Lethal by Rico Nasty
71
ChoruScore
8 reviews
May 16, 2025
Release Date
Fueled By Ramen
Label

Rico Nasty's Lethal detonates with riotous energy and unexpected tenderness, a genre-bending set that asks whether rap-rock fury and hyperpop-trap gloss can truly coexist. Across eight professional reviews, critics landed on a broadly positive but measured view, awarding the record a 70.88/100 consensus score across 8 reviews and repeatedly praising its most vivid moments while critiquing moments of stylistic dissonance.

Critics consistently point to standout tracks as proof of Rico's strengths: “TEETHSUCKER (YEA3x)”, “ON THE LOW”, “EAT ME!” and “SON OF A GUN” recur as the best songs on Lethal, each illustrating different facets of the artist's approach. Reviewers celebrated the record's brash rap-rock bangers and mosh-ready hooks, the hyperpop and trap flourishes, and the way quieter moments like “SMILE” reveal vulnerability and maternal reflection. Praise centers on Rico's signature persona, ferocious delivery, and willingness to push into punk, screamo and metallic textures, while several critics warned that the album's genre tug-of-war sometimes reads as patchwork rather than cohesion.

That mix produces a nuanced critical consensus: many reviewers found Lethal to be an exhilarating, occasionally uneven reinvention - a record with must-hear high points and deliberate experiments that may divide listeners. For readers asking if Lethal is good or what the best songs on Lethal are, the answer from professional reviews is clear: seek out “TEETHSUCKER (YEA3x)”, “ON THE LOW” and “EAT ME!” for the album at its most vital, and expect a bold, genre-busting statement in Rico Nasty's evolving catalog.

Critics' Top Tracks

The standout songs that made critics take notice

1

TEETHSUCKER (YEA3x)

5 mentions

"“TEETHSUCKER (YEAH 3X)” finds her diving head-first into the mosh pit"
Paste Magazine
2

SMILE

5 mentions

"Closer ‘SMILE’ drops the noise, and embraces beauty; the lilting guitars are pinned down by a dulcet vocal"
Clash Music
3

EAT ME!

5 mentions

"the explicit eroticism of ‘EAT ME""
Clash Music
“TEETHSUCKER (YEAH 3X)” finds her diving head-first into the mosh pit
P
Paste Magazine
about "TEETHSUCKER (YEA3x)"
Read full review
5 mentions
88% sentiment

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

WHO WANT IT

5 mentions
82
01:47
2

TEETHSUCKER (YEA3x)

5 mentions
100
02:12
3

ON THE LOW

6 mentions
86
02:16
4

PINK

5 mentions
32
02:24
5

BUTTERFLY KISSES

5 mentions
83
02:02
6

EAT ME!

5 mentions
99
02:56
7

SOUL SNATCHER

2 mentions
50
01:58
8

GRAVE

4 mentions
49
01:42
9

SON OF A GUN

5 mentions
99
01:51
10

SMOKE BREAK

5 mentions
82
01:53
11

CRASH

5 mentions
56
02:42
12

CAN'T WIN EM ALL

6 mentions
76
02:36
13

SAY WE DID

4 mentions
15
01:50
14

YOU COULD NEVER

3 mentions
46
02:43
15

SMILE

5 mentions
100
03:01

What Critics Are Saying

Deep insights from 8 critics who reviewed this album

Critic's Take

Rico Nasty arrives on Lethal with the same glorious racket and unapologetic fury that made her a rap-rock force, yet she softens in places to reveal real vulnerability. The review points to opener energy like “TEETHSUCKER (YEA3x)” and the aggro charm of “WHO WANT IT” as the record's most intoxicating moments, while the tender closer “SMILE” proves her growth and emotional range. DeAsia Paige writes with brisk admiration - praising the chameleonic tone that lets Rico move from mosh-pit mania to dreamy bubble-trap without losing identity. For listeners asking what the best tracks on Lethal are, the review emphasizes “TEETHSUCKER (YEA3x)”, “WHO WANT IT” and the intimate payoff of “SMILE” as the album's high points.

Key Points

  • The best song is the high-energy opener lane exemplified by “TEETHSUCKER (YEA3x),” which captures Rico’s mosh-pit fury and charm.
  • The album’s core strengths are its chameleonic tone and the balance between rage-driven rap-rock and unexpected vulnerability.

Themes

rage and angst vulnerability rap-rock fusion self-assurance introspection

Critic's Take

In a bruising, affectionate tone the reviewer argues that Rico Nasty's Lethal contains real high points - notably “On the Low”, “Can’t Win Em All” and the foot-tappy “Crash” - even as the album's tug-of-war between rap and rock keeps it from cohering. The piece relishes Rico's hell-raising energy and live guitars while faulting moments that feel like costume-play rather than catharsis. Said plainly in the review's voice: the best songs on Lethal announce a cutthroat Rico that nearly arrives, the problem is the patchwork prevents full delivery. The result is a frustratingly fun record with distinct standout tracks worth seeking out.

Key Points

  • “On the Low” is the emotional centerpiece because it reveals genuine yearning beyond persona.
  • Lethal’s core strength is its raw, hell-raising energy and successful rap-rock moments despite uneven execution.

Themes

rap-rock fusion identity and persona punk and rage genre tug-of-war growth/maturation

Critic's Take

Hi, everyone. Hypothermia here: on Lethal, Rico Nasty serves her best songs yet, with “TEETHSUCKER (YEA3x)”, “ON THE LOW” and “EAT ME!” standing out as the album's most vital moments. The record thrives when Rico leans into that trap-and-rock energy - “TEETHSUCKER (YEA3x)” is a straightforward rap-rock banger while “ON THE LOW” brings a digital, mellow trap chorus that sticks. Deeper cuts like “SON OF A GUN” and “SMOKE BREAK” push into devilish synth fury and full-on punk-metal screams, respectively. The result is a mixed bag but one with unmistakable high points that answer the question of the best tracks on Lethal with real conviction.

