Melody's Echo Chamber Unclouded
Melody's Echo Chamber's Unclouded opens a sunnier chapter for Prochet, where psych-pop clarity and propulsive rhythms reshape her dream-pop palette into something both luminous and grounded. Across seven professional reviews that form the critical conversation, the record earned a 78/100 consensus score, with critics repeatedly citing the interplay of lush strings, krautrock motorik, and buoyant percussion as central to its appeal.
Critics consistently praise several standout tracks as the clearest expressions of the album's ambitions. Reviewers flagged “Eyes Closed”, “In The Stars”, “Memory's Underground” and “The House That Doesn’t Exist” as the best songs on Unclouded, noting how each balances dreamy vocals with muscular grooves. Spin and Dusted celebrated the string arrangements and rhythmic drive on “In The Stars”; DIY and Dusted emphasized krautrock and Dungen-like riffs on “Eyes Closed”; Pitchfork and AllMusic pointed to “Memory's Underground” as a moment where cinematic swell becomes catharsis. The Guardian praised the album's lush orchestration while cautioning that truly singular moments are scarce, a view echoed by some critics who found parts of the record diffuse.
Taken together, professional reviews suggest Unclouded is a rewarding, if occasionally uneven, step forward: a collection where vintage psychedelia and modern production yield bright textures, thematic motifs of presence and renewal, and several genuinely standout tracks. For readers searching for an Unclouded review or the best songs on Unclouded, the critical consensus points squarely to those highlighted tracks as the album's most compelling returns, making the record worth hearing for fans of ornate dream-pop with a rhythmic backbone.
Critics' Top Tracks
The standout songs that made critics take notice
In The Stars
3 mentions
"is a radiant midtempo track that pairs a majestic string section and Prochet's double-tracked vocal harmonies"— AllMusic
Eyes Closed
4 mentions
"is a '70s cop show theme juxtaposed with weightless psych-folk melodies and murky guitar freak-outs"— AllMusic
The House That Doesn’t Exist
4 mentions
"The vocals on cuts like "The House That Doesn’t Exist" may be soft and high, but the melody slashes forward with determination and force."— Dusted Magazine
The vocals on cuts like "The House That Doesn’t Exist" may be soft and high, but the melody slashes forward with determination and force.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
The House That Doesn’t Exist
In The Stars
Flowers Turn Into Gold
Eyes Closed
Childhood Dream
Memory’s Underground
Broken Roses
Burning Man
Into Shadows
How to Leave Misery Behind
Unclouded
Daisy
Get occasional highlights
New releases and the best tracks, based on real critic reviews. No spam.
By signing up, you agree to receive occasional emails from Chorus. Unsubscribe anytime.
What Critics Are Saying
Deep insights from 7 critics who reviewed this album
Critic's Take
Melody's Echo Chamber continues to charm on Unclouded, where the best songs - “In The Stars” and “Memory's Underground” - braid majestic strings with Prochet's reverb-cloaked vocals in consummate fashion. When “Memory's Underground” flips from underwater girl-group balladry to blown-out psych rave-up, it crystallizes why these tracks stand out as the best songs on Unclouded. The assessment is affectionate and measured, arguing that cohesion here refines rather than diminishes Prochet's inventive touch.
Key Points
-
The best song is driven by dramatic arrangement shifts and a symphonic climax that the reviewer highlights.
-
The album's core strengths are its polished collaborative production, punchy drumming, shimmering strings, and Prochet's reverb-cloaked vocals.
Themes
Sp
Critic's Take
Jonathan Cohen writes with a clear-eyed appreciation for Sven Wunder's grounding production, crediting the grooves that make songs feel like destinations rather than hazes. The record's standout tracks - from the groove-led opener to the buoyant gliding strings of “In The Stars” - show how clarity can coexist with psychedelia. By the album's close, the Stereolab-tinged “Broken Roses” and the resolute “How To Leave Misery Behind” cement Prochet's gift for staying present inside flux.
Key Points
-
The best song is the opener because its groove and rhythm section concretely summon the home the lyrics describe.
-
The album's core strength is grounding dreamlike psychedelia in tactile rhythms and illuminated arrangements.
