Merope Vėjula
Merope's Vėjula unfolds like a nocturnal woodland captured on tape, where reworked Lithuanian folk and modern electronics meet in moments of startling clarity and unease. Critics agree the record rewards focused listening: across three professional reviews the album earned an 86/100 consensus score, with reviewers repeatedly pointing to the same handful of standout tracks as proof of its ambition and craft.
Reviewers consistently praise “Namopi” for its glimmering cascades and carrying violin melody, “Lopšinė” for hushed intimacy, and “Rana” and “Vija” for their mesmeric, music-box spirals; “Aglala” is frequently noted as the most avant garde moment, spilling filtered vocal fragments over dense synth drones. Critics emphasize texture and process, from delicate chimed strings and Moog lines to glitched microsamples, arguing that the album's recontextualized folk forms and nocturnal nature imagery create a dreamlike tension between beauty and disquiet. Across the reviews, the record's restraint and attention to atmosphere are cited as strengths rather than mere minimalism.
While some accounts highlight the album's cold, autumnal clarity and others dwell on its transcendent stillness, the critical consensus suggests Vėjula stands as a rewarding, perhaps finest-yet statement from Merope, one best experienced in close, repeated listens. Below follow the full professional reviews that unpack how these textures and songs achieve their quiet power.
Critics' Top Tracks
The standout songs that made critics take notice
Namopi
3 mentions
"Listen to: Rana, Namopi, Lopšinė"— The Skinny
Lopšinė
3 mentions
"Lopšinė has all the hushed intimacy of British folk legend Bridget St John"— The Skinny
Vija
3 mentions
"the unhurried, music-box spiral of Vija is quietly astounding"— The Skinny
Listen to: Rana, Namopi, Lopšinė
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Koumu Lil
Namopi
Lopšinė
Vija
Spindulė
Aglala
O Underhill
Rana
What Critics Are Saying
Deep insights from 3 critics who reviewed this album
Critic's Take
Merope’s Vėjula is quietly commanding, and the review makes clear the best songs - especially “Namopi” and “Aglala” - reveal why. The writer lingers on texture and process, praising how “Namopi” builds into a glimmering cascade and how “Aglala” spills filtered vocal microsamples over a thick synth drone. There is an insistence that these tracks offer small moments of transcendence, proof that the album’s rethreading of Lithuanian folk into electronic mosaics is genuinely inspired. The voice remains reverent and specific, steering listeners toward the album’s most arresting moments rather than background ambience.
Key Points
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“Namopi” is the best song because its zither-led, glimmering build and the dramatic brief drop-out mark it as a highlight.
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The album’s core strengths are its textural reworking of Lithuanian folk and precise, mosaic-like arrangements that create moments of transcendence.
Themes
Critic's Take
Merope’s Vėjula feels like a sharp, cold and bright autumn morning, and the review makes clear that the best songs are those that marry folk intimacy with subtle invention. The review highlights “Koumu Lil” for its newborn-foal imagery and glimmering arpeggios, and praises “Namopi” for its lovely violin melody carried on chimed strings and Moog. It also singles out “Aglala” as the most avant garde, writhing and raging like a continental storm, while quieter pieces such as “Lopšinė” show Frisell and Jurgelevičiūtė in a sensitive duet. Overall the reviewer recommends dwelling in these waters for succour, making clear the album’s best tracks reward close, repeated listening.
Key Points
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The best song, "Koumu Lil", is best for its glimmering arpeggios and vocal bursts that conjure fresh-life imagery.
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The album’s core strengths are its grounding in Lithuanian folk forms, evocative nature imagery, and a balance of spare intimacy and avant-garde textures.
Themes
Critic's Take
Merope's Vėjula is a drifting, sleepwalking record where the best songs - “Rana”, “Namopi” and “Lopšinė” - show the band at their most mesmeric and devastating. The reviewer's tone leans toward reverent admiration, noting how tracks like “Lopšinė” possess "hushed intimacy" while “Vija” unfolds in a music-box spiral that is quietly astounding. Across the album modern, glitched electronics puncture the pastoral, making the standout moments feel both calming and deeply unsettling. The result is possibly their finest work to date, songs that balance tactful restraint with moments of genuine, ascendent beauty.
Key Points
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Rana is the best song because the reviewer calls it an "astonishing closer" that merges emotional threads at its apex.
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The album's core strength is crafting a mesmeric, nocturnal folk atmosphere where delicate beauty and disquiet coexist.