Ghosted III by Oren Ambarchi / Johan Berthling / Andreas Werliin
80
ChoruScore Critic consensus / 100

Released Aug 29, 2025 Drag City

Early read 1 professional review Updated Nov 24, 2025

Broadly positive consensus

Early read based on 1 professional reviews. Oren Ambarchi, Johan Berthling and Andreas Werliin return with Ghosted III, an exercise in patient momentum where jazz interplay and ambient textures unfurl across spacious pieces.

How ChoruScore works

Critics' Top Tracks

The songs critics returned to most

01

Yek

1 critic mention

“Its lovely progressions invite the soft, barely-there patter of percussion” The Quietus
02

Chahar

1 critic mention

“On ‘Chahar’, this telepathic connection manifests a compact yet loose jazz swing.” The Quietus
03

Shesh

1 critic mention

“Shesh’ locks into a booming post-rock crescendo that, quite intentionally, never resolves itself.” The Quietus
Full critic consensus

Oren Ambarchi, Johan Berthling and Andreas Werliin return with Ghosted III, an exercise in patient momentum where jazz interplay and ambient textures unfurl across spacious pieces. Across the record the trio's collaborative chemistry fuels gradual development, and critics note the way grooves and spectral guitar figures bloom into unexpected melodic moments.

The Quietus awarded Ghosted III an 80/100 consensus score from one professional review, praising standout tracks “Yek”, “Chahar” and “Shesh” for their distinct shapes: “Yek” as a billowing cluster of guitar licks, “Chahar” as a compact jazz swing, and “Shesh” closing with a booming post-rock crescendo that withholds neat resolution. Reviewers consistently highlight buoyant bass, percussion motors and Ambarchi's shimmering effects as the tactile pleasures that tie the record together.

While the album favors subtlety over immediate hooks, the consensus suggests Ghosted III rewards patient listening, especially for those interested in the crossover between improvisatory jazz and ambient-post-rock dynamics. For readers searching for a focused Ghosted III review or wondering what the best songs on Ghosted III are, “Yek”, “Chahar” and “Shesh” emerge as the most frequently praised moments and a clear entry point into the trio's restrained, evocative world.

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

Yek

1 mention
90
09:40
2

Do

1 mention
78
06:22
3

Seh

0 mentions
03:23
4

Chahar

1 mention
88
06:13
5

Panj

1 mention
80
08:48
6

Shesh

1 mention
85
07:54

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What Critics Are Saying

Deep insights from 1 critic who reviewed this album

The Quietus logo

The Quietus

Unknown
Sep 23, 2025
80

Critic's Take

Across the album the pleasures are tactile: gradations of texture, buoyant bass and percussion motors that let Ambarchi's effects shimmer and suggest wide horizons.

Key Points

  • The album's core strength is its patient interplay and textured gradations, where percussion and bass motor the trio's spectral guitar explorations.

Themes

collaboration ambient textures gradual development jazz interplay post-rock crescendo