Sessa Pequena Vertigem De Amor
Sessa's Pequena Vertigem De Amor arrives as a sun-warmed meditation on love, parenthood and renewal, folding Tropicalia, Brazilian funk, soul and jazz into lush, often psychedelic arrangements. Across professional reviews, critics praise the record's organic musicianship and laid-back psychedelia while noting moments where its smoothness flirts with excess. The consensus suggests the collection largely succeeds: it earned a 77.5/100 consensus score across 4 professional reviews, with repeated nods to its elegant production and pastoral warmth.
Reviewers consistently point to standout tracks that define the album's strengths. Nome de Deus emerges as the clearest critical favorite for its insistent piano, flexing bassline and jaunty keys; critics from Uncut, Dusted Magazine and AllMusic highlight it as a highlight. Other best songs on Pequena Vertigem De Amor include Vale a Pena, Planta Santa and slower gems like Gestos Naturais, each praised for graceful arrangements, evocative sax and nylon-guitar frames that blend retro samba, MPB mutation and pastoral psychedelia.
While some reviewers celebrate the album as Sessa's most open, life-affirming work—crediting fatherhood with sharpening his vision—others warn that the record's sumptuousness sometimes lapses into cloying smoothness. The critical consensus, however, leans positive: professional reviews agree that Pequena Vertigem De Amor is a richly textured, rewarding listen that showcases Sessa's affectionate engagement with Brazilian musical heritage. For readers wondering "is Pequena Vertigem De Amor good" or searching for a Pequena Vertigem De Amor review, critics suggest it is worth attentive listening, especially for those seeking its standout tracks and warm, restorative mood.
Critics' Top Tracks
The standout songs that made critics take notice
Vale a Pena
1 mention
"Sessa – “Vale a Pena”"— PopMatters
Nome de Deus
4 mentions
"By the second song "Nome de Deus", amid ecstatic piano trills and exhilarating percussion freakouts"— Uncut
general album production
1 mention
"the relatively lo-fi feel of the first two albums has been sumptuously upgraded"— Uncut
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Pequena Vertigem
Nome de Deus
Dodói
Roupa Dos Mortos
Bicho Lento
Vale a Pena
Planta Santa
Gestos Naturais
Revolução Interior
What Critics Are Saying
Deep insights from 4 critics who reviewed this album
Critic's Take
There is an irresistible sense of renewal on Pequena Vertigem De Amor, and Sessa’s best tracks - notably the title track Pequena Vertigem and the ecstatic "Nome de Deus" - crystallise that shift. Sam Richards writes with delighted certainty about fatherhood sharpening rather than dulling the artist, and those songs feel broad, cosmic and all-encompassing in the way he describes. The record’s layered, sumptuous arrangements and dreamy, sybaritic croon make the best songs on Pequena Vertigem De Amor feel like frank, utopian declarations rather than mere domestic reflections.
Key Points
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The title track Pequena Vertigem best captures the album’s theme of parental epiphany through sumptuous arrangement and evocative electric piano.
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The album’s core strengths are its upgraded, layered production, dreamy croon, and a utopian, expansive take on love and renewal.
Themes
Critic's Take
Sessa’s Pequena Vertigem De Amor is at its most bewitching on songs like Vale a Pena and Bicho Lento, where tender lyricism meets languid funk and pastoral textures. The reviewer revels in Sayeg’s knack for making sounds both cosmic and pastoral, praising the album’s organic rhythms and the evocative alto sax on Gestos Naturais. It reads as an album born of love, where jaunty keys on Nome de Deus and luscious strings on Revolução Interior confirm this record’s gentle authority. The best songs on Pequena Vertigem De Amor feel effortless yet meticulously crafted, easy to enjoy and revealing more nuance with each listen.
Key Points
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“Vale a Pena” stands out as a top track due to its prominence in promotion and the reviewer’s highlight of it as bewitching.
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The album’s core strengths are its warm, pastoral arrangements, lyrical celebration of parenthood, and effortless, retro-tinged musicianship.
Themes
Critic's Take
Sessa leans into a languid Tropicalia-informed sound on Pequena Vertigem De Amor, and the best songs - notably Dodói and Planta Santa - show him at his most imaginative and well-arranged. The record luxuriates in string washes, mellow sax lines and fluffy backing vocals, but when tracks like Planta Santa rollick with percolating grooves or Nome de Deus drives forward on insistent piano and percussion, the album snaps into focus. Elsewhere, slow gems such as Gestos Naturais trade warmth for dreamy, psychedelic easy listening textures, which keeps the pace varied and often rewarding.
Key Points
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The best song, "Dodói", is singled out as beautiful and very well-arranged, evoking Brazil's late '60s and early '70s highs.
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The album's core strengths are lush arrangements, Tropicalia-informed mutations of bossa nova/MPB, and well-timed moments of drama amid a relaxed mood.
Themes
Critic's Take
In this review Jennifer Kelly praises Sessa's Pequena Vertigem de Amor for its breezy, engaging blend of Tropicalia, funk and jazz, and singles out Nome de Deus and Roupa Dos Mortos as the album's most memorable moments. She writes in a measured, observant voice, admiring the album's "clear, vibrant" nylon-guitar frame and the way tracks like Nome de Deus drive with a flexing bassline while Roupa Dos Mortos billows with strings and flute. Kelly notes a rueful, crooning vocal style and tasteful arrangements that keep the record moving even when it flirts with cloying smoothness. The result is a relaxed, elegant record where the best tracks - especially Nome de Deus - show Sessa's ability to make restrained music that still propels itself forward.
Key Points
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“Nome de Deus” is the best song because of its driving bassline and propulsive energy.
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The album's core strength is its polished fusion of Tropicalia, funk, soul and jazz with lush, airy arrangements.