Songs in A&E by Spiritualized⁺

Spiritualized⁺ Songs in A&E

80
ChoruScore
23 reviews
Established consensus
May 26, 2008
Release Date
Fat Possum
Label
Established consensus Broadly positive consensus

Spiritualized's Songs in A&E confronts mortality with a bruised tenderness and moments of churchlike uplift, offering a recovery narrative that critics call both harrowing and consoling. Across 23 professional reviews the record earned an 80.09/100 consensus score, and reviewers consistently point to a handful of songs

Reviews
23 reviews
Last Updated
Mar 23, 2026
Confidence
88%
Scale
0-100 critics
Primary Praise

The best song is "Borrowed Your Gun" because its shift from junkie lament to murder ballad anchors the album's emotional core.

Primary Criticism

The critic's overall tone is admiring but measured, valuing emotional resonance over grand reinvention.

Who It Fits

Best for listeners looking for illness and mortality and love and heartbreak, starting with Baby I'm Just A Fool and Sitting On Fire.

Standout Tracks
Baby I'm Just A Fool Sitting On Fire Borrowed Your Gun

Full consensus notes

Spiritualized's Songs in A&E confronts mortality with a bruised tenderness and moments of churchlike uplift, offering a recovery narrative that critics call both harrowing and consoling. Across 23 professional reviews the record earned an 80.09/100 consensus score, and reviewers consistently point to a handful of songs as the emotional fulcrums that make the collection memorable.

Critics agree that the best songs on Songs in A&E balance sparse, folk-rooted arrangements with sudden, soulful explosions. “Baby I'm Just A Fool”, “Sitting On Fire” and “Soul On Fire” are repeatedly singled out for their quiet grandeur and aching payoff, while “Borrowed Your Gun” and “Death Take Your Fiddle” embody the album's darker confessional streaks - junkie lament, hospital haunt and near-death imagery recur across reviews. Reviewers praised Jason Pierce's altered, rasping delivery and the record's back-to-basics approach: restrained instrumentation, gospel and blues inflections, and instrumental interludes that emphasize themes of addiction, recovery and spiritual agonies and ecstasies.

While most professional reviews framed the album as a moving, cohesive statement and a standout in Pierce's catalog, some critics noted unevenness when quieter folk textures give way to familiar noise eruptions. Overall the critical consensus suggests Songs in A&E rewards repeated listening - its juxtaposition of morbidity and beauty, and the standout tracks named above, make a compelling case that the record is worth seeking out. Read on for full reviews and track-by-track impressions.

Critics' Top Tracks

The standout songs that made critics take notice

1

Baby I'm Just A Fool

5 mentions

"Heaven, it ain’t easy / You know I’ve got the scars to say I’m here," he declares on the oddly catchy "Baby I’m Just a Fool"
PopMatters
2

Sitting On Fire

4 mentions

"Perhaps the most affecting track is the elegiac ‘Sitting On Fire’, which switches between heavy-hearted, downbeat strumming and mournful strings"
New Musical Express (NME)
3

Borrowed Your Gun

3 mentions

"The Waves Crash In" and "Borrowed Your Gun" are both deceptively simple melodies in waltz time, with heavenly string climaxes"
PopMatters
Heaven, it ain’t easy / You know I’ve got the scars to say I’m here," he declares on the oddly catchy "Baby I’m Just a Fool
P
PopMatters
about "Baby I'm Just A Fool"
Read full review
5 mentions
88% sentiment

Track Ratings

How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.

View:
1

Harmony 1 (Mellotron)

1 mention
43
00:24
2

Sweet Talk

0 mentions
04:04
3

Death Take Your Fiddle

6 mentions
74
03:13
4

I Gotta Fire

4 mentions
58
02:28
5

Soul On Fire

4 mentions
69
04:07
6

Harmony 2 (Piano)

0 mentions
00:42
7

Sitting On Fire

4 mentions
100
04:38
8

Yeah Yeah

3 mentions
29
02:28
9

You Lie You Cheat

6 mentions
67
03:04
10

Harmony 3 (Voice)

0 mentions
00:18
11

Baby I'm Just A Fool

5 mentions
100
07:07
12

Don't Hold Me Close

2 mentions
10
03:08
13

Harmony 4 (The Old Man...)

