F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 by Skrillex

Skrillex F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3

73
ChoruScore
4 reviews
Apr 1, 2025
Release Date
OWSLA/Atlantic
Label

Skrillex's F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 blasts like a manifesto - part retrospective, part chaotic carnival - and critics largely agree it delivers high-impact moments even as it overwhelms. Across four professional reviews the record earned a 72.5/100 consensus score, with reviewers praising its bass-centric production, maximalist brostep revival, and gleeful self-mythologizing while noting a scattershot pace that sometimes blunts focus.

Critics consistently highlight standout tracks as the clearest evidence of the album's strengths. Pitchfork and Rolling Stone name “SKRILLEX IS DEAD” among the album's most arresting moments, while Resident Advisor, NME and others point to “VOLTAGE” and “SAN DIEGO VIP” as festival-ready high points; “BIGGY BAP” also surfaces as a brutal, gleeful highlight in several write-ups. Reviewers praise the record's cinematic scale, dense sonic detail, and nostalgia-tinged dance culture homage, crediting collaborations and archived material for adding texture and occasional respite from the torrent of drops.

There is a clear split between admiration for the record's ambition and hesitation about its relentlessness. Some critics celebrate the album as a joyous, archival sprint that reclaims brostep's theatricality, while others find the 34-track sprint occasionally tossed off and hard to track. Taken together, the critical consensus suggests F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 is worth hearing for its standout songs and moments of maximalist brilliance, even if its chaotic pace demands patience and repeat plays.

Critics' Top Tracks

The standout songs that made critics take notice

1

SAN DIEGO VIP

2 mentions

"one of the album's most roaring examples of brostep, "SAN DIEGO VIP,""
Resident Advisor
2

VOLTAGE

2 mentions

"The latter stands as the album's chief earworm and clearest statement of purpose—imploring listeners to "believe in the voltage"
Resident Advisor
3

BIGGY BAP

1 mention

""BIGGY BAP," a trap-dubstep hybrid with three beat switch-ups."
Pitchfork
one of the album's most roaring examples of brostep, "SAN DIEGO VIP,"
R
Resident Advisor
about "SAN DIEGO VIP"
Read full review
2 mentions
91% sentiment

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

SKRILLEX IS DEAD

2 mentions
98
00:51
2

SPITFIRE

1 mention
64
01:29
3

WHILE YOU WERE SLEEPING VIP

1 mention
72
00:57
4

SLICKMAN

0 mentions
00:44
5

TEARS LOST DROP

1 mention
64
01:16
6

THINGS I PROMISED

1 mention
40
00:57
7

RECOVERY

1 mention
56
01:10
8

ANDY

1 mention
48
01:52
9

SQUISHY CLIP

2 mentions
62
00:47
10

LOOK AT YOU

0 mentions
00:51
11

GULAB XX

0 mentions
01:19
12

MOMENTUM (feat. Ilykimchi)

0 mentions
01:18
13

ANIMALS BEAT

0 mentions
00:30
14

MIRCHI TEST

0 mentions
01:06
15

HOLD ON

0 mentions
00:32
16

SEE YOU AGAIN VIP (feat. Eurohead & swedm®)

0 mentions
01:16
17

MORJA KAIJU VIP

1 mention
80
01:29
18

KORABU (feat. Varg2™, Whitearmor, Eurohead, jamesjamesjames)

0 mentions
02:01
19

REDLINE DASH

1 mention
24
01:16
20

ZEET NOISE

1 mention
56
02:14
21

BOOSTER

0 mentions
01:52
22

FRICKY VIP

1 mention
5
00:38
23

ULTRA INTRO

1 mention
48
01:03
24

JUNGUNDRA

0 mentions
01:29
25

DRUIDS

0 mentions
01:39
26

BIGGY BAP

1 mention
96
02:55
27

SAY GOODBYE (feat. Team EZY, Varg2™ & swedm®)

