PVA No More Like This
PVA's No More Like This opens as a manifesto for club bodies and restless identity, a record that angles post-pandemic anxiety into the dancefloor. Far Out Magazine's review frames the album around its most compelling moments, arguing that songs like “Enough” and “Okay” serve as the record's emotional and sonic anchors. With a willingness to defy genre - folding post-R&B, Berghain-ready beats and trip-hop shadows together - the collection stakes out experimental dance territory while interrogating body and identity in its lyrics and textures.
Across one professional review, the critical consensus is cautious: No More Like This earned a 45/100 consensus score from one professional review, reflecting admiration for ambition alongside reservations about cohesion. Critics consistently praised standout tracks such as “Enough” as the defining track and “Okay”, described as a seven-minute epic that shifts between flirtatious and threatening. Other songs highlighted include “Mate”, “Flood” and “Boyface”, which reviewers note contribute to the album's genre-defiant palette even when the overall statement feels uneven.
Some criticism centers on how experimentation sometimes outpaces payoff, leaving moments that intrigue more than they resolve. Yet Far Out's reviewer emphasizes PVA's mature craft and restless ambition, suggesting No More Like This will reward listeners attuned to club culture and avant-garde pop crossovers. For those asking whether No More Like This is worth a listen, the record offers standout songs and provocative themes that indicate PVA are pushing toward something distinctive, even if the execution divides opinion.
Critics' Top Tracks
The standout songs that made critics take notice
Enough
1 mention
"One such evidence of this is the expansive trip-hop influence on tracks like ‘Boyface’ and ‘Enough’, the latter of which garners speed with a repeated phrase"— Far Out Magazine
Okay
1 mention
"Eventually, the seven-minute epic ‘Okay’ navigates the traditional structure with a mercurial depth that flitters between flirtatious and threatening."— Far Out Magazine
Flood
1 mention
"‘Flood’ soundtracks the post-Covid psyche with intimate intention, as hypnotic and entranching as a live PVA show."— Far Out Magazine
One such evidence of this is the expansive trip-hop influence on tracks like ‘Boyface’ and ‘Enough’, the latter of which garners speed with a repeated phrase
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Rain
Enough
Mate
Send
Anger Song
Peel
Boyface
Flood
Okay
Moon
What Critics Are Saying
Deep insights from 1 critic who reviewed this album
Fa
Critic's Take
In a voice that refuses easy categorisation, PVA make No More Like This feel like a manifesto for the body and the dancefloor. The reviewer's relish for tracks such as “Enough” and “Okay” is clear: “Enough” is named the defining track and “Okay” is called a seven-minute epic that flirts between flirtatious and threatening. The writing leans into the album's genre-bending bravado, praising how these best tracks push post-R&B, Berghain-beat and trip-hop textures into something lived-in and urgent. Overall, the reviewer positions the best songs on No More Like This as the centrepieces that prove PVA's restless ambition and mature craft.
Key Points
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Enough is the best song because it is named the defining track and exemplifies the album's trip-hop and nightclub-inflected immediacy.
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The album's core strengths are its genre-defying ambition, bodily immediacy, and balance of experimental electronic and traditional band textures.