Spiritualized⁺ Songs in A&E
Released May 26, 2008 Fat Possum
Established consensus 23 professional reviews Updated Aug 25, 2026
Broadly positive consensus
Spiritualized's Songs in A&E registers as a sober, often luminous testament to survival and the tug between mortality and melody.
How ChoruScore worksCritics' Top Tracks
The songs critics returned to most
Baby I'm Just A Fool
5 critic mentions
“Heaven, it ain’t easy / You know I’ve got the scars to say I’m here," he declares on the oddly catchy "Baby I’m Just a Fool” — PopMatters
Sitting On Fire
4 critic mentions
“Perhaps the most affecting track is the elegiac ‘Sitting On Fire’, which switches between heavy-hearted, downbeat strumming and mournful strings” — New Musical Express (NME)
Borrowed Your Gun
3 critic mentions
“The Waves Crash In" and "Borrowed Your Gun" are both deceptively simple melodies in waltz time, with heavenly string climaxes” — PopMatters
Full critic consensus
Spiritualized's Songs in A&E registers as a sober, often luminous testament to survival and the tug between mortality and melody. Across 23 professional reviews the record earned an 80.09/100 consensus score, and critics consistently point to sparse, gospel- and blues-inflected songs that translate Jason Pierce's near-death ordeal into moments of quiet grandeur and bruised redemption. Standout tracks repeatedly named by reviewers include “Death Take Your Fiddle”, “Sitting On Fire”, “Baby I’m Just A Fool” and “Borrowed Your Gun” - the best songs on Songs in A&E balance tenderness with a flash of rage or noise rather than the sprawling orchestral excess of past records.
The critical consensus emphasizes a back-to-basics approach: pared-down arrangements, folk textures, and restrained strings that let melody and feeling lead. Critics praise the album's thematic throughlines - hospital and religious imagery, recovery and addiction, life versus death - noting how those motifs surface in both intimate ballads and sudden eruptions of sound. While many reviews celebrate the record's emotional focus and the transfigurative power of tracks like “Death Take Your Fiddle” and “Soul On Fire”, some critics also flag moments of repetition and a cautious pullback from the grandeur that once defined Pierce's work.
Taken together, the reviews suggest Songs in A&E stands as a moving, measured chapter in Spiritualized's catalogue: not a triumphant reinvention so much as a compassionate, often essential set of songs that makes a convincing case for why the best tracks here feel both intimate and monumentally lived-in. Read on for full reviews and track-by-track reactions that explain which songs emerge as the album's lasting rewards.
Track Ratings
How critics rated each track, relative to this album (0-100). Only tracks that made critics feel something are rated.
Harmony 1 (Mellotron)
Sweet Talk
Death Take Your Fiddle
I Gotta Fire
Soul On Fire
Harmony 2 (Piano)
Sitting On Fire
Yeah Yeah
You Lie You Cheat
Harmony 3 (Voice)
Baby I'm Just A Fool
Don't Hold Me Close
Harmony 4 (The Old Man...)
The Waves Crash In
Harmony 5 (Accordion)
Borrowed Your Gun
Harmony 6 (Glockenspiel)
Goodnight Goodnight
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What Critics Are Saying
Deep insights from 23 critics who reviewed this album
Critic's Take
Spiritualized's Songs in A&E finds Jason Pierce pared down and ruthlessly direct, and the best songs show that economy at work. The aching centerpiece “Death Take Your Fiddle” embodies the album's tension between the will to live and the desire to die, while the garage romp “Yeah Yeah” proves Pierce can distill a classic pop thrill without orchestral excess. These are the best tracks on Songs in A&E because they place melody and feeling front and center, letting choir and strings support rather than smother the songs.
Key Points
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The best song, “Death Take Your Fiddle”, is best because it crystallizes Pierce's tension between life and death.
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The album's core strength is restraint: melody and feeling take precedence while orchestra and choir support rather than overwhelm.
Themes
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Critic's Take
Spiritualized's Songs in A&E feels like a confessional born from near-death, and the best songs prove it. The record's centerpiece, “Borrowed Your Gun”, is the key song here - a junkie lament that slips into murder-ballad territory and lingers. “I Gotta Fire” stomps like a big rocker, marrying Stone Roses jangle with Sonic Youth noise, while “Death Take Your Fiddle” carries the hospital haunt in its breathy production.
Key Points
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The best song is "Borrowed Your Gun" because its shift from junkie lament to murder ballad anchors the album's emotional core.
Themes
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Critic's Take
Spiritualized⁺’s Songs in A&E often reads like a brush with mortality rendered as music, and the reviewer's ear keeps returning to “Soul On Fire” and “Baby I'm Just A Fool” as the album’s emotional apexes. Pierce’s voice, now more mortal and craggy, lends gravitas to shorter compositions such as “You Lie You Cheat” that still explode into instrumental freakouts. The record’s set of uplifting instrumentals and economical songcraft make the best tracks on Songs in A&E land with an uncanny prescience, and the centerpiece “Baby I'm Just A Fool” exemplifies how restraint gives way to white-hot noise. Overall, the album’s depth of feeling and sure-footed execution explain why these songs stand out as the best songs on Songs in A&E.
Key Points
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The best song is the five-minute centerpiece “Baby I'm Just A Fool”, which grows from quiet marimba to white-hot noise.
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The album’s core strengths are Pierce’s deep themes of mortality rendered with economical songcraft and emotionally resonant arrangements.