0 mentions
01:32
14

The Waves Crash In

2 mentions
58
04:08
15

Harmony 5 (Accordion)

0 mentions
01:03
16

Borrowed Your Gun

3 mentions
96
03:47
17

Harmony 6 (Glockenspiel)

0 mentions
00:50
18

Goodnight Goodnight

2 mentions
10
04:38

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What Critics Are Saying

Deep insights from 23 critics who reviewed this album

Critic's Take

Spiritualized's Songs in A&E feels like a confessional born from near-death, and the best songs prove it. The record's centerpiece, “Borrowed Your Gun”, is the key song here - a junkie lament that slips into murder-ballad territory and lingers. “I Gotta Fire” stomps like a big rocker, marrying Stone Roses jangle with Sonic Youth noise, while “Death Take Your Fiddle” carries the hospital haunt in its breathy production.

Key Points

  • The best song is "Borrowed Your Gun" because its shift from junkie lament to murder ballad anchors the album's emotional core.

Themes

illness and mortality love and heartbreak addiction religion/God sonic contrasts

Critic's Take

Spiritualized’s Songs in A&E lives and breathes in fragments of mortality and mercy, and the best songs on Songs in A&E are those that turn that delirium into something almost cathedral-like. The elegiac “Sitting On Fire” feels like the album’s emotional centre, Pierce intoning over mournful strings and downbeat strums. The standout “Soul On Fire” is the unashamedly uplifting song that redeems the record, simple lines swelling into something profound. Elsewhere “You Lie You Cheat” supplies a grinding, vengeful blues counterpoint that keeps the album honest and dangerous.

Key Points

  • “Soul On Fire” is the standout for its uplifting simplicity and emotional universality.
  • The album’s core strengths are its blend of tender, hospital-bed introspection and raw, vengeful blues, creating a shape-shifting emotional landscape.

Themes

near-death experience recovery and healing hospital imagery contrast between tenderness and rage soulful redemption

Critic's Take

Spiritualized⁺’s Songs in A&E often reads like a brush with mortality rendered as music, and the reviewer's ear keeps returning to “Soul On Fire” and “Baby I'm Just A Fool” as the album’s emotional apexes. Pierce’s voice, now more mortal and craggy, lends gravitas to shorter compositions such as “You Lie You Cheat” that still explode into instrumental freakouts. The record’s set of uplifting instrumentals and economical songcraft make the best tracks on Songs in A&E land with an uncanny prescience, and the centerpiece “Baby I'm Just A Fool” exemplifies how restraint gives way to white-hot noise. Overall, the album’s depth of feeling and sure-footed execution explain why these songs stand out as the best songs on Songs in A&E.

Key Points

  • The best song is the five-minute centerpiece “Baby I'm Just A Fool”, which grows from quiet marimba to white-hot noise.
  • The album’s core strengths are Pierce’s deep themes of mortality rendered with economical songcraft and emotionally resonant arrangements.

Themes

life and death addiction and recovery mortality spiritual agonies and ecstasies

Critic's Take

Spiritualized's Songs in A&E reads like a recovery narrative, and the review makes clear the best tracks crystallize that arc. The reviewer singles out “Sitting On Fire” as exquisite, a quietly thunderous highlight, and casts “Death Take Your Fiddle” as chilling, a counterpoint of pain. He also notes the old reverb returns on “Yeah Yeah” and “You Lie You Cheat,” placing them among the album's more immediate moments. Overall the tone is sober but admiring, framing these songs as the best tracks on Songs in A&E because they translate Pierce's ordeal into potent music.

