Razorlight Planet Nowhere
Razorlight's Planet Nowhere arrives as a spirited reunion, a compact collection that channels isolation and longing into taut, catchy indie rock. Across three professional reviews the record earned an 80/100 consensus score, and critics consistently point to the original lineup's chemistry and minimal, spacious production as the engine behind its creative resurgence.
Reviewers agree the best songs on Planet Nowhere provide the album's clearest identity: “Scared of Nothing” emerges repeatedly as the propulsive single with a prideful riff and studio spontaneity, while “Taylor Swift = US Soft Propaganda”, “Zombie Love” and “F.O.B.F.” are cited as standout tracks for their infectious melodies, wry and heartfelt lyricism, and punchy post-punk energy. Critics praised the record's uncluttered arrangements, noting how sparse production lets Borrell's cheeky, magnetic songwriting and the band's muscular rhythms breathe.
Although opinions emphasize different highlights, the consensus suggests Planet Nowhere trades nostalgia for forward momentum: a reunion that feels like a focused creative renewal rather than a retread. Some reviewers note occasional emptiness beneath the anthems, but overall professional reviews portray the album as a rewarding, concise return that balances studio spontaneity with memorable hooks.
Read on for the full reviews to see what critics say about individual tracks and how Planet Nowhere fits into Razorlight's catalog.
Critics' Top Tracks
The standout songs that made critics take notice
F.O.B.F.
1 mention
"Equally as arresting is FOBF, which dissolves from a stomping intro into a funk-fuelled breakdown"— Louder Than War
Scared of Nothing
3 mentions
"Released back in July, the fifth track from the album was Scared of Nothing."— At The Barrier
Zombie Love
3 mentions
"The British rock quartet open with the single Zombie Love- a light and upbeat tune which welcomes us to the album"— At The Barrier
Equally as arresting is FOBF, which dissolves from a stomping intro into a funk-fuelled breakdown
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Zombie Love
U Can Call Me
Taylor Swift = US Soft Propaganda
Dirty Luck
Scared of Nothing
F.O.B.F.
Empire Service
Cyclops
Cool People
April Ends
What Critics Are Saying
Deep insights from 4 critics who reviewed this album
Critic's Take
Razorlight sound reinvigorated on Planet Nowhere, with the propulsive single “Scared of Nothing” leading the charge and re-sparking the band’s mojo. Sterdan’s account foregrounds how a scratchy, spontaneous studio moment yielded the album’s best track, and how songs like “Zombie Love” and “Cool People” surfaced from that same creative well. The tone is admiring and slightly bemused, noting swaggering charisma and taut, spiky post-punk energy as the record’s chief assets. This is a comeback that trades nostalgia for raw, forward momentum, so searches for the best tracks on Planet Nowhere should start with “Scared of Nothing”.
Key Points
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The best song is “Scared of Nothing”, because a spontaneous studio moment produced a taut, infectious post-punk breakthrough that reignited the band.
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The album’s core strengths are raw, swaggering charisma and a return to taut, driving post-punk energy forged in productive studio sessions.
Themes
Critic's Take
Razorlight sound reborn on Planet Nowhere, a spacious, no-frills record whose best songs - “Taylor Swift = US Soft Propaganda”, “F.O.B.F.” and “Dirty Luck” - show Borrell cheeky, magnetic songwriting and a band locked in. The reviewer revels in the record's minimal, uncluttered production and celebrates the original lineup's chemistry, returning muscular rhythms and joyous melodies. Standouts like “Scared of Nothing” and “April Ends” prove the album can both punch and unspool into tender, melodic territory. This is a record of catchy, endearing tunes that rarely overreaches and often lands with force and charm.
Key Points
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The best song is notable for its cheeky title and persistent, tight thrum that marks it as a standout.
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The album's core strengths are minimal, spacious production, the chemistry of the original lineup, and catchy, endearing indie rock songwriting.
Themes
Critic's Take
Razorlight's Planet Nowhere finds its strongest moments in upbeat, anthemic songs like “Zombie Love” and the buoyant “Taylor Swift = US Soft Propaganda”, which supply the album's most immediate hooks and instrumental shine. The reviewer's voice is celebratory and affectionate, noting how “Zombie Love” kicks off with dynamic rhythms and catchy melody, and how other tracks maintain that momentum. Planet Nowhere is described as heartfelt yet tinged with emptiness at times, with “Scared of Nothing” singled out for its prideful declaration and driving guitar riff. Overall the review positions these tunes as the best tracks on Planet Nowhere, combining tuneful rhythms with introspective lyrics to reward repeated listens.
Key Points
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The best song is “Zombie Love” because it opens with dynamic rhythms, catchy melody, and is called a personal favourite by the reviewer.
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The album's core strengths are its infectious, tuneful rhythms and heartfelt, introspective lyrics that balance immediacy with emotional depth.