Perfume Genius Glory
Review coming soon...
Critics' Top Tracks
The standout songs that made critics take notice
No Front Teeth
6 mentions
"When "No Front Teeth" launches into mayhem—an overwhelming plunge into rootsy rock and roll"— Paste Magazine
Clean Heart
6 mentions
""Clean Heart" glistens with a bittersweet sparkle"— Paste Magazine
Left For Tomorrow
6 mentions
""Left For Tomorrow" mourns a future yet to arrive"— Paste Magazine
When "No Front Teeth" launches into mayhem—an overwhelming plunge into rootsy rock and roll
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
It's a Mirror
No Front Teeth
Clean Heart
Me & Angel
Left For Tomorrow
Full On
Capezio
Dion
In a Row
Hanging Out
Glory
What Critics Are Saying
Deep insights from 6 critics who reviewed this album
Critic's Take
For listeners searching for the best songs on Glory, Perfume Genius’s standout moments include “No Front Teeth”, “Clean Heart”, and the sequence from “Me & Angel” through “Hanging Out”. The review highlights “No Front Teeth” as a standout single and praises the mesmerizing vocals and instrumental textures of “Clean Heart”. Tracks 3–10 are described as unfurling seamlessly, making songs like “Me & Angel”, “Left For Tomorrow” and “Dion” essential listens. Overall, Glory is celebrated for balancing pop essentials with avant-garde textures, producing many of the best tracks on Glory.
Key Points
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“No Front Teeth” and “Clean Heart” are highlighted as the album’s best tracks for vocal contrast and mesmerizing sequences.
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Glory’s core strengths are its balance of pop songcraft with avant-garde textures and emotionally resonant lyrics.
Themes
Critic's Take
The best songs on Glory are highlighted by relaxed intimacy and conventional hooks: “Left For Tomorrow” stands out as a chill oasis, while “Clean Heart” and “No Front Teeth” are among the album's strongest, more conventional tracks. Glory’s lush production and soothing instrumentation make it easy to answer “best tracks on Glory” with these calmer moments. The record favors inward peace over apocalyptic fury, explaining why fans seeking immediacy may find fewer standout moments. Overall, Left For Tomorrow, Clean Heart, and No Front Teeth emerge as the best songs on Glory for their warmth, accessibility, and evocative arrangements.
Key Points
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Left For Tomorrow is the album's best track for its serene saxophone and fretless bass creating a standout oasis.
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Glory's core strengths are lush production, alluring vocals, and a calming, inward-looking mood despite some emotional distance.
Critic's Take
The best songs on Glory are highlighted as "Clean Heart", "Full On" and "Hanging Out" for their lush textures, emotional clarity and adventurous instrumentation. Glory’s top tracks showcase Hadreas’ gift for turning intimate lyricism into expansive, texturally dense songs. Critics praise "Full On" as the centerpiece and single out "Clean Heart" for its hopeful, reborn feeling. Those searching for the best tracks on Glory will find the album’s strongest moments in these songs, which balance tenderness and bold sonic ambition.
Key Points
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"Clean Heart" and "Full On" stand out for their emotional clarity, instrumental ambition and rewarding textures.
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Glory’s core strengths are its dense, textural arrangements and Hadreas’ ability to marry intimate lyricism with expansive sonic ambition.
Themes
Critic's Take
The best songs on Glory are highlighted by "It's a Mirror" and "No Front Teeth," which the review singles out as standout tracks showcasing Perfume Genius's blend of confessional pop and queer storytelling. "It's a Mirror" is called classic Perfume Genius—joyous, brash and evocative—making it one of the best tracks on Glory. "No Front Teeth," featuring Aldous Harding, is noted as a standout cut with '90s-driven folksy Americana energy, marking it among the best songs on Glory. The refined "Clean Heart" and the fragile-masculinity exploration in "Full On" also receive praise for reinforcing the album's strengths and return-to-form aesthetic.
Key Points
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"It's a Mirror" is the best song for its classic Perfume Genius blend of joy, brashness and evocative imagery.
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The album's core strengths are confessional songwriting, queer storytelling, and a balanced mix of melody and noise.
Themes
Critic's Take
The best songs on Glory are highlighted for their emotional clarity and daring arrangements, especially "No Front Teeth", "It's a Mirror" and the closing title track "Glory". Reviewers praise the album's blend of 90s-tinged alt-rock power and intimate minimalism, making the best tracks on Glory stand out for visceral moments and quiet surprises. "No Front Teeth" is singled out as an Alpine peak of bloodied pain and thrilling guitar, while "It's a Mirror" is celebrated as a supremely effective opener. The title track "Glory" is described as a whispered incantation and the perfect moment of closure, cementing these as the album's standout songs.
Key Points
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The best song is No Front Teeth for its visceral guitar moment and emotional intensity.
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The album's core strengths are emotional clarity, a mix of 90s-influenced alt-rock power and spare minimalism, and confident songwriting.
Themes
Critic's Take
The best songs on Glory are highlighted by intimate storytelling and layered arrangements; standout tracks like "It’s a Mirror", "No Front Teeth", and "In a Row" showcase Hadreas’s delicate vocals and emotional range. "It’s a Mirror" and the Aldous Harding-assisted "No Front Teeth" bring earthier, rootsy moments that contrast the album’s ethereal center. "In a Row" is described as Glory’s propulsive apex, pairing disorientation with a near-transcendent wall of sound. These best tracks exemplify why Glory’s quiet triumphs and orchestral textures make it one of Perfume Genius’s most introspective records.
Key Points
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"In a Row" is the album’s emotional and sonic apex, pairing disorientation with a nearly transcendent wall of sound.
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Glory’s core strengths are intimate, orchestral arrangements and restrained catharsis that turn confinement into quiet triumphs.