Summer Walker Finally Over It

Critic's Take

Summer Walker arrives with Finally Over It trading her jagged specificity for polished 1990s slow jams, and the best songs prove she still commands the room - “Robbed You” and “Go Girl” stand out as the album's sharpest moments. Rawiya Kameir writes with amused impatience, noting that on “Robbed You” Walker's hook and chemistry with Mariah the Scientist revive the record's narrative bite, while on “Go Girl” her clipped self-appraisal finds natural rhythm with Latto. The record works best when Walker leans into the self-sabotaging, pistol-toting heroine of earlier records, which is why listeners asking for the best tracks on Finally Over It should start with those features. Overall, the double LP's polish sometimes smothers Walker's most distinctive impulses, but its highlights still make a persuasive case for her voice.

Key Points

• The best song is "Robbed You" because Walker's hook and duet restore the record's narrative bite and chemistry.
• The album's core strengths are its polished 90s R&B production and occasional sharp guest turns, though polish sometimes mutes Walker's distinctive specificity.

Themes

Critic's Take

Summer Walker arrives liberated on Finally Over It, and the best songs - notably “Stitch Me Up” and “Baller” - prove why this final chapter matters. The reviewer's voice stays candid and intimate, praising the raw catharsis of “Stitch Me Up” while celebrating the irrepressible energy of “Baller” as the album's girl-anthem payoff. Features get called out with bluntness - some drag tracks down, others land - but the record's emotional core and Walker's autonomy keep the best tracks resonant. Overall, these standouts make this instalment a satisfying close to a trilogy that maps messy love with aching specificity.

Key Points

• ‘‘Stitch Me Up’ is the album’s most powerful ballad, its raw autobiographical cry provides the emotional heart of the trilogy.
• The album’s core strengths are Walker’s confessional lyrics, emotional catharsis, and moments of female empowerment balanced against uneven features.

Themes

Critic's Take

Summer Walker borrows the language of old-school R&B and repopulates it on Finally Over It, and the best songs - notably “Go Girl” and “No” - are the ones that most vividly fuse that classic lushness with contemporary attitude. The record’s sweetest moments arrive when she blends lean hip-hop energy and plush vocal stacking, so the best tracks on Finally Over It feel both nostalgic and immediate. Her duet turns - from the roast of love on “Baby” to the country-tinged “Allegedly” - underline why these standout songs dominate the album’s narrative. In short, the best songs on Finally Over It are those that let Walker lean into genre textures while keeping her mouthy, rueful persona in full effect.

Key Points

• The best song(s) succeed by marrying classic R&B textures with contemporary production and Walker’s fuller layered vocals.
• The album’s core strengths are lush, nostalgic production and confident genre experiments that expand Walker’s palette.

Themes

Critic's Take

Summer Walker frames Finally Over It as a slow-burning, diaristic triumph where the best tracks - “Scars”, “Heart Of A Woman” and “1-800 Heartbreak” - do the heavy emotional lifting. Shahzaib Hussain praises Disc 1 as the stronger suite, describing the nine opening songs as more compelling and potent than the second disc. The review highlights Walker's knack for confessional RnB, noting how lush production and aching monologues keep songs like “Heart Of A Woman” grounded. Even when Disc 2 falters, the album balances style with substance, making the best tracks the clear search answer for "best songs on Finally Over It".

Key Points

• Disc 1’s songs like "Scars" deliver the album’s emotional core, making them the best tracks.
• The album’s core strengths are confessional songwriting, lush production, and Walker’s candid vocal monologues.

Themes