0 mentions
01:48
28

MOSQUITOTOUILLE

0 mentions
00:38
29

BABY ROYAL

0 mentions
00:51
30

G2G

0 mentions
01:47
31

DNB TING

2 mentions
10
01:05
32

SAN DIEGO VIP

2 mentions
100
01:40
33

VOLTAGE

2 mentions
100
02:09
34

AZASU

0 mentions
02:43

What Critics Are Saying

Deep insights from 5 critics who reviewed this album

Critic's Take

Skrillex rips through F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 with a remorseless energy that puts tracks like “BIGGY BAP” and “SKRILLEX IS DEAD” front and center as the album's best songs, brutal and gleeful in equal measure. The reviewer revels in the record's messy exuberance, praising its nastiest dubstep basslines and scattershot focus while noting that the torrent of ideas sometimes makes it hard to keep track. The best tracks land because they channel that chaotic will-to-power into huge drops and gleeful self-parody, so listeners asking "best songs on F*CK U SKRILLEX..." will find hits in the snarling bangers that refuse to apologize. Ultimately the album's strengths are its kinetic execution and archive-clearing bravado, even if the relentless pace leaves some moments feeling tossed off.

Key Points

  • The best song, exemplified by "BIGGY BAP," succeeds by marrying brutal drops with gleeful self-parody.
  • The album's core strengths are its kinetic energy, dubstep roots, and archival, anything-goes bravado.

Themes

dubstep revival chaos and pace self-mythologizing collaboration and archives

Critic's Take

Skrillex's F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 is a gleefully maximalist return to early-'10s brostep, and the best tracks - like “SAN DIEGO VIP” and “VOLTAGE” - crystallize that energy. The record revels in rapid-fire drops and tongue-in-cheek flourishes, so when “SAN DIEGO VIP” roars it feels like a festival-era apex, and “VOLTAGE” is the album's clearest statement, an earworm that insists you "believe in the voltage". Elsewhere, UK collaborations such as “TEARS LOST DROP” and the sleeker “MORJA KAIJU VIP” provide welcome breathing room, showing Moore can soften brostep's edges without losing its bite. Overall, the best songs on the album are those that embrace raw, violent whirs and hug the drops - they make this 34-track sprint a fun, if occasionally overwhelming, joyride.

Key Points

  • The best song, "SAN DIEGO VIP," is the album's most roaring brostep moment and festival-era apex.
  • The album's core strength is its relentless, nostalgic drops and slick transitions that make it a propulsive, playful joyride.

Themes

nostalgia brostep revival drops and production collaboration genre diversity

Critic's Take

In a wry, celebratory tone the reviewer casts Skrillex’s F*ck U Skrillex You Think Ur Andy Warhol But Ur Not!! <3 as a cohesive, joyous retrospective that still delivers the biggest hits. They single out “Voltage” and “San Diego VIP” as proof that the drops retain impact, and praise “Squishy Clip” and “While You Were Sleeping VIP” for showing his range. The piece frames the album as both a nostalgia trip and a chaotic love letter to dance culture, noting the humor and community spirit that save its occasional missteps. Overall, the review answers "best tracks on F*ck U Skrillex..." by highlighting high-impact drops and stylistic variety rather than radio-friendly singles.

Key Points

  • The best song(s) are high-impact drops like "Voltage" and "San Diego VIP" because they retain enormous impact even now.
  • The album’s core strengths are its cohesive DJ-mix structure, genre diversity, chaotic humour, and genuine love for dance community.

Themes

retrospective chaos and humor dance culture homage genre diversification

Critic's Take

Skrillex still delights in the hyperactive maximalism that made him famous, and F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! is less a collection of singles than a cinematic ride where songs like “SKRILLEX IS DEAD” act as the opening flourish and nod to his coy theatricality. The record is antic and relentless, but the pauses and textural detail make tracks such as “SKRILLEX IS DEAD” feel like real highlights rather than mere noise. Matos’s prose revels in the producer's gleeful low-end warps and the album’s tendency to reinvent small moments across long running times. For listeners hunting the best songs on F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!!, the cinematic opener and its recurring motifs stand out as the most rewarding listens over repeated plays.

Key Points

  • The album’s best song is the cinematic opener “SKRILLEX IS DEAD” because it encapsulates the record’s theatricality and textural focus.
  • The album’s core strengths are maximalist production, bold bass design, and meticulous attention to small sonic details across long tracks.

Themes

digital maximalism bass-centric production cinematic/IMAX scale playful surrealism sonic detail and texture