Key Points

  • The best song, “Sitting On Fire”, is praised as an exquisite, quietly thunderous centerpiece translating Pierce's ordeal into music.
  • The album's core strengths are its themes of illness and redemption rendered through blues patterns, gospel warmth, and restrained yet emotive arrangements.

Themes

illness and recovery melancholy and redemption blues and gospel influence quieter emotive sound

Critic's Take

Spiritualized's Songs in A&E feels like a resurrection, its best tracks harnessing ache and uplift. The reviewer's voice lingers on “Death Take Your Fiddle”, where morbid, Townes Van Zandt-style country is haunted by a respirator, and on “You Lie You Cheat” whose foaming distortion resolves into beatific choral harmonies. Those songs, among the album's most affecting moments, explain why listeners ask which are the best songs on Songs in A&E - they balance grit and grace in Pierce's revived sound. The record is praised as his most moving since 1997, making the question of best tracks on Songs in A&E point squarely at these emotionally potent highlights.

Key Points

  • The best song, notably “Death Take Your Fiddle”, is powerful because it pairs morbid country with the wheeze of a respirator.
  • The album's core strength is its poignant juxtapositions—distortion and choral harmony—born from Pierce's near-fatal illness and revival.

Themes

revival illness and recovery gospel and blues fusion juxtaposition of morbidity and beauty
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May 15, 2008
80

Critic's Take

There is a bruised, grateful quality running through Spiritualized⁺'s Songs in A&E. The reviewer lingers on a few clear high points and praises the album's moments of tenderness and revelation. Chief among them is the billowing centrepiece, which the critic calls transfigurative and deeply familiar yet revelatory. Overall the voice is admiring but measured, grateful that Pierce survived to make these particular songs and framing them as the album's emotional core.

Key Points

  • The reviewer singles out "Baby I'm Just A Fool" as the album's transfigurative centrepiece.
  • The album's core strengths are its plaintive survival narrative and warm homely textures on tracks like "The Waves Crash In" and "Don't Hold Me Close".
  • The critic's overall tone is admiring but measured, valuing emotional resonance over grand reinvention.

Themes

illness and recovery religious imagery repetition and comfort instrumental interludes homey/folk textures

Critic's Take

Spiritualized⁺ makes a bruised, elegiac record with Songs in A&E, and the best songs are the ones that feel most desperately harrowing. The aching “Death Take Your Fiddle” reads like a post-apocalyptic confession, while the orchestral swells of “Sitting On Fire” and the waltzing climax of “Borrowed Your Gun” deliver the album's emotional payoffs. Jason Pierce's voice-cracking delivery and sparse, focused instrumentation make these tracks the standout moments on the record. Even when the album drifts into lullaby territory, the visceral center held by those songs keeps the record compelling.

Key Points

  • The best song is "Death Take Your Fiddle" because it channels Spaceman's near-death experience into harrowing, vividly produced music.
  • The album's core strengths are emotional intensity and orchestral climaxes that lift otherwise streamlined arrangements.

Themes

despair near-death experience drug mythology orchestration vs. rock mortality

Critic's Take

Spiritualized’s Songs in A&E finds its best songs in the fragile, confessional moments and the soulful explosions, namely “Soul On Fire” and “Borrowed Your Gun”. The reviewer’s voice is sardonic and lip-curled, noting how the album mixes mirth and resignation while praising the joyous, shiver-inducing blast of “Soul On Fire” and the languorous confessional beauty of “Borrowed Your Gun”. He also flags the unsettling closeness of death in “Death Take Your Fiddle”, which undercuts the record’s triumphs. Overall the best tracks on Songs in A&E are those that turn personal catastrophe into vivid, memorable songs rather than repeated past glories.

Key Points

  • The best song is “Soul On Fire” because its joyous, soulful blast stands out and will trigger shivers live.
  • The album’s core strength is turning near-death experience and confession into vividly crafted, melancholic songs.