Sprints All That Is Over

Critic's Take

In his brisk, exacting voice Adam White finds the best tracks on All That Is Over in songs that pair hurt with pugilistic momentum - “Abandon” and “To the Bone” leap out as the album’s fiercest moments. White praises Karla Chubb’s delivery for turning bleak lines into galvanising invective, noting how “Need” and “Something’s Gonna Happen” convert rage into gleeful provocation. He frames the record as smarter and louder than before, a confident second album that thrives on urgency and grit. The review reads like a rallying call: these are the best tracks on All That Is Over because they make the band sound newly fearless and vividly alive.

Key Points

• “Abandon” is best because it sets the bleak, galvanising tone and showcases Karla Chubb’s intoned delivery.
• The album’s core strengths are urgent vocals, sharp lyrics, and a louder, more confident band sound.

Themes

Critic's Take

Fans of Sprints will find the best tracks on All That Is Over trading full-bore exorcism for sculpted control, and the best songs on All That Is Over are those that still summon fire. The record’s clearest triumph is “Something's Gonna Happen”, a classic slow-burn-into-intense-rager that delivers the genuine danger you crave. Elsewhere, confident choruses make “Beg” and “Pieces” feel authoritative, while the penultimate “Coming Alive” gives the album its boldest melodic hook.

Key Points

• ‘Something's Gonna Happen’ is the best song because it restores the band’s classic slow-burn-to-rager intensity.
• The album’s core strengths are sculpted, anthemic choruses and confident, melodic hooks balanced against moments where measured songwriting tempers raw ferocity.

Themes

Critic's Take

Sprints retain their raucous, urgent post-punk on All That Is Over, but the record also lets quieter textures breathe, which makes the best tracks stand out. The ominous, metal-singed “Something's Gonna Happen” is a full-throated highlight, while the racing, distortion-drenched “Pieces” hits like a cathartic release. Equally vital are the opening pair, the whispery “Abandon” and the gradually crescendoing “To The Bone”, which set up the record's dynamic peaks and valleys. For listeners searching for the best songs on All That Is Over, those four tracks best encapsulate its push-pull of menace and melody.

Key Points

• The best song is the ominous, metal-singed "Something's Gonna Happen" because its full-throated intensity crystallizes the record's cathartic power.
• The album's core strengths are its push-pull dynamics between hard, pummeling post-punk and quieter, gradually building textures that amplify emotional impact.

Themes

Critic's Take

In a voice that never softens, SPRINTS make All That Is Over feel like an urgent document of burnout and menace, where “Abandon” and “Better” stand out. The record swings between frayed dynamics and explosive choruses, and the reviewer singles out “Abandon” for its ominous opening and “Better” as a shoegaze-tinged highlight. There is generous praise for the band refusing second-album collapse, and the narrative leans on sharp, specific moments to explain why these are the best tracks on All That Is Over.

Key Points

• “Better” is the best for its shared vocals, shoegaze haze and status as the album highlight.
• The album’s core strength is its restless, frayed punk energy that balances menace with melodic moments.

Themes

Critic's Take

Sprints arrive bristling on All That Is Over, a record that channels touring fury into razor-sharp songs. The reviewer highlights the brilliant final one-two of “Coming Alive” and “Desire” as the album's most melodic and sparse moments, and singles out “Better” as where the band gets most experimental. Meanwhile the relentless rage of “Descartes” and “Beg” keeps the record rooted in political punk, making these the best tracks on All That Is Over for listeners who want both bite and inventiveness. The result is a visceral, ingenious set that keeps Sprints at the top of their class.

Key Points

• The final one-two of "Coming Alive" and "Desire" are the album's best for their melodic sparsity and emotional payoff.
• The album's core strengths are its palpable anger, political punk energy, and moments of inventive melody borne from touring momentum.

Themes

Critic's Take

Sprints's All That Is Over reads like a masterclass in controlled fury, where the best tracks - “Abandon” and “Rage” - trade brute force for uncanny poise. The reviewer revels in Karla Chubb's rock star mode on “Abandon”, and celebrates how “Rage” marries Amyl And The Sniffers-style belligerence with theological nods. Likewise “Descartes” is singled out for clever wordplay and wiry guitar work that typifies the album's fierce intelligence. In short, the best songs on All That Is Over balance menace and control, restoring faith in alternative rock with swagger and smarts.

Key Points

• The best song, "Abandon", is best for its controlled menace and Karla Chubb's commanding rock star delivery.
• The album's core strengths are its fierce intelligence, literate references, and balance of poise and power.

Themes

Critic's Take

SPRINTS’s All That Is Over feels definitively like autumn, a spooky and diverse soundscape that channels atrocity and personal turmoil. The reviewer singles out “Need”, “Pieces” and “Better” as the songs to listen to, because they crystallise Karla Chubb's sharp lyrics and the band’s eerie mood. The account is vivid and exacting, noting drums and bass that set a spine-tingling tone while Chubb’s lines pierce like a sword. For anyone asking about the best tracks on All That Is Over, those three emerge as the record’s clearest highlights in this review.

Key Points

• The best song is one of the recommended trio (“Need”, “Pieces”, “Better”) because they crystallise Chubb's sharp, piercing lyrics and the record's eerie mood.
• The album’s core strengths are its autumnal, spooky soundscape and its fusion of political and personal turmoil with punk urgency.

Themes

Critic's Take

Sprints do not consolidate, they burn everything down on All That Is Over, and the best tracks show why. The record opens with “Abandon” which creeps rather than explodes, letting dread and air widen the song so Karla Chubb’s line cuts through. “Descartes” is the clearest statement of intent, a single that turns philosophy into a frustrated mantra and one of the best songs on All That Is Over. Elsewhere “Rage” and “Desire” push the band into swagger and atmospherics, proving the best tracks on the album are those that stretch the band into new, darker spaces.

Key Points

• The best song is "Abandon" because it immediately opens space and features a defining vocal line about change and survival.
• The album’s core strengths are its expanded sonic palette, emotional urgency, and Karla Chubb’s knife-sharp, defiant vocals.

Themes