Rachel Chinouriri I think I spoke too soon
Released Oct 16, 2026 Parlophone UK
Consensus forming 4 professional reviews Updated Oct 16, 2026
Broadly positive consensus
Consensus is still forming across 4 professional reviews. Rachel Chinouriri's I think I spoke too soon turns the push and pull of feeling bad at a party into bright, emotionally candid pop, earning a favorable 78.25/100 consensus score across four professional reviews.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
Broken chair
4 critic mentions
“The likes of the jaunty and danceable ‘Broken Chair’ and breathy ‘Make Believe’, though, see her more interested in pop transcendence.” — Rolling Stone UK
I’m a star
3 critic mentions
“what makes it a true Rachel Chinouriri original is her heavily-accented, delightfully delusional presence.” — Pitchfork
Make believe
2 critic mentions
“in “Make believe”, another standout tune, she asks bluntly, “Am I banging a loser? Is it too late for the future?” — The Line of Best Fit
Full critic consensus
Rachel Chinouriri's I think I spoke too soon turns the push and pull of feeling bad at a party into bright, emotionally candid pop, earning a favorable 78.25/100 consensus score across four professional reviews. Critics agree that its appeal lies in the tension between buoyant, danceable sounds and lyrics steeped in sorrow, doubt, and the turbulence of being in your twenties. Synth-pop, pop-rock, and club-ready beats give Chinouriri room to expand her sound without losing the personality and storytelling that anchor the record.
The consensus standout is “Broken chair,” praised across all four reviews for its poignant storytelling and shifting blend of vulnerability and dance-pop. “I’m a star” showcases her magnetic, playful presence, while “AAAHHH!!!” pairs catchy energy with anguish. Critics also single out “Make believe” for its blunt emotional questions and heavy bass, and point to “One song away from crying” as an especially clear expression of the album’s bright-surface, aching-heart approach. Together, these tracks make a strong case for the best songs on I think I spoke too soon as bittersweet pop rather than uncomplicated party anthems.
Reviewers largely praise Chinouriri’s charisma and the collection’s emotional realism, though their accounts emphasize different sides of its sound: some focus on its dreamlike synth-pop palette and dancefloor pull, while others highlight crunchy guitars, goofy melodrama, and public messiness. That variety gives the album the feel of an artist in flux, balancing artistic freedom with the distance between where she is and where she wants to be. For anyone asking whether I think I spoke too soon is worth hearing, critics’ verdict points to an engaging, distinctive portrait of change.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
One song away from crying
Pretty girls
Baby steps
Favourite desperation
I’m a star
AAAHHH!!!
Broken chair
Shiver
Make believe
Parasite
The good fight
Crash this car
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What Critics Are Saying
Deep insights from 4 critics who reviewed this album
Critic's Take
Rachel Chinouriri eases the listener into her fresh new sound on the best tracks from I think I spoke too soon, with “One song away from crying” pairing bright synths with a crying-in-the-club energy. The party girl anthem “Pretty girls” and groovy “Baby steps” keep the dancefloor antics going, while “Broken chair” is where her storytelling is at its most poignant. Ending with the emotive “Crash this car”, the album captures the fluctuating feeling of being in your twenties.
Key Points
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“Broken chair” stands out for its poignant storytelling and catchy, vulnerable reflection on party culture.
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The album's core strength is its blend of indie-rock, dance, synth-pop, and disco, grounded in vivid accounts of life in your twenties.
Themes
Critic's Take
Rachel Chinouriri sticks to a consistent palette of synth-pop, pop-rock, and what lies in between, with elements of dissonance providing the dreamlike touch that sets I think I spoke too soon apart. The best tracks on I think I spoke too soon are the bittersweet party songs, from “One song away from crying” setting the tone atop ‘80s dance beats to “Pretty girls” delivering another dose of sweetness and sorrow. “AAAHHH!!!” uses catchy handclaps to create a cheerful contrast with anguished lyrics, while “Make believe” bluntly asks painful questions over hefty rumbles of distorted bass. Album highlight “Broken chair” is especially affecting, oscillating between stripped-down vocals and peppy dance-pop as the misery bubbles deep within.
Key Points
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“Broken chair” is the album highlight, its affecting vocals and shifts into peppy dance-pop giving loneliness a vivid, unsettled shape.
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The album’s synth-pop and pop-rock palette pairs bittersweet party songs with doubt, sorrow, toxic romance, and social anxiety.
Themes
Ro
Critic's Take
Rachel Chinouriri is fast becoming your favourite pop star’s favourite pop star, and the best songs on I think I spoke too soon make clear why. On “One song away from crying”, she’s “never looked better and never felt worse”, a push-and-pull that defines the album. When the crunchy guitars burst out of “I’m a star”, she remains a magnetic frontwoman for a rockin’ band. The jaunty, danceable “Broken chair” and breathy “Make believe” are more interested in pop transcendence, making for a fascinating portrait of an artist in flux.
Key Points
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“I’m a star” stands out for the crunchy guitars and Chinouriri’s magnetic presence as a frontwoman.
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The album’s core strength is its portrait of growth and artistic change, balancing rock guitars with pop transcendence.
Themes
Critic's Take
Rachel Chinouriri finds a sweet spot where goofy melodrama and emotional realism meet on I think I spoke too soon. The best songs on I think I spoke too soon arrive when she lets her natural charisma run loose: “Favourite desperation” turns a crush into some of her finest meta-narration, while “Broken chair” zips through the costs of public messiness. On “I’m a star,” she amps up her charm, all jangly opalescence and delightfully delusional presence. “AAAHHH!!!” is fun to hear her ham it up on, and she thrives at the meeting of goofy melodrama and emotional realism.
Key Points
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“I’m a star” stands out for its jangly opalescence and Chinouriri’s delightfully delusional presence.
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The album’s sleek pop finds its sweet spot in goofy melodrama and emotional realism.