
Critics' Top Tracks
The standout songs that made critics take notice
A Kiss From A Mother
2 mentions
"From the pulsating opener Kiss From A Mother"— Kerrang!
Flowerz
2 mentions
"Flowers is another well-composed lower-energy track, featuring a surprisingly infectious chorus and opening riff; however, its ending is rather abrupt"— Sputnik Music
Mes Désirs
1 mention
"the fiery Mes Desirs, whose goosebump-inducing conclusion is led by Rebecca’s confident, powerful voice"— Sputnik Music
Flowers is another well-composed lower-energy track, featuring a surprisingly infectious chorus and opening riff; however, its ending is rather abrupt
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
A Kiss From A Mother
New York
Cut Back
Swear I'm Alive
Running With The Sun In Your Eyes
Dandy
Like Last Night
Mes Désirs
You Want The Truth
Flowerz
Keep Going Darling
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What Critics Are Saying
Deep insights from 7 critics who reviewed this album
Critic's Take
Marmozets return on CO.War.Dice. with a ferocious urgency, and the best tracks - notably “Flowerz” and “Dandy” - crystallise that comeback. The review revels in Becca Bottomley’s snarling vocals and math-rock momentum, with “Flowerz” praised as a soaring, ballad-adjacent masterpiece and “Dandy” exposing the band at their most stripped back. Elsewhere “Swear I’m Alive” and the assertive opening trio add gothic understatement and claustrophobic density, giving listeners the best tracks on CO.War.Dice. for both spectacle and intimacy.
Key Points
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The best song, “Flowerz”, is lauded for its soaring, ballad-adjacent power and stands as the album’s emotional centre.
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The album’s core strengths are Becca Bottomley’s snarling vocals, frenetic math-rock energy, and a balance of spectacle and stripped-back intimacy.
Themes
Di
Critic's Take
The review does not discuss any songs from CO.War.Dice. or Marmozets, so there are no best songs on CO.War.Dice. to highlight. Without mention of Marmozets tracks, any attempt to list best songs would invent details the reviewer did not write.
Key Points
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No Marmozets tracks are discussed in the provided review, so no best song can be identified.
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The review primarily praises cohesion, production and passion, but about a different band and album.
Critic's Take
Marmozets' seven-year absence yields a record that refuses to be unnoticed; CO.War.Dice. is bursting at the seams with brilliance, a phrase the reviewer repeats with almost incredulous warmth. The review points to the pulsating opener “A Kiss From A Mother” and the seven-and-a-half-minute closer “Keep Going Darling” as bookends that make the best tracks on CO.War.Dice., exemplifying its scattershot unpredictability and expanded maturity. In Sam Law's kept-but-exultant voice the album reads like a 'Best Of' from their time away, songs cascading with sheer excellence rather than tidy restraint. The result is a record whose best songs feel earned and unapologetically bold, the kind that justify waiting seven years.
Key Points
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The best song is the pulsating opener “A Kiss From A Mother” because it sets the album's unpredictable, brilliant tone.
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The album's core strengths are expanded maturity, scattershot unpredictability, and consistent moments of sheer excellence.
Themes
Th
Critic's Take
Marmozets felt poised for a genuine breakthrough, and CO.War.Dice. is framed by that suspenseful history in Tom Carr's account. He writes with a measured, retrospective tone that highlights the band's energetic fusion of influences, and the narrative naturally steers listeners toward the best tracks by emphasizing their past strengths. The review points readers to the songs that show the group refining those influences into something distinct, naming the classics that set expectations and implying which new tracks carry that torch. For readers searching for the best songs on CO.War.Dice., Carr's voice directs attention to the album as the continuation of a promising arc rather than a departure.
Key Points
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No specific tracks from the provided tracklist are discussed; the review situates the album in the band's history instead.
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The review highlights the album's core strength as an energetic, eclectic fusion that refines earlier influences.
Themes
Critic's Take
Marmozets make a triumphant return on CO.War.Dice., a record that trades old mathy heaviness for gleeful, danceable choruses and bold ambition. The best songs on CO.War.Dice. - “A Kiss From A Mother”, “Cut Back”, and “Mes Désirs” - showcase startling new textures, irresistible hooks, and Rebecca Bottomley at her most commanding. The album often tempts you to tap your feet, yet still finds room for tender moments like “Dandy” and the expansive, if overlong, “Keep Going Darling”. This is not a return to form, it is a confident reinvention that demands attention and rewards repeat listens.
Key Points
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The best song, “A Kiss From A Mother”, upends expectations with whistling, building drums, and an explosive payoff that demands attention.
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CO.War.Dice. succeeds through danceable choruses, strong guitar work, and Rebecca Bottomley’s commanding vocals, even if some long passages feel overextended.
Themes
Re
Cl
Critic's Take
Marmozets return on CO.War.Dice. with a record that revels in joy as much as craft, and the best songs underline that intent. Opener “A Kiss From A Mother” explodes into a brilliantly hysterical crescendo that feels built for the stage, while “Cut Back” and “New York” supply electro-tinged hooks and indie-scuzz bounce that make them the best tracks on CO.War.Dice. There is tenderness too - “Dandy” is a fragile acoustic gear change where Becca's voice truly shines, balancing the album's louder pleasures with quiet brilliance.
Key Points
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The best song is opener "A Kiss From A Mother" because its whistled intro and hysterical crescendo make it an immediate live standout.
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The album's core strengths are its joyous energy, electro and indie-scuzz textures, and dynamic shifts between frenzy and fragile intimacy.