Shabaka Of The Earth
Shabaka's Of The Earth stakes a vivid, restless claim: a solo record where flute and saxophone practices meet propulsive rhythms and self-produced electronic textures. Across seven professional reviews the consensus recognizes an album built from loops, percussion and woodwind exploration that balances ritual energy wi
“A Future Untold” best encapsulates the album's saxophone return and instrumental command.
Shared criticism is still limited across the current review sample.
Best for listeners looking for instrumental versatility and return to saxophone, starting with Call The Power and Those Of The Sky.
Full consensus notes
Shabaka's Of The Earth stakes a vivid, restless claim: a solo record where flute and saxophone practices meet propulsive rhythms and self-produced electronic textures. Across seven professional reviews the consensus recognizes an album built from loops, percussion and woodwind exploration that balances ritual energy with instrumental vulnerability, earning an 81.86/100 consensus score from critics.
Reviewers consistently point to several standout tracks as guideposts through the record's suite-like sequencing. Critics praised “Call The Power” for its hypnotic, distorted kalimba riff and ritual clapping, while “Those Of The Sky” emerges for luxuriant flute circles; “Marwa The Mountain”, “A Future Untold” and “Stand Firm” are also repeatedly named among the best songs on Of The Earth. Across professional reviews, writers note Shabaka's return to saxophone-forward moments alongside global flute techniques, stacked loops and percussion, with instrumental versatility and vocal experimentation threading the record together.
Critical consensus frames the record as both a continuation and a departure: some reviewers celebrate its confident solo authorship and suite-like unity, while others flag its reliance on repetition and dense layering as demanding rather than immediately accessible. Still, most critics agree the album rewards patient listening, revealing textural detail and diasporic, Afrocentric spirituality that place Of The Earth as a significant, inventive chapter in Shabaka's catalogue. For readers asking whether Of The Earth is worth exploring, the reviews suggest its best tracks provide clear entry points into a challenging, richly crafted record.
Critics' Top Tracks
The standout songs that made critics take notice
Light The Way
1 mention
"Light the Way" is an ambient, electro-jazz meditation that evokes the calm"— Glide Magazine
Call The Power
4 mentions
"The interplay between a blazing guitar figure, a portentous bass drone and a series of floating flute figures on ‘Call The Power’ feels like both warning and promise;"— The Quietus
Those Of The Sky
3 mentions
"On "Those of the Sky," flutes and reeds circle each other and spin off into intricate patterns"— Pitchfork
Then I wanted to have something that reflected the opening, the blossoming out of the album, so that made "A Future Untold" an obvious choice
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
A Future Untold
Those Of The Sky
Go Astray
Step Lightly
Call The Power
Dance In Praise
Ol’ Time African Gods
Marwa The Mountain
Light The Way
Stand Firm
Space Time
Eyes Lowered
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What Critics Are Saying
Deep insights from 7 critics who reviewed this album
Critic's Take
Shabaka returns to a more saxophone-forward sound on Of The Earth, and the record's best tracks - “A Future Untold”, “Marwa The Mountain”, and “Stand Firm” - show why his instrumental versatility remains extraordinary. The reviewer's voice notes how the saxophone opens things up on “A Future Untold” and then soars regally on “Stand Firm”, while party-mode character appears in “Marwa The Mountain”. Equally, the flute work on “Those Of The Sky” and “Dance In Praise” underlines his global technique, and electronic touches on “Go Astray” and vocals on “Eyes Lowered” point to adventurous future directions. The result is a confidently inventive album that proves his solo scope without losing the groove that defines him.
Key Points
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“A Future Untold” best encapsulates the album's saxophone return and instrumental command.
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The album's core strengths are instrumental versatility, global flute technique, and tasteful electronics combined with hypnotic percussion.
Themes
Critic's Take
Shabaka's Of The Earth surges with motion, and the best tracks on Of The Earth are the ones that ride that propulsion. The opener “A Future Untold” sets an impressively expansive backdrop with shimmering electronics and a warm saxophone, making it one of the album's clearest triumphs. High-octane pairings “Call The Power” and “Dance In Praise” are bursting with energy, their frantic beats and clapping positioning them among the best songs on Of The Earth. The subtler rap touches on “Go Astray” and “Eyes Lowered” add unexpected texture without derailing the record's forward thrust.