Key Points

  • The best song(s) combine Rico's trap-rock energy with memorable choruses, exemplified by "TEETHSUCKER (YEA3x)".
  • The album's core strengths are bold genre blending, standout production moments, and vocal versatility despite inconsistent sequencing.

Themes

punk-metal fusion trap-pop crossover maternal reflection versatility vs inconsistency

Critic's Take

Rico Nasty leans into a refined chaos on Lethal, and the best songs on the album - notably “TEETHSUCKER (YEA3x)” and “ON THE LOW” - are proof of that brash triumph. The reviewer's voice celebrates how tracks like “TEETHSUCKER (YEA3x)” kick down doors with metal-over-trap ferocity, while “ON THE LOW” channels frenetic hyperpop exhilaration. There is also praise for the self-indulgent anthem “EAT ME!” and the cathartic, rock-tinged “CAN'T WIN THEM ALL” as songs that crystallise Rico's renewed focus and unapologetic confidence. Overall the critic frames these best tracks as both continuation and sharpening of her Sugar Trap identity, showing why they stand out on Lethal.

Key Points

  • The best song(s) like “TEETHSUCKER (YEA3x)” and “ON THE LOW” are best because they exemplify Rico's daring genre-blending and kinetic energy.
  • The album's core strengths are its refined focus, unapologetic confidence and successful fusion of hyperpop, rage rap and screamo into a sharpened Sugar Trap sound.

Themes

reinvention genre-blending self-assertion resilience joy in music

Critic's Take

Rico Nasty charges through Lethal with a venomous, carnal energy that makes the best tracks impossible to ignore. The reviewer singles out “WHO WANT IT” as an explosive opener, and praises lead singles “BUTTERFLY KISSES” and “CAN'T WIN 'EM ALL” as peerless - they feel like the album's biggest moments. Tracks such as “SON OF A GUN” and the explicit “EAT ME!” show Rico attacking every song with purpose, while closer “SMILE” drops the noise and reveals a braver, softer side. Overall, the best songs on Lethal are the ones that balance her lawless energy with unexpected tenderness.

Key Points

  • The best song(s) balance Rico's lawless energy with memorable hooks, exemplified by the explosive opener “WHO WANT IT”.
  • Core strengths are genre-busting aggression, varied sonic palettes, and moments of unexpected tenderness.

Themes

genre-busting aggression and eroticism playfulness self-acceptance
60

Critic's Take

Rico Nasty has always been a glorious, shape-shifting mess, and on Lethal that instability produces the album's best tracks - notably “TEETHSUCKER (YEA3X)” and “GRAVE”. Emma Wilkes's voice here savours the sassy trap-rock of “TEETHSUCKER (YEA3X)”, praising Rico's sharp, raspy flow and brass-knuckled putdowns, while also flagging the pitch-black grit of “GRAVE” as a compelling experiment. The review balances admiration for those standouts with a clear sense that the record's fickle polystylism leaves some songs like “ON THE LOW” and “PINK” feeling cloying or irritating. Overall, the best songs on Lethal are the ones where Rico leans into her sour edges rather than the saccharine ones.

Key Points

  • TEETHSUCKER (YEA3X) is best for showcasing Rico's sharp, raspy flow and witty putdowns.
  • The album's core strengths are adventurous polystylism and bold tonal experiments, though its scatterbrained execution undercuts consistency.

Critic's Take

Rico Nasty’s Lethal feels both rowdy and reflective, with the best songs balancing festival-ready rage and surprising tenderness. The review praises chest-thumping openers like “WHO WANT IT” and rock-tinged highlights such as “SON OF A GUN” and “SMOKE BREAK” as live-show staples, while quietly singling out “SMILE” as the album’s emotional center. Mark P. Braboy frames the record as lean and neat, applauding the sequencing that pairs riotous bangers with intimate closers, which helps answer which are the best tracks on Lethal. Even the critique of songs like “SAY WE DID” does not obscure that this is Rico sharpening her sound and stretching into new territory.

Key Points

  • The best song is "SMILE" for its emotional clarity and soft-rock intimacy that reveals Rico’s priorities.
  • The album’s core strengths are tight sequencing, lean song lengths, and successful genre-bending between rap and rock.

Themes

genre-bending femininity personal growth parenthood rock influence

Critic's Take

Rico Nasty’s Lethal feels like a decisive reclaiming of territory, with the best tracks staking its claim - “Son of a Gun” and “Smoke Break” stand tallest. The reviewer's tone is admiring and incisive, noting how “Son of a Gun” shows off aggro-rap chops while “Smoke Break” shocks with a throat-slashing screamo bridge and a '90s anime pop-punk refrain. There's also praise for sweeter moments like “Butterfly Kisses” and the clear, modern pop of “On The Low”, which underline the album's range. Overall the record is called her most cohesive and signature work yet, a focused riff on rap-rock and hyperpop-trap traditions.

Key Points

  • The best song moments are driven by visceral contrast - aggression in “Son of a Gun” and theatrical screamo-pop in “Smoke Break”.
  • The album's core strengths are cohesive genre-melding, strong persona, and balanced shifts between hyperpop-trap sweetness and punk aggression.

Themes

rap-rock revival punk and screamo influence hyperpop-trap signature persona/assertion