Prolapse I Wonder When They're Going To Destroy Your Face
Prolapse's I Wonder When They're Going To Destroy Your Face returns with a blunt, haunted confidence that immediately announces this comeback as both anachronistic and urgent. Critics note the album's spectral textures and cacophonous guitar attack while celebrating the central interplay of dual, dueling vocals that turns moments of noise into memorable hooks. With an 80/100 consensus score across 2 professional reviews, the record stakes a claim as a revitalized chapter in the band's catalog.
Reviewers consistently point to standout tracks as proof of the album's balance between nostalgia and ferocity: “Jackdaw” earns praise for its sludgy, bellicose intensity; “Err on the Side of Dead” is cited for where the contrasting vocalists click most potently; “Ghost in the Chair” and “Cha Cha Cha 2000” are noted for immediacy and sloganeering thrill, while comeback single “On the Quarter Days” reassures fans the band have not lost their edge. Critics agree the best songs on I Wonder When They're Going To Destroy Your Face are those that couple thick triple-guitar noise with a focused melodic centre.
While some commentary frames the record as pleasingly archaic, reviewers emphasize that the album's themes - spectral, senility-tinged imagery and nostalgia versus present vitality - give the ferocity purpose. The critical consensus suggests I Wonder When They're Going To Destroy Your Face is a worthy return: loud, unsettling, and often thrilling, and worth exploring further in the full reviews below.
Critics' Top Tracks
The standout songs that made critics take notice
Err on the Side of Dead
2 mentions
"especially on the peppy ‘Err On The Side Of The Dead’"— The Quietus
Jackdaw
2 mentions
"a song so sludgy, bellicose and dyspeptic"— The Quietus
Ghost in the Chair
2 mentions
"The obsession with the spectral is still there (‘Ghost In The Chair’; ‘Ectoplasm United’)"— The Quietus
especially on the peppy ‘Err On The Side Of The Dead’
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
The Fall of Cashline
Cha Cha Cha 2000
Err on the Side of Dead
Ghost in the Chair
On the Quarter Days
Cacophany No. C
Jackdaw
Ectoplasm United
A Forever
What Critics Are Saying
Deep insights from 2 critics who reviewed this album
Critic's Take
Prolapse's return on I Wonder When They're Going To Destroy Your Face feels like a pleasing anachronism, equal parts spectral and scuzzed-up. The review really singles out “Jackdaw” for its sludgy, bellicose intensity and “Err On The Side Of The Dead” as where the contrasting vocals click most potently, marking them as the album's best songs. The record trades in thick triple guitars and cognitive-dissonance vocal interplay, so the best tracks on I Wonder When They're Going To Destroy Your Face are those that marry that cacophony with focused melody. Listening for those moments - especially “Jackdaw” and “Err On The Side Of The Dead” - gives you the clearest sense of why this comeback matters.
Key Points
-
“Jackdaw” is the best track due to its sludgy, bellicose character and towering guitar thickness.
-
The album’s core strengths are dual vocal interplay and dense, cacophonous guitar textures that evoke spectral themes.
Themes
Critic's Take
Prolapse's return on I Wonder When They're Going To Destroy Your Face feels like a blessed relief, the old magic intact and amplified. Ian Mathers applauds how Steelyard and Derrick trade and collide vocals, making tracks like “Ghost in the Chair” and “Err on the Side of Dead” immediate standouts. He highlights the sloganeering thrill of “Cha Cha Cha 2000” and the chaotic howl of “Jackdaw”, while the comeback single “On the Quarter Days” reassures that the band have not missed a step. The result reads as one of their most engaging records, equal parts nostalgia and ferocious vitality.
Key Points
-
The best song(s) highlight the duo vocal interplay, especially on "Ghost in the Chair" and "Err on the Side of Dead".
-
The album's core strengths are ferocious band dynamics, effective duel vocals, and successful comeback energy.