Key Points
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The opener “A Future Untold” is best for establishing the album's expansive, cerebral atmosphere.
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The album's core strengths are kinetic energy, textural experimentation, and a convincing blend of chaos and cohesion.
Themes
Critic's Take
Shabaka returns with Of The Earth, a record where the best tracks - notably “A Future Untold” and “Call The Power” - stake out his solo vision with urgency and texture. The opening “A Future Untold” places his saxophone front and center in a gorgeous ballad that luxuriates in lower-register exploration, while “Call The Power” knocks with frenetic beats and ritual clapping that make it one of the best songs on Of The Earth. Elsewhere, propulsive percussion on “Ol’ Time African Gods” and the intense sax-percussion dialogue of “Marwa The Mountain” further underscore why listeners ask about the best tracks on Of The Earth - they balance tradition and modern sound design with palpable force.
Key Points
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The best song, "A Future Untold", showcases Shabaka's saxophone at the center in a gorgeous, lower-register ballad.
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The album's core strengths are its layered woodwinds, propulsive percussion, and bold solo production that blend tradition with experimental sound design.
Themes
Critic's Take
Shabaka makes a solo statement on Of the Earth, where looping structures and dense layering create his best tracks. The best songs on Of the Earth include “Those Of The Sky” and “Call The Power”, which respectively luxuriate in circling flutes and a hypnotic, distorted kalimba riff. He often trusts repetition to reveal detail, so the best tracks reward listeners who guide their ear through successive layers. The suite-like sequencing ties these standouts together, making the album feel like a series of interconnected miniatures rather than isolated songs.
Key Points
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The best song, "Those Of The Sky", is best because its interweaving flutes and reeds create a richly unfolding melodic architecture.
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The album's core strength is its loop-based structures and dense layering that reward active, focused listening.
Themes
Critic's Take
Shabaka's Of The Earth feels like a living map of his restlessness and reach, the record sprouting ideas and letting them breathe. The best songs on Of The Earth - “A Future Untold”, “Step Lightly” and “Call The Power” - show how flutes, sax and percussion can be at once corporeal and visionary, transforming small motifs into vast landscapes. Angus Batey's sentences move from forensic detail to a kind of awed wonder, noting the album's ability to sound both familiar and boldly new. In short, the strongest tracks are vivid waystations that point to further journeys rather than destinations.
Key Points
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A Future Untold is the best song because its opening sax and washes set the album's exploratory, living tone.
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The album's core strength is its organic, corporeal sound that unites flutes, percussion and production into vivid, waystation moments.
Themes
Critic's Take
Shabaka has made a record that feels like a personal reckoning, and on Of The Earth the best tracks show him asserting that identity with calm confidence. The blissful “Those Of The Sky” and the spiritual brass of “Marwa The Mountain” stand out as two of the best tracks on Of The Earth, one subtle and hip-hop inflected, the other a bracing, unapologetic syncopation. Ambient meditations like “Light The Way” and the boundary-pushing vocal turns on “Eyes Lowered” and “Go Astray” further prove why the best songs on this album are the ones that blend risk with meticulous craft. This is not merely a jazz album, it is emphatically a Shabaka album, and these tracks make that claim unmistakable.
Key Points
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“Marwa The Mountain” is best for its bracing spiritual jazz, blaring brass, and strong single potential.
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The album’s core strengths are its cohesive sequencing, DIY production, and successful expansion of Shabaka’s sonic palette.
Themes
Critic's Take
Shabaka fashions Of The Earth as a celebration of self-production and instrumental reinvention, and the most affecting moments are those where the flute and choral lines float free. The review highlights the album-wide thread rather than isolated hits, so queries about the best songs on Of The Earth must point to the record's textures and moments like “Dance In Praise” and “Marwa The Mountain” where beats, loops and choral flute melodies soar. The reviewer frames these pieces as emblematic of Shabaka's range, linking his dance-based past to the intricate textural sound world that makes these tracks stand out.
Key Points
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The best song moments are where choral flute melodies soar over beats and loops, exemplified by "Dance In Praise".
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The album's core strength is its self-produced instrumental exploration linking Shabaka's dance roots to a textured solo sound world.