Themes
Critic's Take
Spiritualized's Songs in A&E reads like a recovery narrative, and the review makes clear the best tracks crystallize that arc. The reviewer singles out “Sitting On Fire” as exquisite, a quietly thunderous highlight, and casts “Death Take Your Fiddle” as chilling, a counterpoint of pain. He also notes the old reverb returns on “Yeah Yeah” and “You Lie You Cheat,” placing them among the album's more immediate moments. Overall the tone is sober but admiring, framing these songs as the best tracks on Songs in A&E because they translate Pierce's ordeal into potent music.
Key Points
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The best song, “Sitting On Fire”, is praised as an exquisite, quietly thunderous centerpiece translating Pierce's ordeal into music.
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The album's core strengths are its themes of illness and redemption rendered through blues patterns, gospel warmth, and restrained yet emotive arrangements.
Themes
Critic's Take
Spiritualized’s Songs in A&E lives and breathes in fragments of mortality and mercy, and the best songs on Songs in A&E are those that turn that delirium into something almost cathedral-like. The elegiac “Sitting On Fire” feels like the album’s emotional centre, Pierce intoning over mournful strings and downbeat strums. The standout “Soul On Fire” is the unashamedly uplifting song that redeems the record, simple lines swelling into something profound. Elsewhere “You Lie You Cheat” supplies a grinding, vengeful blues counterpoint that keeps the album honest and dangerous.
Key Points
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“Soul On Fire” is the standout for its uplifting simplicity and emotional universality.
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The album’s core strengths are its blend of tender, hospital-bed introspection and raw, vengeful blues, creating a shape-shifting emotional landscape.
Themes
Critic's Take
Spiritualized's Songs in A&E feels like a resurrection, its best tracks harnessing ache and uplift. The reviewer's voice lingers on “Death Take Your Fiddle”, where morbid, Townes Van Zandt-style country is haunted by a respirator, and on “You Lie You Cheat” whose foaming distortion resolves into beatific choral harmonies. Those songs, among the album's most affecting moments, explain why listeners ask which are the best songs on Songs in A&E - they balance grit and grace in Pierce's revived sound. The record is praised as his most moving since 1997, making the question of best tracks on Songs in A&E point squarely at these emotionally potent highlights.
Key Points
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The best song, notably “Death Take Your Fiddle”, is powerful because it pairs morbid country with the wheeze of a respirator.
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The album's core strength is its poignant juxtapositions—distortion and choral harmony—born from Pierce's near-fatal illness and revival.
Themes
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Critic's Take
Spiritualized⁺’s Songs in A&E is a quieter, more world-weary record that makes its best tracks linger: “Baby I’m Just A Fool” emerges as the key track, a gentle folksy strum that encapsulates the album’s warmth, while “Sitting On Fire” provides quiet grandeur with strings and acoustic poise. The band largely favors delicate, folksier melodies over past bursts of garage rock, so searches for the best songs on Songs in A&E will repeatedly find those two as standout moments. Even when guitars surface on “You Lie You Cheat”, they feel measured, reinforcing why these quieter numbers are the album’s true highlights.
Key Points
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The gentle folksy strum and intimacy of “Baby I’m Just A Fool” make it the album’s standout.
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Songs in A&E’s core strengths are its delicate, folksier melodies and sparse, organic arrangements that emphasize quiet grandeur.
Themes
Critic's Take
There is a bruised, grateful quality running through Spiritualized⁺'s Songs in A&E. The reviewer lingers on a few clear high points and praises the album's moments of tenderness and revelation. Chief among them is the billowing centrepiece, which the critic calls transfigurative and deeply familiar yet revelatory. Overall the voice is admiring but measured, grateful that Pierce survived to make these particular songs and framing them as the album's emotional core.
Key Points
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The reviewer singles out "Baby I'm Just A Fool" as the album's transfigurative centrepiece.
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The album's core strengths are its plaintive survival narrative and warm homely textures on tracks like "The Waves Crash In" and "Don't Hold Me Close".
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The critic's overall tone is admiring but measured, valuing emotional resonance over grand reinvention.
Themes
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Critic's Take
Spiritualized⁺ makes a bruised, elegiac record with Songs in A&E, and the best songs are the ones that feel most desperately harrowing. The aching “Death Take Your Fiddle” reads like a post-apocalyptic confession, while the orchestral swells of “Sitting On Fire” and the waltzing climax of “Borrowed Your Gun” deliver the album's emotional payoffs. Jason Pierce's voice-cracking delivery and sparse, focused instrumentation make these tracks the standout moments on the record. Even when the album drifts into lullaby territory, the visceral center held by those songs keeps the record compelling.
Key Points
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The best song is "Death Take Your Fiddle" because it channels Spaceman's near-death experience into harrowing, vividly produced music.
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The album's core strengths are emotional intensity and orchestral climaxes that lift otherwise streamlined arrangements.
Themes
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Critic's Take
Spiritualized’s Songs in A&E finds its best songs in the fragile, confessional moments and the soulful explosions, namely “Soul On Fire” and “Borrowed Your Gun”. The reviewer’s voice is sardonic and lip-curled, noting how the album mixes mirth and resignation while praising the joyous, shiver-inducing blast of “Soul On Fire” and the languorous confessional beauty of “Borrowed Your Gun”. He also flags the unsettling closeness of death in “Death Take Your Fiddle”, which undercuts the record’s triumphs. Overall the best tracks on Songs in A&E are those that turn personal catastrophe into vivid, memorable songs rather than repeated past glories.
Key Points
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The best song is “Soul On Fire” because its joyous, soulful blast stands out and will trigger shivers live.
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The album’s core strength is turning near-death experience and confession into vividly crafted, melancholic songs.