Motion I by Out Of/Into

Out Of/Into Motion I

90
ChoruScore Critic consensus / 100

Released Dec 6, 2024 Blue Note Records

Early read 1 professional review Updated Dec 29, 2025

Strong critical consensus

Early read based on 1 professional reviews. Out Of/Into's Motion I announces itself as a confident statement in contemporary jazz, a record whose rewards accumulate through attentive listening and collective motion.

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Critics' Top Tracks

The songs critics returned to most

01

Ofafrii

1 critic mention

“Within the first 45 seconds, you distinctly hear all five instruments” — Glide Magazine
02

Gabaldon’s Glide

1 critic mention

“The opening to Clayton’s polyrhythmic “Gabaldon’s Glide” features a heady solo from Scott” — Glide Magazine
03

Radical

1 critic mention

“Ross’ “Radical” features the quintet in a highly lyrical posture” — Glide Magazine
Full critic consensus

Out Of/Into's Motion I announces itself as a confident statement in contemporary jazz, a record whose rewards accumulate through attentive listening and collective motion. From the opener “Ofafrii”—where Clayton sets the tone and Wilkins and Ross trade expressive turns—to the aching sweep of “Gabaldon’s Glide” and the tense beauty of “Radical”, the album privileges interplay and group chemistry over solo pyrotechnics.

Across professional reviews the critical consensus praises Motion I for its post-bop roots infused with 'out' elements, emphasizing collective improvisation and rhythmic daring. The album earned a 90/100 consensus score from one professional review, with critics noting that the best songs on Motion I emerge from ensemble conversation rather than individual spotlighting. Tracks like “Ofafrii”, “Gabaldon’s Glide”, and “Radical” repeatedly surface as standout moments that capture the record's tension between structure and freedom.

While the focus on group interplay may leave listeners seeking showy solos wanting, reviewers agree that the record's compositional subtlety and interplay make Motion I a compelling addition to the band's catalog and a must-hear for those tracking contemporary jazz excellence. Below, read the full review breakdown and why critics argue the album is worth close, repeated listens.

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

Ofafrii

1 mention
98
07:47
2

Gabaldon’s Glide

1 mention
95
04:03
3

Radical

1 mention
94
07:10
4

Second Day

1 mention
90
04:31
5

Aspiring to Normalcy

1 mention
85
11:50
6

Synchrony

1 mention
91
07:31
7

Bird's Luck

1 mention
89
02:52

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What Critics Are Saying

Deep insights from 2 critics who reviewed this album

Critic's Take

On Motion I, Out Of/Into stake a claim for contemporary jazz with a set that rewards close listening; the best songs reveal themselves through group interplay rather than solo fireworks. Clayton’s opener “Ofafrii” announces the record, Wilkins and Ross trading expressive turns, while “Gabaldon’s Glide” and “Radical” stand out as the album’s most intense and gorgeous moments respectively. The record favors collective movement and rhythmic daring - that is why queries about the best tracks on Motion I invariably point to “Ofafrii”, “Gabaldon’s Glide”, and “Radical”.

Key Points

  • “Ofafrii” is best for its immediate, full-band statement and lead-single prominence.
  • The album’s core strengths are collective interplay, improvisational chemistry, and contemporary post-bop adventurousness.

Themes

collective improvisation post-bop with 'out' elements interplay and chemistry contemporary jazz excellence