Modest Mouse An Eraser and A Maze
Modest Mouse's An Eraser and a Maze arrives as a sober, often vivid comeback that balances unfiltered emotion with deliberate craft. Across seven professional reviews, critics landed on a broadly positive verdict: the record earned a 75/100 consensus score, praised for its memorable high points even as a few experiment
The best song is "Third Side of the Moon" because its heartbreaking narrative about a lost friend is singled out as deeply personal.
The opening “Picking Dragons’ Pockets” is the album’s immediate highlight, serving as a bold reintroduction.
Best for listeners looking for maturity and nostalgia, starting with Picking Dragons’ Pockets and Speak ’N Spell (Or Not).
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Full consensus notes
Modest Mouse's An Eraser and a Maze arrives as a sober, often vivid comeback that balances unfiltered emotion with deliberate craft. Across seven professional reviews, critics landed on a broadly positive verdict: the record earned a 75/100 consensus score, praised for its memorable high points even as a few experiments wander without payoff. Standout tracks named repeatedly include “Picking Dragons’ Pockets”, “Third Side of the Moon”, “Life's a Dream” and “Speak ’N Spell (Or Not)” - songs reviewers singled out as highlight moments and among the best songs on An Eraser and a Maze.
Critics consistently note themes of grief, aging and nostalgia threaded through sonic craftsmanship and collaborative production. Reviews from AllMusic and The Line of Best Fit emphasize the album's intimacy and mortality-tinged lyricism on cuts like “Third Side of the Moon” and “Remember Yourself”, while Pitchfork and Rolling Stone point to a raw immediacy on “Picking Dragons’ Pockets” and ramshackle jams such as “Speak ’N Spell (Or Not)”. Several outlets frame the record as a return from hiatus - the band's first full-length in five years - noting lineup changes and high-profile producers that both sharpen and occasionally over-polish the band’s trademark weirdness.
Taken together, the professional reviews sketch a mature Modest Mouse: a group still capable of punchy, radio-ready hooks and translucent, aching balladry, even if some experiments dilute momentum. For readers searching for an An Eraser and a Maze review or wondering whether the album is worth listening to, the consensus score and recurring praise for the named tracks suggest this collection is a worthwhile, emotionally resonant addition to the band's legacy, and a record that rewards repeat listens.
Critics' Top Tracks
The standout songs that made critics take notice
Picking Dragons’ Pockets
2 mentions
"The first Modest Mouse radio hit of the decade could very well be the punchy, hook-riddled opener "Picking Dragons’ Pockets,"— Pitchfork
Speak ’N Spell (Or Not)
2 mentions
"If Modest Mouse are trying to mine nostalgia, they’re smart to do so subtly, as on the ramshackle jam of mid-album highlight "Speak ’N Spell (Or Not)."— Pitchfork
Third Side of the Moon
2 mentions
"Brock almost gets there on the reverb-soaked "Third Side Of The Moon," singing in what sounds like genuinely drunk bereavement:"— Pitchfork
The first Modest Mouse radio hit of the decade could very well be the punchy, hook-riddled opener "Picking Dragons’ Pockets,
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Picking Dragons’ Pockets
Remember Yourself
Life's a Dream
Third Side of the Moon
Dogbed in Heaven / Give It a Skeleton
Interlude
I Can't Talk Right Now
Speak ’N Spell (Or Not)
Rotten Fruit (feat. pkpkpkpk)
Knocked Down by Waves
Absolutely Necessary Never
Song About Nothing
Stoner Party
Look How Far...
Impossible Somedays
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What Critics Are Saying
Deep insights from 10 critics who reviewed this album
Critic's Take
Modest Mouse return with An Eraser and a Maze and it reads like a reintroduction, a band still scrappy and sharper than ever. There is a recurring sense of maturity and continuity - the album feels like some of their finest work, pulling from the best parts of themselves.
Key Points
-
The opening “Picking Dragons’ Pockets” is the album’s immediate highlight, serving as a bold reintroduction.
-
The record balances scrappy, jangly guitars with sombre and quirky moments, showcasing Modest Mouse’s matured strengths.
Themes
Critic's Take
Modest Mouse’s An Eraser and a Maze finds its best tracks in the emotionally direct “Third Side of the Moon” and the densely arranged rocker “Life's a Dream”, songs that distill grief and reflection into unforgettable moments. The album also showcases quiet clarity on “Remember Yourself”, whose rolling acoustic wash frames Brock’s meditations on mortality. These standout songs—balanced by lighter moments like “Song About Nothing” and “Stoner Party”—make clear why listeners asking for the best songs on An Eraser and a Maze will point to those deeper, more affecting cuts.