Themes
Critic's Take
Melody's Echo Chamber channels the swinging 1960s across Unclouded, and the best songs on Unclouded - especially “Eyes Closed” and “In the Stars” - show Prochet balancing buoyant psychedelia with thunderous percussion. The reviewer's praise reads in playful, exact tones: “Eyes Closed” is a buoyant soap bubble of psychedelia while “In the Stars” swoons with strings like Beach House but with a bracing pulse. Throughout, the record pairs airy, denatured vocals with swaggering syncopations, making those standout tracks feel both delicate and meaty. This is music that flares with noise at intervals yet remains effortless and cool, which explains why listeners hunting for the best tracks on Unclouded will keep returning to these highlights.
Key Points
-
The best song is best because it marries buoyant psychedelia with propulsive rhythms and confident vocals.
-
The album’s core strengths are lush 1960s-inspired orchestration, airy vocals, and a tension between dreamlike sonics and driving percussion.
Themes
Bu
Critic's Take
Because the text contains only the album heading, readers searching for best tracks on Unclouded will find no reviewer-selected songs, and the review does not rank or praise specific songs. This short appraisal nevertheless aligns with the 80 percent score, suggesting the album is well-regarded even if the critic offers no track-level guidance.
Key Points
-
No specific song is identified as the best because the review contains only the album heading.
-
The core strength is a generally positive overall assessment implied by the 80 percent score.
Critic's Take
In this piece Brad Sked hears Melody's Echo Chamber conjure a dreamy psych-pop on Unclouded, where best tracks like “The House That Doesn’t Exist” and “Eyes Closed” pull the listener into reverie. He describes “The House That Doesn’t Exist” as opening the album by pulling you into a fairytale-like land, and praises “Eyes Closed” as a standout for its Neu!-like krautrock and chunky Dungen riffs. The review flags “Memory’s Underground” as another high point, a swirling cyclone that crescendos into a cinematic freakout. Overall, Sked positions these as the best tracks on Unclouded, evidencing an unapologetically psychedelic record that doubles down on psych-pop goodness.
Key Points
-
The best song is praised for its krautrock energy and Dungen-like riffs, making “Eyes Closed” the album’s standout.
-
The album’s core strengths are vivid psychedelic production, dreamlike melodies, and confident psych-pop songwriting.
Themes
Critic's Take
Melody's Echo Chamber’s Unclouded is operatic in its gauzy, cinematic dream-rock, and the review repeatedly returns to the album’s most affecting moments - “Memory’s Underground” and “Daisy” feel like the clearest expressions of Prochet’s strengths. The critic frames these best tracks as instances where her sepia-toned shimmer coalesces into real momentum, the downtempo march of “Memory’s Underground” exploding into strings and reverb while “Daisy” bottles sunshine with plucked guitar and a repeating drum. Still, the writer cautions that the record often melts into itself, beautiful but diffuse, so the best songs stand out precisely because they briefly give the music definition. Overall the piece presents the best tracks on Unclouded as mini-cinema scenes that crystallize the album’s wistful mood and newfound clarity.
Key Points
-
“Memory’s Underground” is the best song because its downtempo march breaks into a powerful strings-and-reverb climax that gives the album definition.
-
The album’s core strengths are its cinematic, dream-rock atmosphere and a newfound clarity in songwriting, even when the record sometimes melts into itself.
Themes
Critic's Take
Dave Simpson writes that Melody's Echo Chamber takes airy vocals and baroque dreampop into brighter terrain on Unclouded, and he singles out “Broken Roses” and “Burning Man” for their floral strings and xylophone sprinkles. He notes a few tempo shifts - “Into Shadows” and “Memory's Underground” bring brisker pace and Beatles-y strings - but the album is, in his measured words, "a becalming place to visit." While Simpson finds Unclouded short on genuinely standout tracks, he praises the lush arrangements and collaborative cast that push the best songs gently forward.
Key Points
-
The best song, "Broken Roses", is best for its blooming strings and evocative, 'really lovely' horticultural imagery.
-
The album's core strengths are lush arrangements, collaborative contributions, and a brighter, balmy dreampop palette.