Sleigh Bells Bunky Becky Birthday Boy

Critic's Take

Hi, I'm Giggens, and on Bunky Becky Birthday Boy Sleigh Bells return with renewed cohesion - the best songs here are the explosive “Bunky Pop” and the heartfelt “Life Was Real”. “Bunky Pop” captures puppy-spirit anthemic energy with huge drums and big guitar tones, while “Life Was Real” lets Alexis sound tender and soulful amid the noise. Other highlights like “Wanna Start A Band?” and “Roxette Ric” mix pop-rock choruses and chirpy production, making these the best tracks on Bunky Becky Birthday Boy for both immediacy and emotional payoff.

Key Points

• The best song, "Bunky Pop", pairs anthemic drums and huge guitars with heartfelt inspiration drawn from Alexis's dog, making it the album's standout.
• The album's strengths are renewed cohesion, a balance of explosive noise and tender moments, and confident pop-rock songwriting.

Themes

Critic's Take

From the first paragraph it is clear that Sleigh Bells cannot bottle the lightning of Treats, and on Bunky Becky Birthday Boy the few redeeming moments are thin. The review singles out “Bunky Pop” as the only genuinely distinct track, and calls “Can I Scream” a twitchy, frantic misfire rather than a highlight. Nick Malone’s voice is weary and exacting here: he praises nothing much beyond a stubborn attempt at irony, and explains why the glittery production and random songcraft leave the best tracks hollow. For readers searching for the best songs on Bunky Becky Birthday Boy, he effectively points to “Bunky Pop” while warning that the album lacks the nailed-down thrills of earlier records.

Key Points

• “Bunky Pop” is the clearest standout due to its distinct ridiculousness, even if that irony is uncertain.
• The album’s core strengths are ambition and noisy experimentation, but they are undone by overclean production and scattershot songwriting.

Themes

Critic's Take

Sleigh Bells arrive on Bunky Becky Birthday Boy with a fondness for their past and a tinny present, and the review keeps circling toward a few tracks that matter most. The writer singles out “Hi Someday” as the album's clearest success, a song that revs and delivers relief rather than mere announcement, and points to moments like “Badly” and “Blasted Shadow” as brief flashes of the inventiveness that once defined them. For listeners searching for the best songs on Bunky Becky Birthday Boy, the critic directs attention to “Hi Someday”, while treating “Badly” and “Blasted Shadow” as notable runner-ups. The tone is rueful and specific, convinced the band still has spark but too often substitutes polish for propulsion.

Key Points

• “Hi Someday” is best because it builds momentum and actually delivers the emotional release the album mostly promises.
• The album’s strengths are bursts of inventiveness, brisk energy, and nostalgic flirtation with their early abrasive pop-punk.

Themes

Critic's Take

Sleigh Bells lean into their lurid pop maximalism on Bunky Becky Birthday Boy, and the best songs - notably “This Summer” and “Hi Someday” - are where that glee pays off. The reviewer revels in the record's shiny hooks and arena chords while also grumbling that too many tracks rehash past peaks rather than expand them. In particular, “This Summer” is hailed as the album highlight, all breathless pacing and stupid ecstasy, while “Hi Someday” offers an unexpected electro-industrial swerve that finally upends the record's lightweight streak. This is a party-to-this-party album, enthusiastic and occasionally brilliant, but its narrow focus leaves several cuts feeling interchangeable.

Key Points

• The best song is "This Summer" because of its breathless pacing, unapologetic pop hooks, and sheer euphoric energy.
• The album's core strengths are ruthlessly dialled-in songwriting and abundant saccharine hooks, though a narrow focus leaves several tracks feeling derivative.

Themes

Critic's Take

Sleigh Bells’s Bunky Becky Birthday Boy feels like a deliberate, jubilant nostalgia trip, and the best songs show it plainly. The reviewer points to “Wanna Start A Band” as blistering and euphoric, and singles out “This Summer” as an even bigger standout and true centrepiece. “Hi Someday” is praised for its mood-switching goth-meets-new-wave flourish, while closer “Pulse Drips Quiet” and “Blasted Shadow” get noted for channeling drivetime and FM rock. Overall the album is celebrated for weaving references into a singular, fresh identity.

Key Points

• ‘This Summer’ is the best song because it is described as an even bigger standout and the album’s true centrepiece with kinetic pop-punk energy.
• The album’s core strengths are its joyful nostalgia, retro references, and the band’s knack for pairing hard-and-soft contrasts into a fresh, singular identity.

Themes

Critic's Take

Sleigh Bells sound reinvigorated on Bunky Becky Birthday Boy, where the band pares back excess to rediscover buoyant hooks and bratty thrills. The reviewer's ear keeps returning to “Bunky Pop”, “Roxette Ric”, and “Can I Scream” as proof that their noisy pop instincts still land with charm and force. Lyrically and emotionally, the album negotiates grief and joy with an appealing looseness, and songs like “This Summer” crystallize that tension into a thrilling peak. Overall, this record reads less like a comeback and more like a cleared throat - concise, fun, and genuinely excited again.

Key Points

• The best song, "This Summer", is the album's thrilling emotional and sonic peak.
• The album's core strengths are concise, buoyant songwriting and a return to forceful noise-pop production.

Themes

Critic's Take

Sleigh Bells’s Bunky Becky Birthday Boy stakes a claim as an audacious, messy celebration of hyper-pop and their metal roots, with standouts like “Life Was Real” and “Badly” showing the duo at their most bracingly inventive. Ryan Dillon’s voice here is candid and electric, noting that the album “takes a victory lap” while admitting the record only separates itself from peers by a small margin. Tracks such as “Wanna Start A Band” and “Blasted Shadow” supply both autobiography and vulnerability, making the best songs on Bunky Becky Birthday Boy feel like earned moments. Ultimately the best tracks reward listeners with jagged melodies and hardcore production even as a few songs lean on familiar tendencies.

Key Points

• “Life Was Real” is best for its metal-infused production that amplifies the album’s bold experiments.
• The album’s core strengths are hardcore production, inventive genre blending, and moments of vulnerable songwriting.

Themes

Critic's Take

Sleigh Bells's Bunky Becky Birthday Boy pivots back to the blown-out, maximalist thrills that defined Treats while tipping a hat to the hyperpop moment the band helped germinate. The review keeps returning to why tracks like “Wanna Start A Band?” and “Roxette Ric” feel emblematic: Derek Miller's pummelling guitars and Alexis Krauss's infectious, if occasionally samey, melodies drive the album's best moments. Praised for its immediacy, the record is celebrated for its effervescence and visceral hooks, even as the critic questions whether refinement and nuance were traded away. This framing answers who the best tracks on Bunky Becky Birthday Boy are - and why they stand out amid the album's lurid noise-pop rush.

Key Points

• The best song is “Wanna Start A Band?” because its guitar drive and hooky vocal make it emblematic of the album's return to immediacy.
• The album's core strengths are its maximalist noise-pop production and infectious melodies, balanced against a loss of the recent nuance.

Themes