Key Points
-
The best song is "Third Side of the Moon" because its heartbreaking narrative about a lost friend is singled out as deeply personal.
-
The album’s core strengths are its blend of grief-driven reflection and a balance of chaotic and melodic arrangements.
Themes
No
Critic's Take
Modest Mouse sound less tightened and more immediate on An Eraser and a Maze, and the best tracks here - notably “Picking Dragons’ Pockets” and “Look How Far...” - show Brock still has that unfiltered spark. The opener “Picking Dragons’ Pockets” is the album’s punchy, hook-riddled candidate for a decade-era radio moment, while “Look How Far...” belts with frenzied nostalgia and evidence of unbridled energy. Mid-album cuts like “Speak ’N Spell (Or Not)” provide ramshackle jams that reward repeat listens, even as some experiments blur into filler. This is an album about reckoning, sometimes messy, often affecting, and best judged by its standout songs.
Key Points
-
The opener "Picking Dragons’ Pockets" is the album’s most immediate and hook-riddled highlight.
-
The album’s strengths are raw, unfiltered performances and moments of genuine emotional reckoning, balanced against occasional filler.
Themes
Critic's Take
Modest Mouse confronts middle age on An Eraser and A Maze with a voice that still yelps at the horizon, and the best songs - notably “I Can't Talk Right Now” and “Remember Yourself” - crystallize that aching, panoramic concern. Brock's rhythmic yawp and the record's cosmic tremolo make “I Can't Talk Right Now” a pained centerpiece, while the rolling “Remember Yourself” pairs mortal lyricism with vintage propulsion. Elsewhere, “Life's a Dream” carries the debut-era loneliness in its dry guitars, tying the album's themes of loss and stubborn curiosity into its strongest moments.
Key Points
-
The best song is “I Can't Talk Right Now” because its pained, cosmic tremolo and Brock's vocal centrality make it the album's emotional core.
-
The album's core strength is its honest engagement with aging, loss, and nostalgia, rendered through evocative imagery and familiar sonic tropes.
Themes
Critic's Take
Jon Dolan’s sentences savor the ramble and the tamble, finding moments where latticed guitars and booming drums turn doubt into something near-glorious. He praises the album when it leans into textured, elliptical magic - the iridescent nod of “Speak ’N Spell (Or Not)” and the brittle lucidness of “Knocked Down By Waves” - while noting the record sometimes meanders without payoff.
Key Points
-
“Remember Yourself” is best because it is called an elegiac, artfully shambling highlight with memorable, summative lines.
-
The album’s core strength is textured, elliptical songwriting that balances odd structure and inviting texture.
Themes
Ho
Critic's Take
Modest Mouse return with An Eraser and a Maze, an album framed by lineup changes and high-profile producers, and the review naturally highlights the singles. The review flags “Picking Dragons’ Pockets” as a lead single and points to “Third Side of the Moon” and “Look How Far...” as focal tracks, making them the best songs on An Eraser and a Maze in the context of the rollout. The tone is measured and slightly promotional, noting the band’s first full-length in five years and the new members without hyperbole. Overall, the reviewer suggests these singles are representative highlights rather than radical departures.
Key Points
-
The best song is a single - the reviewer frames "Picking Dragons’ Pockets" as a primary highlight from the album rollout.
-
The album’s core strengths are its collaborative production and the significance of being the band’s first full-length in five years.
Themes
Critic's Take
In the announcement piece Megan LaPierre writes with casual, conversational relish about Modest Mouse and their forthcoming An Eraser and a Maze, flagging “Picking Dragons’ Pockets” as the lead single and a clear focal point. The reviewer leans into the band’s unguarded approach - quoting Isaac Brock’s admission that he "turned off my filter" - which frames tracks like “Picking Dragons’ Pockets” and “Remember Yourself” as the best songs on An Eraser and a Maze. The tone is upbeat and promotional, naming tour dates and the visualizer that accompany the release, which positions these tracks as the album’s most salient highlights to look for.
Key Points
-
The lead single “Picking Dragons’ Pockets” is highlighted as the standout via its visualizer and single billing.
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The album's strength is its unfiltered emotional approach and the promotional momentum of a full tour rollout.