Morgan Wallen I’m The Problem
Morgan Wallen's I’m The Problem stakes out a bruised, stadium-ready country-pop persona that courts confession and self-sabotage while flirting with commercial excess. Across three professional reviews, critics point to the album's most revealing moments as proof that Wallen still writes gripping, intimate songs even when the record swells into radio-sized epics. With a 61.33/100 consensus score from three reviews, the critical consensus lands squarely in mixed territory: praised for its emotional pivots, questioned for its bloat.
Reviewers consistently single out quieter, character-driven cuts as the record's high points. “Superman” and the closer “I’m A Little Crazy” are celebrated for ragged honesty and spare arrangements, while the title track “I’m The Problem” and “Just In Case” tighten the album's paranoid, fatalistic thread. Pitchfork and Paste flag those centerpieces as answers to searches for the best songs on I’m The Problem, and Rolling Stone highlights “Jack and Jill” and “Working Man's Song” as further standout tracks that give the back half emotional spine.
At the same time, critics note recurring themes - drinking, downward spiral, small-town heartbreak, redneck pride and celebrity persona - and warn that stadium-scale production and guest-driven moments sometimes dilute the intimacy that makes the best songs land. The reviews agree that while much of the 37-track expanse feels overstuffed, the album contains enough striking individual performances and candid storytelling to be worth digging into. For readers wondering whether I’m The Problem is good, the snapshot from professional reviews suggests a mixed but compelling record whose standout songs reward focused listening.
Critics' Top Tracks
The standout songs that made critics take notice
I’m A Little Crazy
1 mention
"the final song on I’m The Problem and a stripped-down conduit"— Paste Magazine
Kick Myself
1 mention
"there’s the key entendre on twinkly strummer "Kick Myself", a bleak cut"— Paste Magazine
Miami
1 mention
"there’s the uncharacteristically lush "Miami", which tunes up a sample"— Paste Magazine
the final song on I’m The Problem and a stripped-down conduit
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
I'm The Problem
I Got Better
Superman
What I Want (feat. Tate McRae)
Just In Case
Interlude
Falling Apart
Skoal, Chevy, and Browning
Eyes Are Closed
Kick Myself
20 Cigarettes
TN
Missing
Where'd That Girl Go
Genesis
Revelation
Number 3 and Number 7 (feat. Eric Church)
Kiss Her In Front Of You
If You Were Mine
Don't We
Come Back As A Redneck (feat. HARDY)
Love Somebody
Dark Til Daylight
The Dealer (feat. ERNEST)
Leavin's The Least I Could Do
Jack and Jill
I Ain't Comin' Back (feat. Post Malone)
Nothin' Left
Drinking Til It Does
Smile
Working Man's Song
Whiskey In Reverse
Crazy Eyes
LA Night
Miami
Lies Lies Lies
I'm A Little Crazy
What Critics Are Saying
Deep insights from 5 critics who reviewed this album
Critic's Take
Morgan Wallen’s I’m The Problem is at its best in deeply personal moments like “Superman” and the closing “I’m A Little Crazy”, where his ragged voice and candid lines land. The reviewer repeatedly singles out “Kick Myself” and “Miami” as surprising high points - small, vivid arrangements that break through the album’s bloat. Yet much of the record feels like rehashed chestnuts and filler, so the best tracks stand out for their intimacy and restraint rather than radio-ready production. This record answers the question of the best songs on I’m The Problem by rewarding the quieter, more direct moments that actually reveal something new about him.
Key Points
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The best song is the intimate closer "I’m A Little Crazy" because its sparse arrangement lets Wallen’s voice and confession read as genuine.
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The album’s strengths are moments of candid vulnerability and occasional inventive production, but they are diluted by an overstuffed tracklist and collaborative dilution.
Themes
Critic's Take
In a voice that flickers between weary humor and bitter self-examination, Morgan Wallen’s I’m The Problem finds its strongest moments in songs like “I’m The Problem” and “Just In Case”, where the lonesome guitar and wry lines make clear why listeners ask "what are the best tracks on I’m The Problem?" The title track’s pretty guitar and slyly accountable chorus sit alongside “Lies Lies Lies” and “Just In Case” as the album’s clearest pivots, the best songs here because they tighten the record’s paranoid, fatalistic thread. Even when the 37-song expanse feels needlessly long, those centerpieces show Wallen’s knack for aching detail and radio-ready melody, and they explain why fans will still hunt for the best songs on I’m The Problem despite the filler.
Key Points
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The title track is best for its lonesome guitar and wry, accountable storytelling.
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The album’s core strengths are its paranoid, fatalistic lyrical thread and a few tightly written breakup songs amid much filler.
Themes
Critic's Take
Morgan Wallen’s I’m The Problem leans into a love-me-or-leave-me persona, and the best songs - notably “I’m The Problem”, “Jack and Jill” and “Working Man’s Song” - make that posture feel purposeful rather than pointless. Johnston’s take is that the title track’s stormy chronicle and the back-half balladry give the record its emotional spine, while tunes like “Love Somebody” and “Superman” show stylistic ambition. The reviewer admires Wallen’s polished country-rock hooks even as she flags troubling lines and persona-driven baggage. Overall the review signals that the album’s heft and a handful of arresting tracks are what keep listeners coming back.
Key Points
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The title track is the album’s thematic centerpiece, framing its love-me-or-leave-me posture.
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Wallen’s strengths are polished country-rock hooks, narrative balladry, and occasional bold stylistic detours.
Themes
